She has written for Frieze, Sculpture, and Art Papers, as well as
numerous exhibition catalogue essays, and she works as a staff writer at the University of Pennsylvania.
Not exact matches
She is also the founder of the online publication artcore journal and has contributed
essays to
numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.
The first comprehensive
exhibition catalogue, featuring
numerous colour illustrations,
essays by Gregor Jansen, Alexander Koch, Bob Nickas, Lars Bang Larsen, and a conversation with Chris Martin and Elodie Evers, will be published by Verlag der Buchhandlung Walther König.
In addition to
essays for
catalogues and books published in conjunction with the
exhibitions she has curated, Katz - Freiman has written
numerous articles,
essays, and reviews addressing various issues in contemporary art.
Over the last two decades she has contributed
essays to
numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.
The fully illustrated
exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewher
catalogue features an
essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose
numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A
Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewher
Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).
He has written
numerous articles,
exhibition reviews,
catalogue essays, lectured at many universities and art schools, curated many
exhibitions, and edited several series for UMI Research Press and the Cambridge University Press.
Bedford has published
essays, book reviews, editorials, and
exhibition reviews in The Burlington Magazine, Artforum, Art in America, frieze, The Art Book, Afterall, and October, as well as
numerous essays in anthologies and
exhibition catalogues.
During this time she wrote
numerous catalogue essays and curated
exhibitions for a range of institutions, including «post naturam» (1998, co-curated by Magdalena Broska) and «Gebaute Horizonte» (Built horizons, 1999).
Exhibition catalogue: The exhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherin
Exhibition catalogue: The
exhibition is accompanied by a publication designed by the graphic design studio cyan with numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12 essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherin
exhibition is accompanied by a publication designed by the graphic design studio cyan with
numerous illustrations and reproduced documents about the history of Black Mountain College as well as 12
essays i.a. by Gabriele Brandstetter, Brenda Danilowitz, Mary Emma Harris, Annette Jael Lehmann, Andi Schoon and the editors of the
catalogue Eugen Blume, Matilda Felix, Gabriele Knapstein and Catherine Nichols.
Besides
exhibition catalogues, Angelika Nollert has written
numerous essays and
catalogue entries on the subject of contemporary art.
He has curated
exhibitions for the past twenty - five years, including the 2015 Lyon Biennale, and has contributed
essays to
numerous exhibition catalogues and books on artists such as David Hammons, Paul McCarthy, Raymond Pettibon, Luc Tuymans, Mike Kelley, and Anthony Hernandez (Anthony Hernandez: Pictures for Rome, 2000).
Stoops has authored
numerous exhibition catalogues including
essays on Tony Feher, Martha Rosler, Kiki Smith, and David Thorpe.
Mr. Rondeau has organized over 30 solo
exhibitions and large survey shows, and has published and lectured extensively, with 13
catalogues and
numerous essays and articles to his credit, alongside talks from Basel to Madrid and from New York to San Francisco.
Numerous exhibitions and
catalogue essays include Reordering Reality: Precisionism in America 1915 - 1941 (1994), Waxing Poetic: Encaustic Art in America (1999), Will Barnet: A Timeless World (2000), Cézanne and American Modernism (2009), Warhol and Cars: American Icons (2011), and The New Spirit: American Art in the Armory Show, 1913 (2013).
She has written
numerous catalogue and monographic
essays on artists from the Middle East and has curated
exhibitions, screening programs and other projects internationally.
Dziedzic is the founder of the online publication artcore journal and has contributed
essays to
numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.
Darren has published
numerous essays for
exhibition catalogues and online, and is part of a small team curating the rolling programme of Tate collection displays.
In addition to curating
exhibitions she has written
numerous essays, reviews and articles for various artist books,
catalogues and other publications.
Ferrer is the author of Lola Alvarez Bravo (Aperture Foundation, NY), named as a New York Times notable book of the year, as well as of
numerous exhibition catalogues and
essays published nationally and internationally.