Sentences with phrase «numbers on a sheet of paper»

Performance is more than just numbers on a sheet of paper.

Not exact matches

When Jennings showed up in March 1945, at age 20, there were approximately 70 women at Penn working on desktop adding machines and scribbling numbers on huge sheets of paper.

If you took a sheet of paper and filled it with zeros, then reproduced zeros on sheets of paper lined up across the entire universe, 15 billion light years across, that number would still be smaller than 1010 (123).

Give your guests a sheet of paper with the numbers on it and have them write down their guesses for each food.

«Today, again, we're handed a sheet of paper with numbers on it,» Holmquist said inside the Republican caucus before the meeting.

I told him nope, that the number was part of a prosecution exhibit of Savino's handwritten notes on a sheet of yellow - lined paper shown to spectators and jurors in a courtroom at the Alfonse M. D'Amato U.S. Courthouse in Central Islip.

The idea is the following: on a sheet of paper the red numbers from 1 to 15 and black numbers from 1 to 24 are randomly spread.

Sometimes we just want to see that hint of panic as they number 1 to 10 on their half sheets of paper (afterall, many of us experienced the «gotcha» quiz as students!)

A former Costano teacher told the paper that a school administrator had encouraged him to cheat on the exams, and a subsequent examination of the students» actual answer sheets revealed an unusually high number of erasure marks where answers had been changed from wrong to right.

Write the number facts that add up to 10 on a sheet of paper.

Webster's dictionary still defines a book as «a number of sheets of paper, parchment, etc. with writing or print on them, fastened together along one edge, usually between protective covers.»

Make a complete list of all your program numbers on a small sheet of paper, have it laminated and carry it in your small wallet.

HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989, on white handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.

HELEN FRANKENTHALER Madame Butterfly woodcut in colors, 2000, on three sheets of wove paper, signed in pencil, numbered 31/33 (there were also 14 artist's proofs), published by Tyler Graphics, LTD., Mount Kisco, New York, the full sheets, each sheet hinged in places at the reverse of the sheet to the support (with associated soft rippling), otherwise apparently in very good condition, not examined out of the frame Overall: 41 x 79 in.

TALES OF GENJI V Color woodcut, 1998, on rust TGL handmade paper, signed and numbered 11/36 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 26 3/4 x 39 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Bilbao lithograph in colors, on wove paper, 1998, signed and dated in pencil, numbered 72/150, published by Art of This Century, New York, the full sheet, in very good condition, framed Sheet: 35 1/2 x 47 1/sheet, in very good condition, framed Sheet: 35 1/2 x 47 1/Sheet: 35 1/2 x 47 1/4 in.

HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971, on J.B. Green Hayle Mill English handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.

Helen Frankenthaler Four Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered foxing).

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

The work plays with our assumptions on what constitutes sculpture: a white cuboid only at a close distance reveals to be composed of sheets of A4 office paper, painstakingly stacked one on top of the other, each reproducing the page number in the sequential order in which they were printed to reach a set height.

Jack Tworkov, «TL # 3,» Lithograph, 1977, signed, dated, titled and numbered from the edition of 10, printed at Tamarind Institute, with blindstamp in the lower - left sheet corner (and also that of the collaborating master printer), on Arches paper, printed to the edge of the sheet, sheet size: 26 x 26 inches.

Woodcut and screenprint on 3 - ply Supra 100 paper; from the numbered edition of 45, plus 14 APs, 1RTP, 1 PPII, 3 GEL, 1C, 6SP Signed, numbered and dated in pencil on recto, Gemini blindstamp on recto; Published by Gemini G.E.L., Los Angeles, CA Catalogue Raisonné # 1365; Image: 57.5 x 79 inches; Sheet: 63 x 88 inches; Framed: 65.5 x 91 inches; Estimate: $ 30,000 / $ 40,000

Tracey Emin (b. 1963) Birds 2012 lithograph in blue, 2011, on wove paper, signed, dated and titled in pencil, numbered 233/300 (there were also thirty artist's proofs), published by Counter Editions, London, apparently in very good condition, unexamined out of the frame Image 645 x 490 mm., Sheet 760 x 601 mm.

The exhibition included a number of his best - known works, from the installation Work No. 227 The Lights Going On and Off (2000), Work No. 293 A sheet of paper crumpled into a ball (2003), to his epic sculpture Work No. 1092 MOTHERS (2011).

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji III, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 33/36 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/Sheet: 46 5/8 x 41 5/8 in.

Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 6/136 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinges at the reverse of the upper sheet corners with very soft associated creasing, otherwise in excellent condition, framed S. 27 x 39 9/16 in.

Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in

HELEN FRANKENTHALER Sirocco (H. 167) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 20/52 (there were also 11 artist's proofs), published by Mixografia, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 37 3/8 x 35 in.

Other items featuring Dawoud Bey: Contact Sheet 51 (SOLD OUT) Contact Sheet 53 Contact Sheet 124: Embracing Eatonville Contact Sheet 152: Light Work Annual 2009 Contact Sheet 173: 40 Artists 40 Years Five Children, Syracuse, NY, 1985 by Dawoud Bey (SOLD OUT) Scott Connaroe Trailer Park, Wendover, UT, 2008 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist $ 300

HELEN FRANKENTHALER Solar Imp screenprint in colors, 2001, on Somerset rag paper, signed in pencil, numbered 53/126 (there were also 18 artist's proofs), published by The Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 39 1/4 x 29 7/8 in.

Helen Frankenthaler, East and Beyond (Harrison 41) Woodcut printed in colors, 1973, signed in pencil, dated» 73 -»74 and inscribed «Trial proof with Orange 2/2», a proof aside from the numbered edition of 18, on Nepalese handmade paper, with the publisher's blindstamp, ULAE, West Islip, NY, framed 600 by 457 mm 23 5/8 by 18 in Sheet approx. 785 by 548 mm 30 7/8 by 21 5/8 in

Helen Frankenthaler (b. 1928) Skywriting screenprint in colors, 1997, on wove paper, signed in pencil, numbered 98/100, printed by Brand X Editions, the full sheet, apparently in excellent conditionnot examined out of the frame, framed S. 30 x 40 in.

Helen Frankenthaler, Contentment Island Screenprint in colors, 2004, signed in pencil, dated and inscribed «PP 7/9», a printer's proof aside from the numbered edition of 118, on BFK Rives paper, printed by Brand X Editions and with their ink stamp on the verso, published by The Dalton School, framed Sheet 854 by 765 mm 37 1/2 by 30 in

HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower edge of the sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.

Helen Frankenthaler, Tales of Genji VI Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in

HELEN FRANKENTHALER (b. 1928) Tahiti (Harrison 168) mixograph in colors, 1989, on wove paper, signed and dated in pencil, numbered 41/45 (there were also 11 artist's proofs), published by Mixografia, the full sheet, apparently in excellent condition, unexamined out of the frame, framed S. 32 x 54in.

Helen Frankenthaler, Page from a Book II and III Two etchings with aquatint printed in colors, 1997, each signed in pencil and dated, numbered 40/60 and 6/60 respectively (total edition includes 16 artist's proofs), on TGL handmade paper, with the blindstamp of the publisher, Tyler Graphics, Ltd., with full margins, in good condition, framed (2 prints) Each sheet 257 by 629 mm 10 1/8 by 24 3/4 in

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 71/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 26 x 46 1/8 in.

AFTER HELEN FRANKENTHALER Heavenly Twins (not in Harrison) offset lithograph in colors, 1959, on wove paper, signed in red crayon, numbered 5/100 (there were also an unknown number of artist's proofs), the full sheet, light - and time staining, the colors slightly attenuated, pale surface soiling, mat staining on the reverse, slight rippling, occasional handling creases, framed S. 28 1/8 x 22 in.

After watching the film, Fishman and all the class participants then ranked individually on their own sheet of paper the jury numbers from 1 to 12, with Henry Fonda as # 1.

Write down account numbers, passwords, life insurance information, etc. on a sheet of paper and keep it in a secure place such as a fireproof safe.

List their names, addresses, and phone numbers on a single sheet of paper.