Sentences with phrase «numerous art venues»

Costello has exhibited in numerous art venues including the Yale University School of Art and the Hammer Museum in Los Angeles.

Among the numerous art venues and gallery spaces located in and around Atlanta, the David J. Sencer CDC Museum is a bit of an anomaly.

Not exact matches

Additionally, the hotel affords easy access to the Philadelphia Convention Center and all of the City's numerous arts, cultural, dining and entertainment venues.

We are home to the New College of Florida (a pretty crunchy school) & East West College of Natural Medicine... we have LOTS art / culture (home of Ringling School of Art & Design, Ringling Museum, Various art shows, Mote Marine Laboratories, and numerous venues offering local and world renowned entertainment (shows, musicals, operas, ballets, symphonies, etcart / culture (home of Ringling School of Art & Design, Ringling Museum, Various art shows, Mote Marine Laboratories, and numerous venues offering local and world renowned entertainment (shows, musicals, operas, ballets, symphonies, etcArt & Design, Ringling Museum, Various art shows, Mote Marine Laboratories, and numerous venues offering local and world renowned entertainment (shows, musicals, operas, ballets, symphonies, etcart shows, Mote Marine Laboratories, and numerous venues offering local and world renowned entertainment (shows, musicals, operas, ballets, symphonies, etc.).

Previously, he worked with teens as a counselor and acting instructor at Ewing's Children's Theater, a venue run by the City of Memphis, and as a theater director and arts administrator for numerous regional theater companies.

A member of the National Registry of Historic Places, this downtown landmark is in the heart of the vibrant Power & Light district, just steps from Kauffman Centre for the Performing Arts, Bartle Hall Convention Centre and numerous restaurants, bars, shops and entertainment venues.

She has been included in numerous group exhibitions at venues such as Tate Modern, London; 53rd Venice Biennale, Venice; CCS Bard, Annendale on Hudson, New York; Whitney Museum of American Art, New York; Foundation Beyeler, Basel; and the Museum of Modern Art, New York.

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

Since 2005, he has had 16 solo exhibitions in the United States and Europe in addition to numerous group exhibitions at venues such as MoMA PS1, the Nevada Museum of Art, The Drawing Center and Yerba Buena Center for the Arts.

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; Palais de Tokyo, Paris, FR; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; The Grand Palais, Paris, FR; Guido Costa Projects, Turin, IT; The Embassy Gallery, Edinburgh Scotland; and The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Since 2005, he has had twelve solo exhibition in the United States and Europe and numerous group exhibitions at venues that include, among others: MoMA PS1, New York, NY; Nevada Museum of Art, Reno, NV; de Cordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio, New York, NY; The Drawing Center, New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Federico Luger, Milan, Italy; Sue Scott, New York, NY.

The 1990s brought widespread international recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

She has organized numerous exhibitions including The Comfort of Strangers (MoMA / PS1, New York, 2010); boundLES (at numerous venues in the Lower East Side, New York); ONLYCONNECT (Bloomberg Headquarters with Art in General, New York, 2008); and Things Fall Apart All Over Again (Artists Space, New York, 2005).

Tuttle has been the subject of numerous solo exhibitions and retrospectives, at venues including the Whitney Museum, Chicago's Museum of Contemporary Art, the Dallas Musuem of Art, the Drawing Center in New York, the ICA London, the Musée d'art modern de la ville de Paris, among many others.

Joe Zucker's solo museum exhibitions include the Whitney Museum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worldwide.

He has had several solo and group exhibitions in numerous venues including Okinawa Prefectural Museum & Art Museum, Okinawa; Atsuko Barouh and Nikon Salon, Tokyo.

Sharon's work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, The Drawing Center, Birmingham Museum of Art, Weatherspoon Art Museum, and the Kemper Museum of Contemporary Art.

Hughes has performed at venues across North America, Great Britain, and Australia including the Walker Art Center, the Wexner Center, the Guggenheim, the Yale Repertory, the Drill Hall in London, and numerous universities.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

She has exhibited and performed her work in numerous galleries and independent venues including, Portland Institute of Contemporary Art, SomArts Cultural Center, Yerba Buena Center for the Arts, African American Cultural Center, and Art Gallery of Windsor, Ontario.

He has exhibited in numerous prestigious venues such as the Whitney Museum of Art, NYC; Museum of Fine Arts, Boston, MA; San Francisco Museum of Modern Art, CA; and Seattle Museum of Art, WA.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

Fred Tomaselli (born 1956, Santa Monica, CA) has had numerous solo exhibitions including the Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang and Brooklyn Museums (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright - Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999).

His art has been exhibited in numerous venues throughout Ethiopia such as the National Museum, Goethe Institute, and Italian Cultural Institute.

She has exhibited at numerous institutions including The Museum of Modern Art, MoMA PS1, the Kitchen, and the Sculpture Center (all New York), as well as venues around the world.

His work has been exhibited in numerous venues, including Atelier Cardenas Bellanger (Paris, France), Le Confort Moderne (Poitiers, France), The Palais des Beaux - Arts BOZAR, (Brussels, Belgium), Musée Janisch (Switzerland) Cinders Gallery (Brooklyn, NY) and New Image Art (Los Angeles, CA).

Her work has been included in numerous group shows at venues including the Institute of Contemporary Art at Maine College of Art, Portland, ME (2017); Metropolitan Museum of Art, NY (2017); the Brooklyn Museum, NY (2014, 2015); the Museum of Contemporary Art Denver (2015); and the Modern Art Museum of Fort Worth (2014).

The collective has previously performed at numerous art fairs and venues including Miami Art Basel, Select Art Fair, Fountain Art Fair, Sensei Gallery, and Lincoln Centart fairs and venues including Miami Art Basel, Select Art Fair, Fountain Art Fair, Sensei Gallery, and Lincoln CentArt Basel, Select Art Fair, Fountain Art Fair, Sensei Gallery, and Lincoln CentArt Fair, Fountain Art Fair, Sensei Gallery, and Lincoln CentArt Fair, Sensei Gallery, and Lincoln Center.

Graham is on the painting faculty at the School of the Museum of Fine Arts, Boston, and has taught at Rhode Island School of Design in Providence, RI, and the Graduate School of Design at Harvard University, Cambridge, MA, as well as at numerous international venues.

COUNTRY: The United States AWARDED BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionals.

Kauper has had solo shows at ACME Gallery in Los Angeles, and Deitch Projects in New York City, and has been included in numerous group exhibitions both in the United States and Europe, including venues such as the Whitney Museum of American Art in New York, The Pompidou Center in Paris, the Kunsthalle Vienna, and the Stedelijk Museum in Gent.

Wilder has exhibited work in solo exhibitions at venues that include The Suburban (Oak Park, Ill.), Open Satellite (Seattle), the Atlanta Contemporary Art Center, and Devin Borden Gallery (Houston), and in numerous group exhibitions, most recently at the deCordova Sculpture Park and Museum (Lincoln, Mass.), the Wilton House Museum (Richmond, Va.), Artspace (New Haven, Conn.), Monster Truck Gallery (Dublin), and INOVA (Milwaukee).

His work has appeared in numerous solo and group exhibitions at such venues as the Whitney Museum of American Art, the Studio Museum in Harlem, the Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

His work has been included in exhibitions and collections at numerous venues, such as The Museum of Fine Arts Houston, The Ford Foundation, The Blanton Museum of Art, The Snite Museum of Art at Notre Dame, Artpace, The Parsons School of Design, OSDE Buenos Aires, among others.

Samaras has been the subject of numerous solo exhibitions at venues including the Museum of Contemporary Art, Chicago (1971); Whitney Museum of American Art, New York (1972 — 73, 2003 — 04); Metropolitan Museum of Modern Art, New York (1989 — 90, 2014); The Museum of Modern Art, New York (1975, 1992); and International Center of Photography (2008).

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; the Office gallery, CY; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; Galerie Nuke, Paris, FR; Guido Costa Projects, Turin, IT; 20 Hoxton Square Projects, London, UK; Galerie Analix Forever, Geneva, CH; The Embassy Gallery, Edinburgh, UK; The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK; The Edinburgh Art Festival, UK; Anna Lupertz Gallery, Berlin; and C24 Gallery, New York.

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.

Her work has been included in numerous two - person and group exhibitions at venues such as the Montgomery Museum of Fine Arts, AL; Adams and Ollman, Portland, OR; Frist Center for the Visual Arts, Nashville, TN; Cuevas Tilleard Projects, New York, NY; Knoxville Museum of Art, TN; Zuckerman Museum of Art, Kennesaw, GA; Lamar Dodd School of Art, Athens, GA; Hunter Museum of American Art, Chattanooga, TN; and Weatherspoon Museum of Art, Greensboro, NC.

He has lectured and led numerous panel discussions on art, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art Associatiart, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art AssociatiArt Institute of Chicago, the School of the Art Institute of Chicago, and College Art AssociatiArt Institute of Chicago, and College Art AssociatiArt Association.

Musson has been featured in numerous group exhibitions at venues including Contemporary Arts Museum, Houston, TX; Grey Art Gallery, NYU, New York; Galerie Perrotin, Paris, France; Hyde Park Art Center, Chicago, IL; Yerba Buena Center for the Arts, San Francisco, CA; and Cincinnati Contemporary Art Center, OH, among others.

His work has been the subject of numerous solo exhibitions at venues including the Chronus Art Centre, Shanghai, China (2016), Palazzo Strozzi, Florence, Italy (2016), Fondazione Giorgio Cini, Venice, Italy (2015), Shao Zhong Foundation Art Museum, Guangzhou, China (2014), Minsheng Museum, Shanghai, China (2014), Seattle Art Museum, WA, USA (2013), Today Art Museum, Beijing, China (2013), Kunsthaus Graz, Austria (2012), Xinjiang Arts Centre, Urumqi, China (2012) and Ullens Center for Contemporary Art, Beijing, China (2010).

Solo museum exhibitions include the Power Plant, Toronto (2005) Dia Center for the Arts, New York, (2003) the Studio Museum in Harlem (2001), the Walker Art Center, Minneapolis (2000), the Brooklyn Museum of Art (1996), the Hirshhorn Museum and Sculpture Garden (1992) and numerous other venues.

Connie Fox, a descendant of America's abstract traditions, has exhibited her work in museums and galleries across the country, among them the Parrish Art Museum in Water Mill, NY; the American Academy of Arts and Letters, NY; Weatherspoon Gallery at the University of North Carolina in Greensboro; the University of Florida in Gainsville and at numerous other venues.

Paglen has had solo exhibitions at Vienna Secession, Eli & Edythe Broad Art Museum, Van Abbe Museum, Frankfurter Kunstverein, and Protocinema Istanbul, and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.

Since 1979 he has exhibited solo shows in numerous venues around the world, including the Institute of Contemporary Art, Boston; The American University Museum, Washington, DC; MACRO Testaccio Museum, Rome (traveling to Mönchenhaus — Museum of Modern Art in Goslar, Germany, in July 2015).

The traveling exhibition program has lent numerous shows to art venues both domestically and internationally, and continues to extend the scope of the collection and its educational mission beyond the Syracuse University campus.

Her work has been shown in numerous solo and group exhibitions throughout Canada, including these venues: the MacKenzie Art Gallery, Regina; the National Gallery of Canada, Ottawa; Mercer Union, Toronto; and Galerie de l'UQAM, Montréal.

Her work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Weisman Art Museum, National Gallery of Art, Birmingham Museum of Art, Weatherspoon Art Museum and the Kemper Museum of Contemporary Art.