Sentences with phrase «number painting technique»

I used a fun paint - by - number painting technique to add bright coral colors on top of pink cabbage roses.

Not exact matches

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

The basic technique I've used here is to gently apply the tip and then the broad part of my number 12 round brush, painting in almost a sweeping diagonal motion across the wall.

«One: Number 31» (1950), among the handful of very large paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique.

Presently, a number of contemporary artists use the watercolor techniques to help form some of the best examples of contemporary drawings and paintings.

Number 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip techNumber 32 is one of a small number of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technumber of more intimate 1949 paintings in which the artist more fully explored the subtleties of the drip technique.

I totally admire David's ability to create amazing landscapes with the minimum number of brushstrokes and colours, and his use of negative painting and «lost and found» techniques creates breathtaking results which one day I hope to be able achieve myself.

Working with unconventional materials and techniques, Uklański resuscitates artistic vernaculars from a number of various historical movements, adopting the idioms or «dialects» of Art Informel, Color Field Painting, Abstract Expressionism and Fiber Art, among others.

Joan Miró used this technique in a number of paintings he made between 1925 and 1927.

Pollock experimented with a number of styles before eventually developing a vigorously gestural technique, dripping and spattering paint across his canvases in a seemingly random way.

Johns continued to work using this technique, making paintings of targets, letters, numbers and maps.

Richard Prince has observed that Dahn's work «went through an incredible number of styles of painting very quickly,» tearing through techniques, moods, and approaches to material and application in his work, even while adhering to figuration and a consistent engagement with popular music, as well as a consistent interest in mixing imagery drawn from disparate sources.

I was really interested in a number of question: what is a painting; how could so little could provoke so much looking; what is the basis for the artist of this kind of work; is this a reduction or expansion of painting, i.e., is minimalist painting additive (starting from zero) or subtractive (a removing from painting of other subjects, techniques, concerns); how are decisions made by the artist; what are the differences between similar kinds of work, and how does an individual resist the urge to fix things up, design, and decorate.

Incorporating the vocabulary of tracking numbers and of various discarded materials, the paintings allude to various techniques of mechanical reproduction to explore traces left of relationships.

JBK: Various techniques, textures, paint mediums and number of applications build up your paintings like sculptures.

The paint - by - number technique has a recreational reference commonly associated with childhood and the suburban setting.

After experimenting with the technique in the late 1950s, from the mid-1960s he made a number of free - standing cut - out figure works painted on wood or aluminium, such as Rudy and Edwin (1968).

The unique materials, techniques and histories are as varied as the number of works — from generative digital video to found street detritus to oil paint.

Exhibited at the Washington Gallery of Modern Art in 1967, Number 36 belongs to a specific subset of Stripe paintings in which Louis exploits a new technique: allowing paint to drain off the bottom of the canvas, he carefully manipulates the top ends of the stripes using a long daubing stick with cheesecloth wrapped around one end.

Other than paintings and sculptures, the artist produced a number of prints for which he used different techniques: lithographs, screenprints, etchings and woodcuts.

My question was about brushes for acrylic paint, which numbers and shapes I should buy for my acrylic brush set to be perfect for any kinde of techniques?

Now a global phenomenon, Annie Sloan first developed the Chalk Paint ® range in 1990 to answer the need she had for a versatile paint that would work beautifully on furniture without priming or sanding; that would be easy to use and quick to dry; and that could be used for a number of different paint techniques.

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