Sentences with phrase «numerous drawings and prints»

As befits a museum with a vibrant interest in contemporary art, the Kupferstichkabinett also has numerous drawings and prints by German and international contemporary artists — a field that continues to be carefully cared for and expanded.

Jusepe de Ribera, master of the Spanish and Neapolitan baroque, is underrepresented in public collections in the UK, so the opportunity to see eight large - scale canvases and numerous drawings and prints in London is not to be missed.

Not exact matches

Newman's sculpture, drawings, and prints are represented in numerous public collections including the Museum of Modern Art, the Metropolitan Museum, the Whitney Museum, the Tate Modern in London, the National Gallery in Canberra, the Alberina Museum in Vienna, among many others.

Mitchell's paintings, drawings and prints are held in numerous public collections, nationally and internationally.

The work of Michael Mazur has been featured in numerous solo and group painting, print, and drawing exhibitions, nationally and internationally, since 1958.

Her prints, drawings and artist books have been included in numerous solo and group exhibitions throughout the United States, including The Drawing Center, New York and The International Print Center, New York.

His paintings, sculptures, drawings, and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modern Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, and The Paine Weber Collection.

Fischl's paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.

Her work is in the permanent collection of numerous museums and institutions including The Museum of Modern Art, NY; The Metropolitan Museum of Art, NY; The Brooklyn Museum of Art, NY; The Museum of Prints and Drawings, Berlin, Germany; The Museum of Fine Arts, Boston; The British Museum, London, England; The Museum of Fine Arts, Houston; The Arkansas Arts Center, Little Rock; and the National Museum of Women in the Arts, Washington, DC to name a few.

It is an extraordinary collection of some forty paintings, one hundred drawings and numerous prints.

Curated by independent scholar Susan Harris with Grey Art Gallery director Lynn Gumpert, the exhibition features approximately 35 major paintings and over 50 gouaches, prints, and drawings, as well as numerous sketchbooks, films, maquettes, source materials, and ephemera.

Professor Grabowski's prints, drawings, and artist books are included in numerous public and private collections, including the National Museum of Women in the Arts.

Burlingham has curated numerous exhibitions of prints and drawings, including Tea and Morphine: Women in Paris, 1880 - 1914 with co-curator Victoria Dailey (2014); A Strange Magic: Gustave Moreau's Salome (2012); Outside the Box: Edition Jacob Samuel (2010); The Eunice and Hal David Collection of 19th - and 20th - Century Works on Paper (2003); The World from Here: Treasures of the Great Libraries of Los Angeles (2001); and The French Renaissance in Prints (prints and drawings, including Tea and Morphine: Women in Paris, 1880 - 1914 with co-curator Victoria Dailey (2014); A Strange Magic: Gustave Moreau's Salome (2012); Outside the Box: Edition Jacob Samuel (2010); The Eunice and Hal David Collection of 19th - and 20th - Century Works on Paper (2003); The World from Here: Treasures of the Great Libraries of Los Angeles (2001); and The French Renaissance in Prints (Prints (1994).

Salter has had numerous solo and group exhibitions recently including: Paintings, Drawings, Prints, Beardsmore Gallery, London (2016); First Light, Howard Scott Gallery, New York (2015); New Works on Paper (with Gianfranco Foschino) Galerie Michael Sturm, Stuttgart (2014); Beyond, Beardsmore Gallery, London (2013); International Print Exhibition UK / Japan, Kyoto, Kita Kyushu (2012); into the light of things: Rebecca Salter 1981 - 2010, Yale Center for British Art, Connecticut (2011); Rebecca Salter and Japan, Yale University Art Gallery (2011); 40 Artists: 80 Drawings, Burton Art Gallery and Museum, Bideford, Devon (2011); Pale Remembered, Beardsmore Gallery, London (2009); 40 Artists - 40 Drawings, Victoria and Albert Museum (2009); Drawing into Painting into Drawing, The Drawing Gallery, UK (2008).

Ranging across Jasper Johns's entire career — from his breakthrough paintings of the 1950's, which paved the way for the subsequent development of pop art and minimalism, Jasper Johns has had numerous museum retrospectives throughout his career, including paintings, drawings, prints as well as a host of other themes; recent highlights include the landmark 1997 exhibition» «Jasper Johns: A Retrospective» at the Museum of Modern Art, curated by Kirk Varnedoe and the breathtaking 2008 «Jasper Johns: Gray» at the Art Institute of Chicago and The Metropolitan Museum of Art.

Each artist was invited to produce numerous designs, and to freely create and translate works into the media at hand: print on canvas, encompassing works across photography, mixed media montages, drawings, paintings, collages and relief sculptures.

Working in various mediums including oil on canvas, gouache on paper, pen and ink drawings and collage, Ernst, along with Helmut Herzfelde (aka John Heartfield), created numerous satirical collages, using popular printed material, depicting the grotesque and the erotic, in a style which heralded Parisian Surrealism.

The show featured over 200 artworks, including 60 paintings and 12 sculptures as well as numerous prints, drawings and sketches.

His paintings, drawings, prints and illustrated books have been subject of numerous important traveling exhibitions.

Her work is in the permanent collection of numerous museums and institutions including The Museum of Modern Art, NY; The Metropolitan Museum of Art, NY; The Brooklyn Museum of Art, NY; The Museum of Prints and Drawings, Berlin, Germany; The Museum of Fine Arts, Boston; The British Museum, London, England; The Museum of Fine Arts, Houston; The Arkansas Arts Center, Little Rock; The National Gallery of Art, Washington, DC; and the National Museum of Women in the Arts, Washington, DC.

She has been the subject of numerous international museum exhibitions, including a solo drawing show at the Museum für Gegenwartskunst, Basel, in 2001, and a print retrospective at The Metropolitan Museum of Art in 2002.

A native of Nebraska and MFA graduate of University of Las Vegas, Sheppard now lives and works in Los Angeles, California.Moist Gilding draws from numerous sources: Mannerist prints, the erotic and transgressive drawings by Franz Von Bayros, illustrations by Sir John Tenniel (Alice's Adventures in Wonderland & Through the Looking - Glass), the Greek myth of the abduction of Psyche, Louie XIV & XV, and George Bataille's, Eroticism.

Since joining the Gallery in 1986, she has organized, collaborated on, and coordinated numerous exhibitions as well as authored and contributed to various catalogues: Three Centuries of American Prints from the National Gallery of Art (2016), Louise Bourgeois: No Exit (2015), Focus on the Corcoran: Works on Paper: 1860 - 1990 (2015), Yes, No, Maybe: Artists Working at Crown Point Press (2013), Shock of the News (2012), Stanley William Hayter: From Surrealism to Abstraction (2009), Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha (2005), Roy Lichtenstein: A New Gift of Drawings (2005), Drawings of Jim Dine (2004), A Century of Drawings: Works on Paper from Degas to LeWitt (2001), The Unfinished Print (2001), Prints Abound: Paris in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art (2001), Marc Chagall's Early Prints and Drawings (1995), The Great Age of British Watercolors: 1750 - 1880 (1993), Drawings from the O'Neal Collection (1993), Käthe Kollwitz (1992), Master Drawings from the Armand Hammer Collection: An Inaugural Celebration (1989), and English Drawings and Watercolors, 1630 - 1850 (1988).

Since then she has had numerous exhibitions for her paintings, drawings and prints, including one - person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987; both exhibitions traveled to museums in Europe and the US.

Cracco has participated in numerous exhibitions nationally and internationally including Digital Printmaking Now at the Brooklyn Museum of Art curated by Marilyn Kushner; the Long Beach Island Foundation of the Arts Juried Annual in Loveladies, NJ, curated by Darsie Alexander, Assistant Curator Museum of Modern Art; and Printwork 99, Barrett Art Center in Poughkeepsie, NY, juried by Claire Bell, Associate Curator of Prints and Drawings at the Guggenheim Museum, NY.