Sentences with phrase «numerous catalogues on»

Known for discovering artists, representinv masters, and placing important collections and archives into major public institutions, Pace / MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography.

Known for discovering artists, representing masters, and placing important collections and archives into major public institutions, Pace / MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography.

While there have been numerous catalogues on Andre's work since the 1960s, this will be the first comprehensive catalogue of the artist's poetry.

Not exact matches

In his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh catalogued numerous examples of changing climate conditions on losing forests and wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been converted.

Arns has curated many exhibitions in Germany and abroad, edited exhibition catalogues, and authored numerous articles on media art and net culture.

Rothko is the subject of numerous publications, including the catalogue raisonné, Mark Rothko: The Works on Canvas by David Anfam, Yale University Press, 1998.

She has written widely on the subject for numerous journals and exhibition catalogues, and is the author of many artists» monographs.

She is also the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germaon view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermaOn Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germaon ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has written exhibition catalogues on numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

He is the author of numerous catalogues and essays on contemporary and modern art, and has been a grant panelist for numerous federal, state, city, and private foundations.

Carlo McCormick is a New York art critic and curator, and has been the author of numerous publications, monographs, and catalogues on contemporary art and artists.

Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.

Lessing completed her Ph.D. in Art History at Indiana University under the guidance of Sarah Burns, and she has authored numerous books, articles, catalogue essays, and papers on eighteenth and nineteenth - century American art.

The catalogue will also include an extensive illustrated chronology of Chin's career by Lisa Crossman, PhD, numerous entries on specific artworks, and a comprehensive bibliography.

Molon has contributed to numerous publications, including: Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate Etc., as well as exhibition catalogues for Karen Kilimnik, Elmgreen & Dragset, and Muntean & Rosenblum.

The co-author, with Ken Okiishi and Alise Upitis, of The Very Quick of the Word (Sternberg Press, 2014), she has penned features and catalogue essays on the work of numerous artists, including Okiishi, Korakrit Arunanondchai, Alex Da Corte, Loretta Fahrenholz, Marianna Simnett, and Cally Spooner.

Dr. Flam is the author of numerous books, catalogues, and articles on various aspects of nineteenth and twentieth - century art, and on African art, and is most recently co-author of the catalogue raisonné of Robert Motherwell's paintings and collages and of Robert Motherwell: 100 Years.

He has authored numerous articles, books and exhibition catalogues throughout his career and has served on many juries of exhibitions, public sculpture commissions and awards.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

In this capacity, she prepared numerous exhibitions and catalogues on the artist, including Rauschenberg: On and Off the Wall (Musée d'Art Moderne et d'Art Contemporain, Nice, France, 2005), Robert Rauschenberg: Gluts (IVAM, Valencia, Spain, 2005), and Rauschenberg (Palazzo dei Diamanti, Ferrara, Italy, 2004on the artist, including Rauschenberg: On and Off the Wall (Musée d'Art Moderne et d'Art Contemporain, Nice, France, 2005), Robert Rauschenberg: Gluts (IVAM, Valencia, Spain, 2005), and Rauschenberg (Palazzo dei Diamanti, Ferrara, Italy, 2004On and Off the Wall (Musée d'Art Moderne et d'Art Contemporain, Nice, France, 2005), Robert Rauschenberg: Gluts (IVAM, Valencia, Spain, 2005), and Rauschenberg (Palazzo dei Diamanti, Ferrara, Italy, 2004).

He is the author of dozens of books and catalogues and numerous essays on subjects ranging from eighteenth - century drawing to the work of Bob Dylan.

Over the last two decades she has contributed essays to numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhercatalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World ElsewherCatalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small - scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today.

In addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many others.

Sudjud's articles and art review's have been published on numerous occasions in Indonesian domestic news media and art catalogues.

Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine.

She has written for and edited numerous catalogues and artist monographs, including a forthcoming book on the choreographer Michael Clark, in addition to contributing to art publications including Artforum, Frieze, and Parkett.

He is the author of a book of poetry, four books of essays, and numerous monographs and catalogues on artists.

She wrote numerous reviews and features for Artforum, Art in America, Parkett, and Frieze, and was a contributor to exhibition catalogues on the work of Marlene Dumas, Josiah McElheny, and Bruce Nauman.

Rice's writing on contemporary Onkwehonwe art has been published in numerous periodicals and exhibition catalogues, and he has lectured widely.

Engberg has authored numerous exhibition catalogues, as well as two Walker - published catalogues raisonnés: one on the prints and books of Edward Ruscha, and the other on the prints of Robert Motherwell.

From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and wrote numerous articles for catalogues and encyclopaedia contributions on the theme of contemporary art.

Molon has contributed to numerous publications including Art Review, Whitewall, Vitamin D: New Perspectives on Drawing; Art on Paper; Contemporary Magazine; Trans; and Tate: the Art Magazine, as well as exhibition catalogues for Karen Kilimnik, Elmgreen / Dragset, and Muntean / Rosenblum.

Besides exhibition catalogues, Angelika Nollert has written numerous essays and catalogue entries on the subject of contemporary art.

She has been the author of numerous exhibition catalogues and brochures on contemporary art, including publications for the Albright - Knox Art Gallery, Buffalo, NY; the Neuberger Museum of Art, Purchase, NY; the Metropolitan Museum of Art, Knoedler, Marlborough and Pace Galleries, New York, NY.

Portocarrero has contributed writings on art and culture to numerous catalogues and publications.

His writing on photography has appeared in FOAM, TIME Lightbox, The Telegraph, The Sunday Times, Photoworks, The British Journal of Photography, as well as in numerous exhibition catalogues and photobooks.

He has curated exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed essays to numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).

She has served on the editorial board of Third Text magazine, and has been an art critic for the BBC World Service and for various international art magazines, as well as contributing to numerous catalogues and monographs.

Stoops has authored numerous exhibition catalogues including essays on Tony Feher, Martha Rosler, Kiki Smith, and David Thorpe.

He is Distinguished Professor Emeritus of Art and Art History at Brooklyn College and The Graduate Center of the City University of New York, and is the author of numerous books, catalogues, and articles on various aspects of nineteenth and twentieth - century European and American art, and on African art.

Jack Flam: President of the Dedalus Foundation, and Distinguished Professor Emeritus of Art and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and Friendship.

Michael Archer (Critic and Professor of Art, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous catalogues.

Cameron has a considerable body of writing on contemporary art, and he has been Contributing Editor for Art Magazine, Art & Auction, Artforum, and Flash Art, in addition to writing for Parkett and trans and publishing exhibition catalogues and monographic texts on numerous artists.

She has written numerous catalogue and monographic essays on artists from the Middle East and has curated exhibitions, screening programs and other projects internationally.

Dziedzic is the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.