Sentences with phrase «numerous curated group shows»

Not exact matches

Recent group shows include the Cintas exhibition at Miami Dade College Museum of Art + Design; Self - Proliferation curated by Micaela Giovannotti at the Girls» Club, Ft. Lauderdale; and If You Leave Me, Can I Come Too, at Hunter College, NY among numerous others.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Her w ork has featured in numerous group exhibitions, including «L'Almanach 14», Le Consortium, Dijon, France (2014); «Performance Now: The First Decade of the New Century», curated by Rose Lee Goldberg, various venues, USA (2012 - 14); Göteborg, InternationalBiennial for Contemporary Art, Göteborg, Sweden (2013); «Performa13», New York (2013); «Aquatopia», Nottingham Contemporary, Nottingham, UK; Tate St Ives, St Ives, UK (2013); «Turner Prize», Tate Britain, London (2012); «Topsyturvy», de Appel, Amsterdam (2012); «British Art Show 7: In the Days of the Comet», various venues, UK (2010 - 11).

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

He has been the subject of numerous exhibitions, including solo shows at the Whitney Museum (2005), the Whitechapel Gallery in London (2001), and the Drawing Center (1999), as well as notable group shows such as the Whitney Biennial in 1993 and 2004 and the 2007 Venice Biennale exhibition Think with the Senses — Feel with the Mind: Art in the Present Tense, curated by Robert Storr.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Her work has been shown in numerous group exhibitions, including Selections from Absolut Collection (curated by Haim Steinbach) at The Artist's Institute, New York; ICA, London; Kunsthalle, Bern; Zabludowicz Collection, London; Saatchi Gallery, London; and Le Magasin, Grenoble.

Before becoming its Chief Curator in 2013, Blumenstein had already worked at KW in Berlin from 1998 to 2005, during which time she organized and curated numerous exhibitions, including the much - debated group show «Regarding Terror: The RAF Exhibition» (co-curated by Klaus Biesenbach and Felix Ensslin, 2005).

A former Director (2000 - 06) of CCA Wattis Institute, at the California College of Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruscha, Jeremy Deller, Carsten Holler, Tracey Emin, and George Condo.

His work has also been included in numerous group shows, including the 2012 Paris Triennale (curated by Okwui Enwezor), the 30th São Paulo Biennial (2012); The Workers, MASS MoCA (2011); Language of Less (Then & Now), the MCA Chicago (2011); and The Quick and the Dead (curated by Peter Eleey), the Walker Art Center (2009).

He has presented his work in many solo exhibitions in the historical Athenian gallery «Nees Morphes» and his work has been included in numerous group shows, among which are the emblematic exhibition Apperto 93 in the XVL Venice Biennial in 1993 and the 2nd Athens Biennial Heaven (How Many Angels Can Dance On The Head Of A Pin, curated by Christopher Marinos) in 2009.

Apart from this commercial segment of his work, he had several solo exhibitions, curated group shows, participated in numerous collective exhibitions and published a monograph, which is a compilation of the artist's best works from 2007 to 2013.

Since her first solo exhibition in 1995, she has shown internationally, both in numerous solo exhibitions and group shows including Brooching it Diplomatically, curated by Helen Drutt English and Micromegas curated by Otto Kunzli.

Takal has shown in numerous solo, two - person, and group shows including: Alter Space, San Francisco; SADE LA, Los Angeles; Jeffrey Stark, New York; and Interstate Projects curated by Springsteen, Brooklyn.

Anderson has also curated numerous group shows across the Southeastern United States and is a founding member and curator of TABOO artist collective.

The Gates of Paradise Curated Group Show Art Basel Miami Week 2016 Art Basel Miami Beach is one of the world's most successful art fairs, which takes place at the same time as numerous satellite art fairs in the first week of December.

At P.S. 1, she curated numerous group exhibitions including Some New Minds and Around 1984: A Look at Art in the Eighties, as well as one - person shows including Janet Cardiff, Sol Lewitt, and Georges Adeagbo.

Over the last 12 years Martin has curated numerous exhibitions and projects, including solo shows by Simon Starling, Albert Oehlen, Lily van der Stokker, Alex Katz, Hans - Peter Feldmann, Heimo Zobernig, Dexter Dalwood, Carol Bove, Bojan Sarcevic, Deimantas Narkevicius, Peter Fraser, Katy Moran, Mark Titchner, Brian Griffiths and Lucy McKenzie, as well as group exhibitions that include The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, 2009; Pale Carnage, Arnolfini, 2007; and The Hollows of Glamour, Herbert Read Gallery, 2003.

She has curated numerous exhibitions, including most recently Love is a Stranger at Creative Growth Art Center in Oakland, and has organized over 50 exhibitions ranging from solo shows of the work of Richard Artschwager, Dan Flavin, and Brice Marden to major group exhibitions such as Monuments for the USA and IRREDUCIBLE: Contemporary Short Form Video.

His work has appeared in numerous group shows in New York City, including featured exhibitions at The Drawing Center (Selections 31) and a White Room exhibit at White Columns (1991) curated by Bill Arning.

Jesse has curated and exhibited in numerous group and solo shows internationally.

His work has also been featured in numerous group exhibitions and biennials, most recently the 14th Biennale de Lyon, curated by Emma Lavigne (2017), Manifesta 7 (2015), along with 2017 group shows at Guggenheim Bilbao, Albright Knox Art Gallery, Centre Pompidou - Metz, and a permanent installation at the Museum of Contemporary Art, Chicago.