Sentences with phrase «number of these paintings more»

Bridget Riley: The Stripe Paintings 1961 — 2014, the current exhibition at David Zwirner Gallery in London, gathers together a considerable number of these paintings more than 10 years after the last retrospective of her work was held at the Tate Modern in 2003.

Not exact matches

That being said, we only estimate this number because Tesla does not report it, and to not put a number on Model S sales would be to paint an even more inaccurate overall picture of EV sales.

These numbers paint a picture of negativity among the Canadian public, and one that has worsened the more Canadians have seen from the US leadership.

Although the theologian can not be programmed for success, any more than an artist can paint by number, there are several guidelines concerning the theologian's setting and posture that can be offered by way of conclusion.

The painting is far more beautiful than the wall because it incorporates into itself a far larger number of discrete elements.

We provide a number of finishing capabilities, including: polishing, oxidation removal, blasting, coating, painting, galvanizing, anodizing, and more.

First synthesized more than a century ago, DMSO is a natural by - product of wood - pulp manufacture and has been used for decades as an industrial solvent, paint thinner and additive in a number of chemical products.

The club self - evidently has failed to move up the league, after coming second a year ago, and so with that image of failure painted by the press, and all the continuing issues with placards and planes last season, the club is certainly not the first choice of top players any more — as witness the number of players allegedly seeking to leave.

Now, the same groups have built more elaborate models that paint a detailed picture of how the British countryside was ravaged by the FMD virus, taking into account things such as the location of every farm, the estimated number of pigs, cattle, and sheep each farm contained, as well as exhaustive data about the spread of the disease and the culling process.

The program tries to find shortcuts to store an image in the smallest number of bits — the more complex the piece, the longer the string of digits used to store the painting on the hard drive, offering a more objective measure that human judgement.

Myth Number Two: «There is no proof that Bioidentical Hormones are safer and more effective than synthetic hormones... All of the evidence that we have suggests that all of these hormones should be painted with the same brush,» This is incorrect and misleading.

Chauvet Cave in the valley of the Ardèche River in France is filled with paintings, engravings and drawings created more than 30 000 years ago, of cave The Symbolism and Spiritual Significance of the Number Nine By Dee Finney and others as named..

The always - appreciable Dana Delany does her level best to lift Body of Proof, a paint - by - numbers morgue drama premiering Tuesday night on ABC, from its stale premise and up to the level of a beautifully - flawed - character study, something more akin to Julianna Margulies's legal procedural, «The Good Wife.»

Mark Young's paint - by - numbers creature epidemic is accessible in its breezy assertion of horror beginnings, but may leave more advance genre fans scratching an itch for something more involved.

What's most astonishing is this paint - by - numbers B - movie is little more than a $ 90 million episode of «The Dukes of Hazzard».

Paintings by troubled singer Chris Brown have sold for more than $ 60,000 (# 37,500) at auction.The Kiss Kiss star created a number of works with...

The challenge might as handily have been provoked by numerous interpersonal events of a more explicitly private nature (but these lack the cachet of apparent social comment); for the most compelling relationships in the film and the narrative turns they generate are satisfyingly free of 1:1, paint - by - the - numbers cause and effect.

Rotten: This is a paint - by - numbers procedural that expects the audience to know the history of Watergate, hits the ground running - but then feels more like a steady jog through the past than a fast - paced thriller.

What's more, this is a bold and brave filmmaking decision, meaning we're not going to get a paint - by - the - numbers remake, and Blumhouse has always given a huge amount of creative control to their filmmakers, so we won't have to worry about some clueless businessman making creative decisions.

Whilst the minutia of the modern - day Robin Hood - style caper is more detailed, the narrative is a paint - by - numbers affair.

I spent this morning diving into the new NAEP numbers in an effort to paint a more complete picture of student achievement in DC over the past decade, which included the three tumultous years of Michelle Rhee's chancellorship.

A number of special editions, which were nothing more than different paint colours and some stickers, followed before the Integrale was phased out in 1994.

Unlike the previous test vehicle, which was painted in a rather dull shade of light grey, the 2 Series depicted in our new photos wears a more attractive shade of white and sports a number of different features.

I apologize if this is much more in depth than you asked for but I think painting a complete picture of our assumptions is important whenever we talk about numbers.

James Allen makes designing your own ring slightly more user - friendly than Blue Nile, in a paint - by - numbers sort of way, as it gives you the option to choose the setting first, then the diamond, or vice versa.

Super Crunchers is a more full version of James Montier's 2006 research report, Painting By Numbers: An Ode To Quant, providing several more anecdotes in support of Montier's thesis that simple statistical models outperform the best judgements of experts.

This report paints a clear and urgent picture of the situation in the Netherland, with largely stable number... More

The National Gallery of the Cayman Islands is a multi-media gallery, featuring a number of works in sculpture, paint, photography, and more.

That said, we expect the July NPD numbers to paint a more complete picture of the game's eventual success or failure as the Wii's great hardcore hope.

Splatoon 2, on the surface, may appear to be a «by the numbers» sequel, but it's inherently more than a fresh coat of paint.

The answer, perhaps, is more than ten, the number of Vermeers in «Vermeer and the Masters of Genre Painting,» which opened at the National Gallery in October («#VermeerDC») and travels to the National Gallery of Ireland and the Louvre in 2018.

A number of especially romantic paintings are notable for their brushy, atmospheric depths; they depict more - or-less real objects overwhelmed by preternatural forces... Experienced together, the paintings conjure a vibrant, eclectic mysticism, based in fertile allusions and buoyant color and texture.

Also, there is an extremely small number of painters here in San Diego, that I've met anyway, who are serious «modern» perceptual painters — lots of plein - air type painters who have a more regional focus but very few people painting more contemporary realism from life.

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Dylan Kerr caught up with the Swedish artist to learn how his version of paint - by - numbers has led him back to a more emotive, idiosyncratic appreciation of art.

Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.

More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance, with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptuPainting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptupainting in an artistic climate dominated by conceptual work.

The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).

Over time, Halley's compositions have become more intricate, as he has increased the number of conduits, prisons, and cells in each painting.

I was reeling in patterns, an untold number of them, made from more than eight thousand striations running the full length of a painting.

Significant donors include Dr. and Mrs. Harold L. Tonkin, who bequeathed a large portion of their collection of Asian ceramics and decorative arts along with numerous European paintings with Asian themes; Dr. William E. Harkins, who has donated more than 150 Japanese prints to the museum since the mid-1970s; Mary Jane Harris and her late husband, Morton, who have given several Italian Baroque paintings with a number more promised; Joseph and Janet Shein, who have donated more than two dozen contemporary paintings and sculptures since 2000; and, of course, Barbara Palmer and her late husband, James, who have not only made great contributions to the museum's collection of American art but also gave $ 2 million in 1986 to initiate the campaign to expand the museum.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

The earliest specimen in the show is a 1968 work «Untitled DSS 120,» of ten stainless steel boxes with warm amber Plexiglas, while the most recent work, «Untitled (Bernstein 90 - 11)» (1990), is a more austere anodized aluminum number lacquered in black autobody paint with clear Plexiglas.

Arranged in snugly painted linear strips, one alongside the next, Number 4 - 32 is distinguished by its wide range of commingled stripes — one of the artist's more complex and varied arrangements — containing no less than ten different colors.

The path to uncovering the paintings» identities and provenance included finding an overlooked note buried deep in the archives of the French Diplomatic Archive Center of the Ministry of Foreign and European Affairs, revealing the paintings» rightful owner; decoding an erroneous transcription of Nazi inventory numbers; and untangling the conflation of the two paintings with two other works ascribed to Murillo, a case of misidentification that had extended more than 100 years.

Number 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip techNumber 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technumber of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technique.

He has also painted a large number of out - of - doors watercolours which express much the same ideas as his egg tempera works, but in a more relaxed and joyous mood.

A genre more associated with painting, an interest in the environment grounds a number of recent artists» films

One of the best - known accounts of an early Rauschenberg painting undergoing episodes of change involves Untitled [small black painting](1953, fig. 3), a work that belonged to John Cage (1912 — 1992) for more than thirty years and shares a number of similarities with the painting under discussion here.