Sentences with phrase «numerous art movements»

The exhibition presents a range of artworks in a variety of mediums that reflect upon numerous art movements and current trends in artistic practice to collectively demonstrate the performative potential of materials to actively disrupt and transform fixed cultural perceptions.

Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis - a-vis reality, and cubism, which blatantly alters the forms of the real life entities depicted.

Not exact matches

The first one was the Renaissance art movement that took place from the 1300s to the 1600s and resulted in numerous masterpieces from Leonardo de Vinci, Michelangelo, Raphael, and Botticelli.

Fatal Flash is a Competitive, 2D Online Mutliplayer Brawler that features lightning - paced, movement - heavy combat, numerous Archetypes («Champions») with hundreds of customization options, and varied game modes and objectives - all rendered in hand - drawn, steampunk - inspired pixel art.

Female artists have typically gotten short shrift for their roles in creating art movements, so who's surprised that their numerous contributions to technology - oriented art aren't especially known?

American — and all modern — art has had a difficult time determining just who its best artists are, preferring instead to affix artists to the numerous movements and the most recent spectacles.

From the 19th century to the present, the League has counted among its attendees and instructors many historically important artists, and contributed to numerous influential schools and movements in the art world.

She distinguished as a successful female figure in a stereotypical male sculptor's profession and her work inspired numerous young artists, primarily those involved in installation art and Feminist movements.

Always uniquely his own, Norman's paintings are nonetheless informed by a broad knowledge of art history, and they reveal the influence of numerous artists, cultures, and art movements.

Exhibitions have showcased numerous contemporary art movements such as Minimalism, Neo-Expressionism, and Britart by Young British Artists, as well as avant - garde art from China, while featured artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many others.

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

The «new» art history, Mr. McCaffrey pointed out, reveals that for numerous familiar places and periods, certain well - known artists, styles or movements «were not the only game in town.»

As such, numerous avant - garde movements need to be understood not only as important stepping stones for the development of art but as crucial documents of the transitional phases of the world.

He has curated numerous exhibitions in some of the most distinguished museums around the world, including Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, Museum Villa Stuck, Munich, Gropius Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbach Haus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam; Co-Curator of Echigo - Tsumari Sculpture Biennale in Japan; co-curator of Cinco Continente: Biennale of Painting, Mexico City; Stan Douglas: Le Detroit, Art Institute of Chicago.

Curiously, the same degree of fragmentation was occurring in Europe: the main movement Art Informel, which corresponded to Abstract Expressionism, comprised numerous different styles and tendencies, such as Tachisme, Art Non Figuratif, Abstraction Lyrique, and others.

A similar type of fragmentation was occurring in Europe: the main abstract expressionist movement Art Informel, broke up into numerous different styles and tendencies, such as Tachisme, Art Non Figuratif, Abstraction Lyrique, and others.

Since the 1960s, her work has transcended the numerous «posts» and «isms» of the art world's different movements, all the while interrogating our bodies and identities, questioning art's relation to life, and testing the lines between the real and the virtual.

In their numerous different versions, they represent the work for which KAWS, who is also a forerunner of the Art & Toys movement, is internationally known.

Carolyn Christov - Bakargiev is a regular contributor to numerous art publications and catalogues and is the editor of Arte Povera (Phaidon, 1998), a major volume that considerably deepens the discussion around the Arte Povera movement — the late 1960s» Italian movement toward loosely - formed sculptures or environments made of rustic natural materials.

The movement established numerous alternative arts venues and persuaded several major arts institutions and museums to raise the profile of women artists.

Numerous contemporary painters like Noam Rappaport, Lauren Luloff, and Gedi Sibony share an aesthetic sensibility with the Supports / Surfaces movement in that they embrace supports and materials as well as the canvas itself as part of the art they make.

Mondrian's work had an enormous influence on 20th century art, influencing not only the course of abstract painting and numerous major styles and art movements (such as Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.

In theory, Art Informel was the main umbrella movement, which encompassed numerous sub-styles and sub-groups, such as Forces Nouvelles, CoBrA, Tachisme, Art Brut, Art Non Figuratif and Lyrical Abstraction.

They use sensuous colours, and incorporated themes associated with numerous historical styles and movements, such as the Renaissance, Mannerism, Cubism, Fauvism, Surrealism, Abstract Expressionism and Pop - Art.

The French abstract sculptor, engraver, collagist and poet, Jean (Hans) Arp, was a prominent member of numerous important modern art movements of the 20th century, including the Moderne Bund, the Blue Rider Expressionist Group, Dadaism and Surrealism, as well as the sculptural artist - groups Cercle et Carre and Abstract - Creation.

Yet there remain numerous examples of gaudy painting in the new study, and the work of the Chinese artists chosen — such as Zhang Xiaogang — reflects the political pop and cynical realism championed by the international art market in the late 80s and 90s in preference to the more poetic painting movement being created by artists such as Liang Quan, Liu Guofu, Yang Liming and Guan Jingjing.3, 4