Sentences with phrase «numerous catalogues as»
WHATIFTHEWORLD has a strong history in the area of publishing, having published numerous catalogues as well as artist monographs, and has hosted a series of noteworthy solo and group exhibitions.
http://www.whatiftheworld.com/ Not exact matches
The outstanding example, of course, is the Chinese government's long - running «one - child policy,» replete with forced abortions, public trackings of menstrual cycles, family flight, increased female infanticide, sterilization, and other assaults too numerous even to begin cataloguing here — in fact, so numerous that they are now widely, if often grudgingly, acknowledged as wrongs even by international human - rights bureaucracies.
He also led an expansion of the brand's merchandising, licensing partnerships and product offerings to include numerous products co-branded with the Tabasco brand name, as well as a thriving catalogue business in licensed merchandise, including, for example, the popular Tabasco neckties.
Numerous stationary and catalogue retailers have abandoned the grands crus, major chateaux and big name wine business as this segment is now situated online — sometimes also across borders.
Has written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsday.
This unassuming ambiguous object resonated not just with Wiley and Nauman, but also with a whole range of Bay Area artists in the 1960s, inspiring more than one group exhibition themed around it, a catalogue, and numerous articles as well as extensive use as a teaching tool by the painter Frank Owen.
Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.
This exhibition of 12 sculptures and numerous drawings and photographs by the Italian - born artist is prefaced by a new work, In Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptor.
His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues.
His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.
She has written for Frieze, Sculpture, and Art Papers, as well as numerous exhibition catalogue essays, and she works as a staff writer at the University of Pennsylvania.
Her writings have appeared in numerous artists» catalogues and journals and she is editor of the serial publication The Artist as Curator for Mousse.
Previously, he worked as Curator at MASS MoCA, where he completed numerous large - scale exhibitions, including The Interventionists: Art in the Social Sphere (2004), with a catalogue distributed by MIT Press.
He has worked as a curator at Cubitt Gallery, London and the Hayward Gallery, London, and his writing has appeared in numerous exhibition catalogues and anthologies.
The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.
The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small - scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today.
Bedford has published essays, book reviews, editorials, and exhibition reviews in The Burlington Magazine, Artforum, Art in America, frieze, The Art Book, Afterall, and October, as well as numerous essays in anthologies and exhibition catalogues.
Having taught in Canada, Turkey, and Saudi Arabia, her writing has been published in numerous reference works, anthologies, peer - reviewed journals, art catalogues as well as art magazines, such as
He organized Canada's art exhibition for Expo 93 Korea, and is author of numerous books and catalogues for exhibitions held at many prestigious museums, such as the Tate Gallery, Russia's Hermitage Museum, the National Gallery of Canada, the Phoenix Art Museum and the Montreal Museum of Fine Arts, among others.
The gallery has established itself as one of the premier venues dealing in modern and contemporary photography, presenting over 200 exhibitions and publishing numerous catalogues.
Her writings have appeared in numerous artists» catalogues as well as Afterall, frieze, Kaleidoscope, and Mousse.
His writings are published in The Japan Times, ISSUE, Modern Art Asia, Art Asia Pacific as well as numerous gallery and museum catalogues.
As a professor in the department of art history, theory, and criticism, Lisa has authored numerous articles in books and international professional journals, as well as developed an extensive list of exhibition catalogueAs a professor in the department of art history, theory, and criticism, Lisa has authored numerous articles in books and international professional journals, as well as developed an extensive list of exhibition catalogueas well as developed an extensive list of exhibition catalogueas developed an extensive list of exhibition catalogues.
Exhibition catalogue: The exhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherine Nichols.
Her writings have appeared in numerous exhibition catalogues as well as art publications such as Spike, Metropolis M, Mousse, Kaleidoscope, ArtReview, Flash Art, among others.
Engberg has authored numerous exhibition catalogues, as well as two Walker - published catalogues raisonnés: one on the prints and books of Edward Ruscha, and the other on the prints of Robert Motherwell.
From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and wrote numerous articles for catalogues and encyclopaedia contributions on the theme of contemporary art.
Molon has contributed to numerous publications including Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate: the Art Magazine, as well as exhibition catalogues for Karen Kilimnik, Elmgreen / Dragset, and Muntean / Rosenblum.
As a critic and essayist, he has written numerous catalogue essays and articles for periodicals.
She has written for numerous Whitney exhibition catalogues as well as contributed to Artforum and Art in America.
His writing on photography has appeared in FOAM, TIME Lightbox, The Telegraph, The Sunday Times, Photoworks, The British Journal of Photography, as well as in numerous exhibition catalogues and photobooks.
Tom has contributed critical writing to magazines including Frieze, Parkett, Metropolis M, and Bidoun, as well as numerous exhibition catalogues and edited volumes.
He has curated exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed essays to numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).
She has served on the editorial board of Third Text magazine, and has been an art critic for the BBC World Service and for various international art magazines, as well as contributing to numerous catalogues and monographs.
He is the author of Art, Politics and Ireland and Picasso's Women, as well as numerous exhibition catalogues.
As a writer, critic, and editor, Enwezor has been a regular contributor to numerous exhibition catalogues, anthologies, and journals.
Maloney has written for Artforum, ArtChronika, the Brooklyn Rail, and Meatpaper, as well as for numerous exhibition catalogues.
Prior to becoming the Met's publisher in 2010, Polizzotti worked as a translator and editor of numerous exhibition catalogues, including several dedicated to the work of French artists, such as The Private Collection of Edgar Degas (1997), Cézanne to Van Gogh: The Collection of Doctor Gachet (1999), and Pierre Bonnard: The Late Still Lifes and Interiors (2009).
George Waterman's collection of 20th - century art documentation, currently based for the most part in Manhattan, consists of approximately 40,000 books and catalogues — growing at an estimated rate of 4,000 to 5,000 items a year — as well as numerous cartons tightly packed with gallery and museum invitations, cards, and ephemera.
She has written for numerous exhibition 3 catalogues and art publications and has independently organized exhibitions in Spain, France, Belgium, and the United States, as well as in Mexico.
Engaging with numerous scientific and formal topics such as symbolic systems, visual perception, and the structural significance of patterning, Auerbach's diverse output includes rainbow - hued trompe l'oeil canvases, hand - wrought glass helices, elegantly calligraphed text - based drawings, and (of course) books — from zines to technically advanced sculptural volumes to unique takes on the exhibition catalogue.
Since joining the Gallery in 1986, she has organized, collaborated on, and coordinated numerous exhibitions as well as authored and contributed to various catalogues: Three Centuries of American Prints from the National Gallery of Art (2016), Louise Bourgeois: No Exit (2015), Focus on the Corcoran: Works on Paper: 1860 - 1990 (2015), Yes, No, Maybe: Artists Working at Crown Point Press (2013), Shock of the News (2012), Stanley William Hayter: From Surrealism to Abstraction (2009), Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha (2005), Roy Lichtenstein: A New Gift of Drawings (2005), Drawings of Jim Dine (2004), A Century of Drawings: Works on Paper from Degas to LeWitt (2001), The Unfinished Print (2001), Prints Abound: Paris in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art (2001), Marc Chagall's Early Prints and Drawings (1995), The Great Age of British Watercolors: 1750 - 1880 (1993), Drawings from the O'Neal Collection (1993), Käthe Kollwitz (1992), Master Drawings from the Armand Hammer Collection: An Inaugural Celebration (1989), and English Drawings and Watercolors, 1630 - 1850 (1988).
Ferrer is the author of Lola Alvarez Bravo (Aperture Foundation, NY), named as a New York Times notable book of the year, as well as of numerous exhibition catalogues and essays published nationally and internationally.
She is the author of numerous catalogue essays and her writing has appeared in publications such as Artforum, Art Journal, Documents, and October.
His texts on contemporary art have appeared in publications such as Afterall, Artforum, East of Borneo, Frieze, and Pin - Up, as well as in numerous exhibition catalogues.