Sentences with phrase «number of painting layers»

In 1973, Stamm began making conceptually - driven work based on chance systems — rolling dice or spinning a roulette wheel — that would determine the format and number of painting layers for a specific work.

Not exact matches

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

Yucca Valley is reached after a drive that descends through a layered spread of heavily grassed land to almost paint - by - numbers clarity in the tapestry effect of the landscape.

I work with a number of mediums such as paint, plaster, metal mesh, silk, collage, and styrofoam, developing layered surfaces.

For his «Chance» series, Stamm invented a system whereby the rolling of a dice or spinning of a roulette wheel would determine the format of the specific work and the number of layers of paint.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and conPaintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and conpaintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

The exhibition begins with a recreation of a seminal wall mural from 1986, as well as a number of the artist's monochromatic paintings, including an important gray painting from 1973 featuring undecipherable text and a monumental gray grid painting from 2009 that the artist layered over one of his vibrant Spot Ppaintings, including an important gray painting from 1973 featuring undecipherable text and a monumental gray grid painting from 2009 that the artist layered over one of his vibrant Spot PaintingsPaintings.

Over the past number of years I have worked in thematic series, beginning each with a conceptual framework and then allowing the layered painting processes to determine the eventual form and content of the work.

Half a dozen larger works will be on display as well as a number of pieces from the artists «Incising» series where acrylic paintings on clayboard are lightly carved to exposing the underlining color forms, continuation in the artists curiosity with layering, movement and linear connections.

Echoing Reich's music, the artist increases the number of silkscreen layers in each painting until the words verge on abstraction.»

In the Hammer's lobby gallery, he has ground away multiple layers of paint and wall to create a massive map of the United States in which each state is labeled with its statistical number of AIDS cases as of 2009.

Dan Miller (b. 1961, Castro Valley, CA) spends the majority of each day drawing, painting, typing, or otherwise rendering a dizzying array of letters and numbers into layered abstractions.

In an exploration of new relations between scale, light, process and chance, the surface is textured through a number of layers of paint varying in shade and depth of relief.

In the Stare series, the artist uses a single found image as a starting point for a number of works, with the face of the subject repeatedly reworked in layers of paint.

«Each painting is slowly and gradually built up from many thin, translucent layers of paint over a number of months.

Consisting of a number of panels, his abstract paintings are made of thick layers of the oil paint which create textured surfaces.

Born in Ireland and based in America, this painter and printmaker often works with a number of panels, to which he applies thick layers of paint.

Atmospheric scientist Dr. Hendrik Tennekes, a scientific pioneer in the development of numerical weather prediction and former director of research at The Netherlands» Royal National Meteorological Institute, and an internationally recognized expert in atmospheric boundary layer processes, «I find the Doomsday picture Al Gore is painting - a six - meter sea level rise, fifteen times the IPCC number - entirely without merit,» Tennekes wrote.