Not exact matches
Garvey's ability to coordinate the details of artist, donor, and curator interactions has led to the mounting of
numerous exhibitions within both museums and
alternative spaces.
Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among
numerous others galleries and
alternative spaces.
Her work has been included in
numerous group shows in museums, commercial galleries, university galleries, and
alternative spaces.
Since graduating, Dzama has been included in
numerous group shows at venues including the Plug In Gallery, an
alternative space in Winnipeg, and The Drawing Center in New York.
Frank has also organized
numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists»
Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's
Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.
With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art,
alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across
numerous countries.
His work has been shown in
numerous group exhibitions including Leslie Lohman, Silent Auction to benefit the GMHC, NY; Limner Gallery, Hudson, NY; SKH Gallery, Great Barrington, MA; and in
alternative spaces throughout New York City.
As an exhibition maker, he has curated and co-curated
numerous exhibitions in a variety of
alternative project
spaces and institutions.
She has shown in
numerous museum exhibitions such as Postmodern Americans: A Selection at the Menil Collection in Houston, and in commercial and university galleries and
alternative spaces throughout the United States.
Her conceptually based projects, from contemporary portraits of Jesus to levitating bottles of Xanax, have been included in
numerous group and solo exhibitions in museums, galleries, and
alternative spaces throughout the US.
He has exhibited in
numerous public and
alternative spaces.
As often happens with curators when working with emerging artists, I found
numerous communities of artists - including CalArts, studios in Chinatown and various
alternative spaces.
She has curated
numerous exhibitions in galleries and
alternative art
spaces in the DC area.
Susan Rothenberg's first solo show in 1975 took place at 112 Greene Street, a legendary
alternative space in SoHo, and subsequently had
numerous solo exhibitions in the United States and abroad.
Since Susan Rothenberg's first solo show at 112 Greene Street, an
alternative space in SoHo, in 1975, the artist has had
numerous solo exhibitions in the United States and abroad.