Sentences with phrase «numerous art publications»
Carolyn Christov - Bakargiev is a regular contributor to numerous art publications and catalogues and is the editor of Arte Povera (Phaidon, 1998), a major volume that considerably deepens the discussion around the Arte Povera movement — the late 1960s» Italian movement toward loosely - formed sculptures or environments made of rustic natural materials.
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He has contributed to numerous art publications and translated Michael Ende's Momo into English, which was published by McSweeney's McMullens in 2013.
In this issue, we also welcome AAP's new managing editor, William Pym, who has contributed to numerous art publications and exhibition catalogs, and who teaches an MFA course on aesthetics and criticism at the Pennsylvania Academy of Fine Arts.
He has contributed to numerous art publications, including Raymond Pettibon: To Wit (2014), On Kawara: Date Painting (s) in New York and 136 Other Cities (2012), and recently translated Michael Ende's Momo into English, which was illustrated by Marcel Dzama and published by McSweeney's McMullens in 2013.
Currently International Reviews Editor at Artforum and Art Critic at The Nation, he has contributed to numerous art publications, including Phaidon's Jessica Stockholder (1995) and Vitamin P (2002), and is the author of The Widening Circle: The Consequences of Modernism in Contemporary Art (1997), as well as several volumes of poetry.
Not exact matches
Cat has been profiled in numerous local and national publications including Food & Wine, Food Arts, Details, Wine & Spirits Magazine, and The Boston Globe, and her wine programs have received accolades around the city and beyond.
Named 2013 NAEA National Art Educator of the Year, Sandell's professional record includes numerous publications, presentations, and honors.
The book was a finalist for the Los Angeles Times Book Awards» Art Seidenbaum Prize for First Fiction and was named as one of the most notable books of the year by numerous publications, including The New York Times Book Review and People magazine.
Her articles, essays, reviews and interviews have appeared in numerous publications in the UK and the US including The New York Times, The Times (of London), The Christian Science Monitor, The Daily News Magazine, The Amsterdam News, Newsday, Cosmopolitan, Woman's World, Family Circle, Art Times, Cineaste, and Salon.com.
She's written for numerous publications, including The Village Voice, New York magazine, the Washington Post, the New York Observer, Bark, Artforum, Art in America and Art News.
An extreme spa junkie, art geek, nature enthusiast and avid shoe shopper, with a weakness for hot springs and luxury hotels, Carol is a former travel columnist for Canada's largest circulation newspaper, the Toronto Star, and has written for numerous publications such as the Chica...
Numerous exhibitions and publications over the years include retrospectives for Keith Vaughan, Peter Kinley, British constructive art, and the neo-romantic school.
From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).
His work can be found in the permanent collections of the Museum of Modern Art, the Victoria and Albert Museum, London, the Whitney Museum of American Art, the Art Institute of Chicago, the New York Public Library, the Museum of Fine Arts Houston, the Studio Museum in Harlem, the Walther Collection, the Museum of the City of New York and Princeton University, as well as in numerous books and publications.
As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.
Tegeder has been featured numerous publications including The New York Times, Chicago Tribune, The Boston Globe, Art in America, Flash Art and The Brooklyn Rail.
Her work has appeared in numerous publications including The Philosophy of Photography Journal, The New York Times, The Philadelphia Inquirer, Hyperallergic, Vanity Fair, The Art Blog, and Phaidon.
As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zittel.
She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheart publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt, New York University, Stanford and Northwestern University, among others.
She is the author of numerous publications on modern and contemporary art, with a focus on Vienna Actionism, Franz West and Heimo Zobernig.
Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.
A writer for numerous publications and websites, including The New York Times, Art in America, Artforum, Design Observer, Gagosian Quarterly, and Aperture, his most recent book is Photography Changes Everything (Aperture, 2012).
His work has been covered in the New York Times, Artforum, Art in America, the LA Times, the Seattle Times, ARTINFO, the Village Voice and numerous other publications.
James gives regular art talks and contributes to numerous publications as an art expert.
His paintings appeared in numerous publications including Art in America, Art Papers, Adbusters, the Denver Post, Rocky Mountain News and Westword.
The artist and his work have been covered by numerous publications including Brooklyn Magazine, The New York Times, Art F City, The Boston Globe, The Huffington Post, Hyperallergic, The Seattle Post-Intelligencer, Art Info, The Portland Press Herald, and many others.
Recent publications explore the work of artists previously marginalised from art discourse and institutions including Otherwise: Imagining queer feminist art histories (Manchester, 2016); Seeing Differently: A History and Theory of Identification and the Visual Arts (Routledge, 2012); The Feminism and Visual Culture Reader (Routledge, new edition 2010); and Irrational Modernism: A Neurasthenic History of New York Dada (MIT, 2004); and numerous articles.
The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.
He has garnered critical attention in numerous publications including Art in America, Flash Art, Kitchen Sink, and The Washington Post.
Sarah Douglas is the current Editor - in - Chief of ARTnews and has been an art journalist and editor for numerous publications for over 15 years.
His exhibitions have been covered by art publications across the globe including in the US and Germany and have received numerous awards.
Cho's work has been reviewed and featured in numerous publications, among them Textile Fibre Forum (Australia); Fiberarts; Surface Design Journal; American Craft; Monthly CRART (South Korea); Fiber Art Today (Schiffer Publishing, Ltd.); Masters: Art Quilts (Lark Book); Quilt National 2003: The Best of Contemporary Quilts (Lark Books); Contemporary Quilt: Quilt National 1997 (Lark Books); No: Nouvel Object (Design House, South Korea); Art & Craft (South Korea); Fiberarts Design Book IV, VI & VII (Lark Books); and Art Textiles of the World: USA (Telos Art Publishing, England), among others.
She has written on curating and exhibition practices for numerous publications and magazines, including Parkett, Modern Painters, Mousse, Art in America, Manifesta Journal, the Exhibitionist, and Frieze.
His work has appeared numerous times in publications internationally including Sculpture Magazine, The New York Times, Artforum, Modern Painters, Flash Art, The Village Voice, among others.
These publications typically contain an explanatory essay by the exhibition curator, an allied scholar or art critic, numerous illustrations, biographical information, and an exhibition checklist.
His writings have appeared in numerous publications, including BookForum, Frieze, Art Journal, Art Forum, Parkett, Cabinet, and The Journal of Aesthetics and Protest.
Critical review and commentary has appeared in The New York Times, The Philadelphia Inquirer, Art in America, The New Yorker, American Artist and numerous other publications.
His work has been featured in numerous publications around the world, including Sculpture magazine, the cover of the twelfth edition of Art Fundamentals published by McGraw - Hill, and in author Tristan Manco's book Raw + Material = Art.
Pier's work has been shown in numerous group exhibitions and has been reviewed and appeared in The New Yorker, The New York Times, The Paris Review, Art in America, and Town & Country, along with other publications.
His work has also been recognized by the Type Directors Club and the American Institute of Graphic Arts, and by numerous publications including American Photography, American Illustration, Photo District News, Graphis, Print, and Communication Arts.
Simon's photographs and writing have been featured in numerous international publications and her work has been the subject of monograph exhibitions at institutions including the Tate Modern, London; Museum für Moderne Kunst, Frankfurt; Kunst - Werke Institute for Contemporary Art and Neue Nationalgalerie, both in Berlin; and the Whitney Museum of American Art and MoMA PS1, both in New York.
A former U.S. Editor of Flash Art he has written for numerous publications.
Sarah Greenough, senior curator of photographs, National Gallery of Art, is celebrated for her numerous award - winning exhibitions and publications, including Modern Art and America: Alfred Stieglitz and His New York Galleries (2001), and My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz, Volume One, 1915 - 1933 (2011).
He has been a contributor to numerous publications, including Contemporary Art: From 1989 to the Present (Wiley - Blackwell, 2013) and Realism Materialism Art (CCS Bard, forthcoming).
SEPIA exhibitions have been reviewed in numerous publications, most notably, The New York Times, The New Yorker, The New York Sun, ARTnews, and Art in America.
She is the author of numerous articles and her writing has appeared in publications such as Artforum, Art Journal, Documents, and October.
She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com, Parkett, and Spike Art Quarterart publications, including Aperture, Art in America, Artforum.com, Parkett, and Spike Art QuarterArt in America, Artforum.com, Parkett, and Spike Art QuarterArt Quarterly.
Considered one of the most important photographers of his generation, Teller has successfully navigated both the art world and commercial photography since beginning his career in the late 1980s, blurring the boundaries between his commissioned and personal work in his numerous publications and exhibitions.
Portocarrero regularly collaborates with contemporary art magazines, such as Artishock and Terremoto; and has contributed with her writings on art and culture in numerous publications.
Carlo McCormick is a New York art critic and curator, and has been the author of numerous publications, monographs, and catalogues on contemporary art and artists.