Sentences with phrase «numerous art critics»

Indeed, due to his influence on abstract sculpture, numerous art critics see him as the most important figure in American plastic art of the 20th century.

YBAs have been heavily criticized for their lack of craftsmanship and other artistic qualities, by numerous art critics as well as such luminaries as the composer Simon Rattle, and the playwright Tom Stoppard.

Not exact matches

The artist is the winner of numerous awards including the Croatian Chamber of Commerce Award and the Grand Prix at the International Association of Art Critics.

He is a Senior Critic at the New York Academy of Art and has been a visiting professor at numerous universities, most recently at the Tianjin Academy of Fine Arts in China.

Has written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York NewsdArt in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsdart critic for Newsday / New York Newsday.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.

These publications typically contain an explanatory essay by the exhibition curator, an allied scholar or art critic, numerous illustrations, biographical information, and an exhibition checklist.

Art historians and critics have dedicated numerous books on trying to find the hidden layers of intent behind some of these works.

Throughout the first half of the twentieth century, numerous artists, writers, critics and scholars pushed the boundaries of social thought and practice, revolutionised the arts and thereby developed the concept of Modernism.

The film features numerous interviews with artists such as Marina Abramovic for instance, as well as art critics, historians and audio interviews with Peggy herself.

Carlo McCormick is a New York art critic and curator, and has been the author of numerous publications, monographs, and catalogues on contemporary art and artists.

She has been a visiting lecturer and critic at numerous art schools and other institutions throughout the country, and taught seminars on curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Desiart schools and other institutions throughout the country, and taught seminars on curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Desiart at Art Center College of Design in Pasadena and the Rhode Island School of DesiArt Center College of Design in Pasadena and the Rhode Island School of Design.

Numerous critics, for instance, have compared his paintings with primitive tribal art and artifacts, particularly shields and masks.

Represented first by the Fischbach Gallery in the 1960s and later by the Marlborough Gallery in the 1970s, he was featured in numerous solo and group exhibitions internationally that were well received by critics, art historians, and especially his peers.

Recognized as an influential teacher and a pioneer of such ephemeral practices as performance and site - specific interventions, Hassinger has received numerous honors including awards and grants from Anonymous Was a Woman, the International Association of Art Critics, the Gottlieb Foundation, the Joan Mitchell Foundation, the Pollock - Krasner Foundation, and the National Endowment for the Arts.

Her numerous honors include a National Endowment for the Arts grant; a Guggenheim Foundation Fellowship; the San Francisco Poetry Center Award for her first collection, Satan Says (1980); and the Lamont Poetry Selection and the National Book Critics Circle Award for The Dead and the Living (1983).

Currently International Reviews Editor at Artforum and Art Critic at The Nation, he has contributed to numerous art publications, including Phaidon's Jessica Stockholder (1995) and Vitamin P (2002), and is the author of The Widening Circle: The Consequences of Modernism in Contemporary Art (1997), as well as several volumes of poetArt Critic at The Nation, he has contributed to numerous art publications, including Phaidon's Jessica Stockholder (1995) and Vitamin P (2002), and is the author of The Widening Circle: The Consequences of Modernism in Contemporary Art (1997), as well as several volumes of poetart publications, including Phaidon's Jessica Stockholder (1995) and Vitamin P (2002), and is the author of The Widening Circle: The Consequences of Modernism in Contemporary Art (1997), as well as several volumes of poetArt (1997), as well as several volumes of poetry.

During these years, Zhongli held numerous solo exhibitions in Europe and US, which gained him huge attention and acclaim from both art critics and art audience.

Over her career of more than five decades, the conceptual artist and philosopher Adrian Piper has penned numerous open letters to magazines, editors, critics and others involved in the reception of her art.

Rodrigues Widholm has served as a juror and panelist for numerous organizations including the Headlands Arts Center, Creative Capital, New American Paintings, and been a visiting critic, graduate advisor, given numerous public talks, and has written extensively on contemporary art.

A critic and curator, Kelley writes for art and music journals and has organized numerous exhibitions incorporating his own work, work by fellow artists, and non-art objects that exemplify aspects of nostalgia, the grotesque, and the uncanny.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

Cochran is also a freelance art critic, writing for numerous publications focusing primarily on art and design.

He has won numerous awards, including two awards from the Association of Art Museum Curators (AAMC), and six awards from the International Association of Art Critics (AICA).

In the numerous letters Jay DeFeo wrote to curators and art critics in the hope of finding a place for her masterpiece, the desperation is almost palpable.3 Where The Rose had first been a site for inspiration and artistic practice, it later became a burden.

In 1970, the first exhibition of these paintings outfitted with an anarchistic sense of humor and the grotesque caused an art scandal in New York, as numerous critics took offense at his «betrayal» of abstract art.

From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and wrote numerous articles for catalogues and encyclopaedia contributions on the theme of contemporary art.

Macro Meneguzzo is an art critic and the author of numerous exhibition catalogs on Contemporary Aart critic and the author of numerous exhibition catalogs on Contemporary ArtArt.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschart, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt, architecture, and literature writer for De Morgen; author of three books on Willem ElsschArt, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

She has served on the editorial board of Third Text magazine, and has been an art critic for the BBC World Service and for various international art magazines, as well as contributing to numerous catalogues and monographs.

Among his numerous awards are First Prize in the Lord Mayor's Art Award in 1966, a Prize Winner in the John Moores Exhibition, Liverpool in 1978, first prize in the Hunting Group Awards and the Critics Prize at Sparkasse Karlsruhe in 1985.

In this power - packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long - time Director Sabine Breitwieser and art critic Sabeth Buchmann.

Since his early days as LA Weekly's art critic, Ralph Rugoff has championed this wide - angled view of art — one that embraces self - taught practices, undiscovered artists, and numerous mediums, from sound to elephantine installation to micro-miniature sculpture.

Tony O'Malley won numerous awards during his art career, including: the IMMA / Glen Dimplex Lifetime Achievement Award, the Oireachtas Exhibition's Douglas Hyde Gold Medal (1981), the Guardian Art Critics Award (1989), and the Irish - American Cultural Award (198art career, including: the IMMA / Glen Dimplex Lifetime Achievement Award, the Oireachtas Exhibition's Douglas Hyde Gold Medal (1981), the Guardian Art Critics Award (1989), and the Irish - American Cultural Award (198Art Critics Award (1989), and the Irish - American Cultural Award (1989).

Included in these collections are a complete archive of painter, Herbert Lee Creecy, Jr. donated by his estate, a complete group of the publications created by NEXUS Press, the archives of prominent art critic, Jerry Cullum, donated by the author, and numerous other collections that are detailed on this site.

He also featured in the 2009 TV documentary «The Great Contemporary Art Bubble» directed by art critic and filmmaker Ben Lewis, and has written numerous articles for publications that include The Economist, The New Statesman and Art + Auction magaziArt Bubble» directed by art critic and filmmaker Ben Lewis, and has written numerous articles for publications that include The Economist, The New Statesman and Art + Auction magaziart critic and filmmaker Ben Lewis, and has written numerous articles for publications that include The Economist, The New Statesman and Art + Auction magaziArt + Auction magazine.

Michael Archer (Critic and Professor of Art, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous catalCritic and Professor of Art, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous cataloguArt, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous catalcritic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous cataloguart since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous cataloguArt Monthly, Frieze and Parkett, and in numerous catalogues.

, about Houston wheat paste artists; Robb Walsh, former restaurant critic for the Houston Press and author of numerous books on Texas cooking; and Dan Workman, charter member of the seminal art / noise / rock band, Culturcide, and President of Houston's SugarHill Recording Studios, will tell their «only in Houston» stories followed by a discussion and Q&A from the audience.

As a critic, he regularly writes for numerous publications such as The Huffington Post, Sculpture magazine, Art Hive magazine and One Art Nation, among others.

Numerous solo and collective exhibitions were held in the years that followed, and extensive research by art historians and critics consolidated Afro's renown, contributing to the ongoing diffusion of his work, in Italy and abroad.

Published in October 2017, the book has garnered numerous honors, including selection by New York Times critic Roberta Smith as one of the «Best Art Books of 2017» and inclusion in Culture Type's «14 Best Black Art Books of 2017.»

A poet as well as a prolific and talented writer on many different aspects of art, culture and politics, Read contributed numerous articles to the Criterion (1922 — 1939) and the magazine New Age, and was for many years art critic for the Listener.

Grant 2000 Artist Residency, The Corporation of Yaddo 1996 National Endowment for the Arts Fellowship in conjunction with Virginia Center for Creative Arts 1993 Skowhegan School of Painting and Sculpture Full Scholarship 1991 Vermont Studio Center Critic's Scholarship 1986 Chautauqua Summer Institute Jenning's Scholarship COLLECTIONS The Asian Art Museum of San Francisco, San Francisco, CA The Peabody Archaeological Museum, Harvard University, Cambridge, MA The Museum of Modern Art, Finland Gana Art Center, Seoul, Korea Kang Collection, New York City Woods Collection, Lincoln, NE Mario Diacono, Boston, MA Neal, Gerber and Eisenberg, Chicago, IL The Ritz Carlton Hotel, Dubai Numerous Private Collections

Eleanor Heartney is a New York — based art critic and author of numerous books about contemporary art.