Sentences with phrase «numerous art magazines»
Her work has been reviewed in numerous art magazines, newspapers, and scholarly publications, including The New York Times, The Brooklyn Rail, Artforum, Huffington Post, Modern Painters, Artnet Magazine, Wallpaper *, GLASS Quarterly, NY Arts Magazine, The Wall Street Journal, and Art in America.
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In addition, his work has been featured in numerous art magazines, blogs and other publications.
McCormick is Senior Editor of Paper Magazine and a frequent contributor to numerous art magazines.
Trained as a painter, he has contributed to numerous art magazines and journals, including frieze, and has curated several exhibitions.
Not exact matches
Cat has been profiled in numerous local and national publications including Food & Wine, Food Arts, Details, Wine & Spirits Magazine, and The Boston Globe, and her wine programs have received accolades around the city and beyond.
Rolling piece of automotive art, multiple - award winner, in numerous magazines and a huge internet footprint.
The book was a finalist for the Los Angeles Times Book Awards» Art Seidenbaum Prize for First Fiction and was named as one of the most notable books of the year by numerous publications, including The New York Times Book Review and People magazine.
He has received numerous citations and awards from Communication Arts Magazine, Bookbuilders West, The American Association of University Presses, The American Institute of Graphic Arts.
Her articles, essays, reviews and interviews have appeared in numerous publications in the UK and the US including The New York Times, The Times (of London), The Christian Science Monitor, The Daily News Magazine, The Amsterdam News, Newsday, Cosmopolitan, Woman's World, Family Circle, Art Times, Cineaste, and Salon.com.
Award - winning publicist Charles A. Barrett has served as an invited speaker at numerous literary events and also a talk panel member at book and film festivals in addition to also authoring numerous articles for magazines and newspapers on the performing arts and books.
She's written for numerous publications, including The Village Voice, New York magazine, the Washington Post, the New York Observer, Bark, Artforum, Art in America and Art News.
Smith taught both men the art of cougar hunting, introduced them to his extensive family and social networks, and in return was immortalized in numerous magazine articles and in at least one book.
Featured in numerous design magazines, this modern rental is thoughtfully decorated with contemporary art, high end appliances, and designer furniture.
Selling nearly five million units worldwide, the reinvention of the franchise became the highest - selling fighting game of the year and won numerous «Best Fighting Game» awards, including Spike TV's 2011 Video Game Awards, 2012 Academy of Interactive Arts & Sciences Interactive Achievement Awards, and recognition from Game Informer, Official Xbox Magazine and GameTrailers.com.
Her work has been featured in numerous magazines such as Dazed and Confused, Huffington Post, Slutist, ART 21 Magazine, Hyperallergic, The Wild Magazine, NY Observer and Paper Magazine, among others.
He has contributed reviews and art criticism to numerous monographs and magazines including Parkett and Artforum.
The artist and his work have been covered by numerous publications including Brooklyn Magazine, The New York Times, Art F City, The Boston Globe, The Huffington Post, Hyperallergic, The Seattle Post-Intelligencer, Art Info, The Portland Press Herald, and many others.
She has written on curating and exhibition practices for numerous publications and magazines, including Parkett, Modern Painters, Mousse, Art in America, Manifesta Journal, the Exhibitionist, and Frieze.
His work has appeared numerous times in publications internationally including Sculpture Magazine, The New York Times, Artforum, Modern Painters, Flash Art, The Village Voice, among others.
His work has been featured in numerous publications around the world, including Sculpture magazine, the cover of the twelfth edition of Art Fundamentals published by McGraw - Hill, and in author Tristan Manco's book Raw + Material = Art.
Her work has been exhibited at numerous galleries and exhibitions including at Phillips de Pury, The National Arts Club, as well as The Untitled Magazine's Voyeur Exhibit at Art Basel Miami in 2010.
She writes reviews for numerous magazines and newspapers, including Art of England magazine.
A graduate of the École Spéciale d'Architecture in Paris, she was the editorial director of the Paris - based contemporary African art magazine Revue Noire from 1994 to 2001, and editor of numerous books on contemporary visual arts and photography in Africa including An Anthology of African Art: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photographeart magazine Revue Noire from 1994 to 2001, and editor of numerous books on contemporary visual arts and photography in Africa including An Anthology of African Art: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photographeArt: The Twentieth Century, Photographers from Kinshasa and Anthology of African and Indian Ocean Photography: a century of African photographers.
In addition to her work at Pratt, Eva Díaz is a regular contributor to Artforum whose work has been published in numerous magazines and journals including The Art Bulletin, Art Journal, Art in America, Cabinet, Frieze, and Grey Room.
She also co-operates the online print and fashion outlet Look Boutique, has written numerous essays for exhibition catalogs, is a regular contributor to Whitehot Magazine, and somehow also finds time to be a dedicated board member of the San Francisco Arts Commission Gallery.
Her works have been featured in numerous magazines, art books, and newspapers such as Internation herald tribune, American Artist, and Splash series.
A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.
Portocarrero regularly collaborates with contemporary art magazines, such as Artishock and Terremoto; and has contributed with her writings on art and culture in numerous publications.
We share collaborators with Art Forum, Art Practical, The Chicago Tribune, Chicago Magazine, Art21, BUST magazine, Proximity Magazine, Modern Painters, Beautiful Decay Magazine, Art in America and numerous other publiMagazine, Art21, BUST magazine, Proximity Magazine, Modern Painters, Beautiful Decay Magazine, Art in America and numerous other publimagazine, Proximity Magazine, Modern Painters, Beautiful Decay Magazine, Art in America and numerous other publiMagazine, Modern Painters, Beautiful Decay Magazine, Art in America and numerous other publiMagazine, Art in America and numerous other publications.
Anke Kempkes has contributed to numerous international art magazines, periodicals (e.g. Frieze and Texte zur Kunst) and catalogs.
Castellana's work is included in numerous collections and his exhibitions have been reviewed in local NYC papers as well as the international, multi-lingual art magazine, Next, published in Rome, Italy.
Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.
In the 1970s and 1980s, he was a music editor for the German magazine Spex, and he has written art criticism and essays in renowned art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201art criticism and essays in renowned art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201art magazines from Artforum to Texte zur Kunst, as well as numerous books including On (Surplus) Value in Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(201Art (2008) and, most recently, Über Pop - Musik (On Pop Music)(2014).
Pascher has written on art, film, and a variety of cultural issues, with texts appearing in numerous publications including Afterall, Art in America, Springerin, Merge Magazine, Metropolis, «The Museum as Arena: Artists on Institutional Critique» (Verlag der Walther König), and «Institutional Critique: An Anthology of Artists» Writings» (MIT Presart, film, and a variety of cultural issues, with texts appearing in numerous publications including Afterall, Art in America, Springerin, Merge Magazine, Metropolis, «The Museum as Arena: Artists on Institutional Critique» (Verlag der Walther König), and «Institutional Critique: An Anthology of Artists» Writings» (MIT PresArt in America, Springerin, Merge Magazine, Metropolis, «The Museum as Arena: Artists on Institutional Critique» (Verlag der Walther König), and «Institutional Critique: An Anthology of Artists» Writings» (MIT Press).
Laureen's work has been published in numerous newspaper articles, art magazines, exhibition posters, FOX Television interview, Wilton Magazine, Worcester Living Magazine and Dan's Papers (Long Island and Manhattan).
Pecou's work has been reviewed in numerous publications such as Art in America, Harper's Magazine, NY Arts Magazine, among others.
Detroit Art Magazine Barbed featured numerous Cranbrook alums in its latest issue.
Dan Witz's work was featured in numerous popular publications, such as Art Magazine, Juxtapoz, Time, Sites, Artinfo, New York Magazine, Public Art Review, The Huffington Post, The Daily News, The New York Times, The New Yorker, Newsday, Adbusters, and Harpers.
Barker co-curated Women on the Fence (Mothership Festival, Desert Hot Springs: 2016) and her work has been featured in numerous publications such as New American Paintings and The Harvard Divinity Bulletin Her work was named the best show in Portland of 2014 by Art Ltd. magazine and has been reviewed in Art in America, Oregonian, Willamette Week, Portland Monthly, and Visual Arts Source.
A participant in both the Whitney Biennial and the Venice Biennale, as well as at recent group exhibitions at the Metropolitan Museum of Art and PS1 Contemporary Art Center in New York, Longo's work has received numerous reviews in publications such as The New York Times, Interview, Art in America, Forbes, and New York Magazine.
Over her career of more than five decades, the conceptual artist and philosopher Adrian Piper has penned numerous open letters to magazines, editors, critics and others involved in the reception of her art.
His works has been reviewed in various publications such as Artforum, Art Review, the Los Angeles Times, the Houston Chronicle, May magazine (France), Semiotext (e) and numerous blogs.
Her work has been featured in numerous publications and magazines including Passages: Indian Art Today (Daab Media, 2014), Lines of Control, Partition as a Productive Space (Green Cardamom 2012), Unfixed: Postcolonial Photography in Contemporary Art (Jap Sam Books, 2013); and Manual for Treason: Sharjah Biennial (2011), and featured in the New York Times, New Yorker Magazine, Art India, Artforum, Art in America, Frieze, Vogue India, Artpapers, and Art Economist.
Over the last two decades she has contributed essays to numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.
An editor of Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.
A contributing editor to Art in America, Heiferman has written for numerous publications, monographs, magazines and blogs, including The New York Times, CNN, Artforum, Design Observer, Gagosian Quarterly, and Aperture.
Between 1985 and 2002 Rugoff wrote art and cultural criticism for numerous periodicals, publishing in art magazines and newspapers, including Artforum, Parkett, The Los Angeles Times, The Financial Times and The Los Angeles Weekly.
Her work has been reviewed in Flash Art, Art in America, ART News, Arts Magazine, The New York Times, Los Angeles Times, ArtCrital.com, Brooklyn Rail, SanFrancisco Chronicle and numerous other publicatioArt, Art in America, ART News, Arts Magazine, The New York Times, Los Angeles Times, ArtCrital.com, Brooklyn Rail, SanFrancisco Chronicle and numerous other publicatioArt in America, ART News, Arts Magazine, The New York Times, Los Angeles Times, ArtCrital.com, Brooklyn Rail, SanFrancisco Chronicle and numerous other publicatioART News, Arts Magazine, The New York Times, Los Angeles Times, ArtCrital.com, Brooklyn Rail, SanFrancisco Chronicle and numerous other publications.
His essays have appeared in the Bulletin of the Detroit Institute of Arts, The Brooklyn Rail, BE Magazine, ART21 Magazine, Mosaic, RACAR: The Canadian Art Review, Art Papers, and numerous exhibition catalogs.
In addition to writing for New York magazine, Saltz has contributed art criticism to Art in America, the Village Voice, Frieze, and numerous other publicatioart criticism to Art in America, the Village Voice, Frieze, and numerous other publicatioArt in America, the Village Voice, Frieze, and numerous other publications.