Sentences with phrase «numerous artists such»
Okkyung's versatility has led her to collaborate with numerous artists such as Laurie Anderson, David Behrman, Douglas Gordon, Vijay Iyer, Christian Marclay, Thurston Moore, Ikue Mori, Marina Rosenfeld, Jim O'Rourke, Evan Parker and John Zorn among others.
http://www.serpentinegalleries.org/ Not exact matches
Hinduism, Islam, Buddhism, Shintoism and numerous smaller religions had their beginning on Asian soil and still exert a powerful influence on society To be Christian artist in such a setting means coming to terms with the art forms and images of other religions.
With sly wit and boyish wonder, Kean's vignettes about key events in the understanding of air include numerous entertaining detours, such as the work of «William McGonagall, probably the worst poet who ever lived,» and Le Pétomane, a flatulence artist.
To valorize the area, numerous artists painted walls and Alex and I strolled through the area, tried small restaurants such as Drugstore Cowboy (advocado toast;)-RRB- and enjoyed the beautiful weather.
She also acquired the works of numerous best selling artists such as Sandra Kuck, Sandy Clough, Donny Finley, Jim Daly, Jack Terry, Michal Sparks, and others.
Included in the holdings are thousands of photographs, documents, artist letters, publications, ephemera, audio, video and film that document the Walker's long history with numerous artists, such as Chuck Close, Bruce Conner, Trisha Brown, and Merce Cunningham.
In the 1970s, Matta - Clark participated in numerous group exhibitions and community projects, such as his role as a founding member of the artist - run restaurant Food in New York's SoHo neighborhood.
Ms. Dolle has gained a reputation working with numerous established artists in the feminist community such as the Guerrilla Girls, Betty Tompkins, Narcissister, Nancy Azara, Kembra Pfahler, India Salvor Menuez and Bianca Casady.
She has collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements such as virtual reality, artificial intelligence, and computer games.
As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zittel.
The artist's works are found in numerous important collections, such as the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, Yale University Art Gallery, and the Phillips Collection.
Nielsen Gallery was also recognized for notable survey exhibitions of work by such artists Albert York, Martin Ramirez, Gregory Gillespie and numerous others.
As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.
18th Street's 2011 artists are exploring the idea of artistic legacy and the numerous forms it can take as well as the debates that are provoked by such forms.
He has curated numerous exhibitions of artists such as Michael Asher, Matthew Barney, Marlene Dumas, Robert Gober, Katharina Grosse, Eberhard Havekost, Maria Lassnig, Sol LeWitt, Brice Marden, Gerhard Richter, Wilhelm Sasnal, Thomas Schu
Lowe has been an artist - in - residence at numerous universities throughout the United States, lectures internationally, and has exhibited at museums, such as the Museum of Contemporary Arts, Los Angeles.
pop / off / art, Moscow were very happy with numerous sales of historical works by artists such as Olga Chernysheva and Vitaly Pushnitsky.
Miner has been featured in more than twenty solo exhibitions — with two planned in 2018 — and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.
Smith has also created numerous collaborations with other artists, such as the video installation A Voyage of Growth and Discovery (2009), for which Smith and the late Mike Kelley documented Baby Ikki at Burning Man, displaying the resulting video alongside industrial detritus, playground equipment, and Kelley's signature stuffed animals.
The film features numerous interviews with artists such as Marina Abramovic for instance, as well as art critics, historians and audio interviews with Peggy herself.
Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.
Her works have been featured in numerous magazines, art books, and newspapers such as Internation herald tribune, American Artist, and Splash series.
Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).
His education has continued with numerous trips to the Scottsdale Artist School to study with painters such as Matt Smith, George Strickland, and Kenn Backhaus.
Visiting artists presented their films through numerous festivals, including the Portland International Film Festival, Northwest Filmmakers» Festival, and Portland Jewish Film Festival, and in series such as Human Rights on Film, Reel Music, Japanese Currents, and Northwest Tracking.
With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.
Perhaps we have developed a niche for this at Pallant House Gallery — following on from exhibitions of artists such as Edward Burra, Robin Ironside, John Tunnard, and the recent «British Artists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andartists such as Edward Burra, Robin Ironside, John Tunnard, and the recent «British Artists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andArtists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andartists alongside the likes of Picasso and Moore.
In addition to her books, EyeMinded: Living and Writing Contemporary Art (2011) and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017), Jones has authored essays in such journals as Artforum and Third Text and numerous exhibition catalogs.
Miner has been featured in more than twenty solo exhibitions — with five more planned in 2015 - 16 — and has been artist - in - residence at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.
Among the numerous works on display are sculptures that he created with artist friends such as Niki de Saint Phalle, Berhard Luginbühl, Daniel Spoerri, and Eva Aeppli, his sculptures that deal with his passion for motor racing, and two of his complex large - scale sculptures that touch the senses by the use of kinetic, optical, and acoustic means.
Bill has curated numerous exhibitions with artists such as Mary Heilmann, Jonathan Lasker, Ken Price, Chris Martin, Marilyn Minter and Juan Usle.
Miner has been featured in more than twenty solo exhibitions and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.
Amerika has taken numerous texts from authors such as Immanuel Kant, John Ruskin, P. T. Barnum, Andy Warhol, Raoul Vaneigem, Karl Marx, John Stuart Mill, and various documents produced by Conceptual artists of the 1960s, to produce experimental tag clouds that reveal both the writers» use of language and the thematic subjects they obsessed over.
Amelie von Wedel has organised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.
In addition to the numerous solo exhibitions that have been devoted to the artist over the past thirty years, a number of major artistic events, such as Aurora Borealis in 1985, have included his work.
Since the beginning of his artist career, Maleonn has won numerous awards such as the 2009 Excellent Photographer Award of the Pingyao International Photo Festival.
signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its current director.
In the «70s, the artist prepared numerous large - scale installations, such as Blocks and Stones in 1973 for the Portland Center for the Visual Arts, Oregon, and outdoor works, such as Stone Field Sculpture in 1977 in Hartford.
Amelie von Wedelhasorganised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.
An open letter signed by numerous artists, curators, and arts professionals such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its current director.
Lanfranco Aceti has participated in numerous art fairs such as Art Athina, Art International, Supermarket, and Contemporary Istanbul, either as a curator or as an artist.
The American Art collection includes numerous examples by artists who were active in Oklahoma, such as Oscar Brousse Jacobson, Doel Reed, Nellie Shepherd, and Nan Sheets.
A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.
She gave numerous artists their first solo museum exhibitions in the U.S. such as Mark Manders, Luc Tuymans, Cristina Iglesias, and Yun - Fei Ji; in Canada she organized the premiere exhibitions of work by Louise Bourgeois, Richard Tuttle, Marlene Dumas, Diana Thater, among many others.
A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.
She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.
He has received numerous grants and awards from institutions such as Artists Space and Art Matters in New York City and the California Arts Council.
Different works by the artist were shown at the Venice Biennale in 2003 and 2009 as well as in numerous group shows such as The Right to Protest, Museum on the Seam Jerusalem (2010); Mixtapes, Lewis Glucksman Gallery Cork (2010); Why do you resist?
Grimonprez's work is included in numerous collections such as the Centre Georges Pompidou, Paris, France, the Kanazawa Art Museum, Japan, the National Gallery, Berlin, Germany, the Louisiana Museum of Modern Art, Denmark, and ARTIST ROOMS, Tate, United Kingdom.
From 1995 to 2005 he was Senior Curator at the New Museum, New York, where he developed numerous group exhibitions, such as East Village USA and Living inside the Grid, and several individual shows dedicated to the artists Martin Wong, William Kentridge, Carolee Schneemann, Carroll Dunham, Doris Salcedo, José Antonio Hernández Diez, among others.