Sentences with phrase «numerous art historical»

Black's abstraction reveals numerous art historical references, including the Abstract Expressionists such as Jackson Pollock and feminist performance artists like Carolee Schneemann and Bobby Baker.

Allusions to personal and collective memories are suggested in layered, theatrical environments which reference to numerous art historical and decorative styles, such as Post-Impressionism, Colour Field painting, postmodern décor, through to present - day Pop iconography.

Not exact matches

If you enjoy shopping, you will find many shops, boutiques, art galleries and restaurants in Kailua - Kona, as well as numerous historical sites.

pop / off / art, Moscow were very happy with numerous sales of historical works by artists such as Olga Chernysheva and Vitaly Pushnitsky.

Middle Gate Geel ’13 is an international art event, curated by a renowned curator Jan Hoet and exhibited at numerous historical locations throughout the city of Geel.

His work is included in numerous private and public collections, including the Arkansas Art Center, the Norton Museum of Art, the New - York Historical Society, the Museum of the City of New York, and the Metropolitan Museum of Art.

As one of America's finest watercolor artists, his works are found in numerous private and public collections including The Metropolitan Museum of Art; the Museum of the City of New York; the New - York Historical Society; The National Academy of Design, New York; the Knoxville Museum of Art, Knoxville, TN; and the Frye Art Museum, Seattle, WA.

But there are numerous other art schools around the world that have also made enormous impacts on the history of art, yielding generations of exalted alumni, boasting world - class faculty, and operating on a totally different scale and historical timeframe from schools of the U.S. model.

Brown had found his vocation, and for the next 15 years the Joseph Brown Gallery held numerous survey exhibitions of historical, modern and contemporary art, as well as solo exhibitions by Australia's most prominent artists.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

Woven together here are numerous references, pleasing art historical ones and more populist memories of the British comedy tradition.

She has served as inaugural director and chief curator of other college exhibition and museum programs, including Columbus College of Art & Design and Denison University, in addition to numerous additional positions with seven other academic museums, commercial galleries, historical collection and house museums and contemporary arts centers.

The outsize, often colorful works in several mediums and numerous materials reveal the physical ease of a true artist, and there's considerable social, political or art historical sharpness.

Her publications are wide - ranging and numerous, including more than 30 exhibition catalogues published by the MCA and contributions to numerous other catalogues and art historical books.

The Chicago artist embraces various materials and techniques in works that have numerous art - historical references.

The show explored notions such as magic, folklore, mysticism, mythology and the occult in historical British Surrealist art as well as in numerous contemporary works.

Reyle brings to bear some art historical reference in each of his artworks, often presenting them in numerous series that...

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

Reyle brings to bear some art historical reference in each of his artworks, often presenting them in numerous series that evolve and change over time.

His work reflects upon numerous dichotomies — beauty versus violence, personal memories versus national histories, digital technology versus art historical reference.

Themes included: Spanish - Lola de Valence (1862, Musee d'Orsay), Mlle Victorine Meurent in the Costume of an Espada (1862, Metropolitan Museum of Art), Spanish Dancers (1863, Phillips Collection, Washington DC), The Dead Matador (1863, Metropolitan Museum of Art, NY); marine scenes - Battle of the Ships Kearsage and Alabama (1864, Philadelphia Museum of Art); outdoor scenes - Racing at Longchamp (1864, Chicago, Art Institute); mythological - Surprised Nymph (1861, Museo Nacional de Bellas Artes, Buenos Aires); contemporary historical - The Execution of the Emperor Maximilian (1867, Museum of Art Mannheim, and National Gallery London); religious subjects - The Dead Christ (1864, Metropolitan Museum of Art, NY); numerous types of genre painting - Women at the Races (1864, Cincinnati Art Museum), Boulogne Docks by Moonlight (1869, Musee d'Orsay); and even some examples of still life painting - Peonies in a Vase (c. 1864, Musee d'Orsay).

They use sensuous colours, and incorporated themes associated with numerous historical styles and movements, such as the Renaissance, Mannerism, Cubism, Fauvism, Surrealism, Abstract Expressionism and Pop - Art.