Sentences with phrase «numerous exhibitions such»

Dawn Clements» work has been included in numerous exhibitions such as: «Paper» (Saatchi Gallery, London); «Ghost of Architecture» (Henry Art Gallery, Seattle); «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT); «Making Room: The Space Between Two and Three Dimensions» (MassMoCA); «Edward Hopper and Contemporary Art» (Kunsthalle Wien, Vienna, Austria); «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center); «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China); the Whitney Biennial 2010 (Whitney Museum, NYC); and the Venice Biennale.

Dawn Clements» work has been included in numerous exhibitions such as: Paper (Saatchi Gallery, London); Ghost of Architecture (Henry Art Gallery, Seattle); Ballpoint Pen Drawing Since 1950 (Aldrich Contemporary, CT); Making Room: The Space Between Two and Three Dimensions (MassMoCA); Edward Hopper and Contemporary Art (Kunsthalle Wien, Vienna, Austria); Art Now; Dawn Clements, Middlebury College Museum of Art, Middlebury, VT The Whitney Biennial 2010 (Whitney Museum, NYC); and The Venice Biennale.

She has had numerous exhibitions such as Carnegie Mellon Art Gallery, Pittsburgh; Philadelphia Museum of Art; P.S. 1 and Artists Space, New York; The Royal Hibernian Academy, Dublin; Delaware Center for Contemporary Arts; and The Rosenbach Museum and Library, Philadelphia.

She then went on to run VOX, Contemporary Image Centre and organize numerous exhibitions such as John Baldessari: 1970s Film and Video Work (2010), Walking into the Vanishing Point.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Not exact matches

When it gets hot outside, you can go of indoor cultural options such as The Atlanta Symphony Orchestra performing 230 days a year, the High Museum of Art with more than 10 000 pieces in its collection and for sure numerous exhibitions to enjoy and titillate your imagination and brain at The High.

The Crown Plaza Hunter valley also offers an exhibition suite and numerous special event options such as a lawn area suitable for large marquee set - ups for up to 1,000 people.

She has been included in numerous group exhibitions at venues such as Tate Modern, London; 53rd Venice Biennale, Venice; CCS Bard, Annendale on Hudson, New York; Whitney Museum of American Art, New York; Foundation Beyeler, Basel; and the Museum of Modern Art, New York.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».

Larkey has been featured in numerous group exhibitions at such galleries and institutions as The Drawing Center, New York; Samson Projects, Boston; and Bobbie Greenfield Gallery, Santa Monica.

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

Since 2000 she has curated numerous exhibitions, symposia and performance events in Europe and North America at venues such as MUMOK Vienna, and Tate Modern.

Since 2005, he has had 16 solo exhibitions in the United States and Europe in addition to numerous group exhibitions at venues such as MoMA PS1, the Nevada Museum of Art, The Drawing Center and Yerba Buena Center for the Arts.

E.V. Day has had numerous solo exhibitions, at such institutions as the Whitney Museum of American Art at Philip Morris, New York; Bellevue Art Museum, Bellevue, Washington; and a 10 - year survey at the Johnson Museum of Art, Cornell University.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

In the 1970s, Matta - Clark participated in numerous group exhibitions and community projects, such as his role as a founding member of the artist - run restaurant Food in New York's SoHo neighborhood.

Eija - Liisa Ahtila has also participated in numerous international art exhibitions such as the Venice Biennale (2005 and 1999); Documenta 11 (2002) and the Sydney Biennial (2018 and 2002).

Alongside numerous group exhibitions such as «Niveaualarm», (Innsbruck, 2007) and «The professor Winkler scholarship Berlin», (2005), Ulrich Wulff runs the Berlin based publishing house Heckler und Koch, and the virtual gallery, European Fine Art, together with his collaborators and friends, Thomas Winkler and André Butzer.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Nielsen Gallery was also recognized for notable survey exhibitions of work by such artists Albert York, Martin Ramirez, Gregory Gillespie and numerous others.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

His work has featured at major international events such as Art Basel 2010 and he has held numerous solo exhibitions in South Africa.

He has curated numerous exhibitions of artists such as Michael Asher, Matthew Barney, Marlene Dumas, Robert Gober, Katharina Grosse, Eberhard Havekost, Maria Lassnig, Sol LeWitt, Brice Marden, Gerhard Richter, Wilhelm Sasnal, Thomas Schu

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

Caroline Bourgeois is the curator of the Pinault Collection in Paris and has organized numerous exhibitions around the world, such as Passage du temps (2007) at Lille's Tripostal, Un certain état du monde (2009) at the Garage Center for Contemporary Culture in Moscow, Qui a peur des artistes?

Aitken's work has been featured in numerous exhibitions around the world, such as at the Whitney Museum of Modern Art and MoMA in New York, Serpentine Gallery in London and Centre Georges Pompidou in Paris.

She has had solo exhibitions at La Panaderia, Mexico City and Daniel Reich Gallery, New York in addition to participating in numerous group shows, such as Fight or Flight at The Whitney Museum of American Art and Hiding in the Light at Mary Boone Gallery, New York.

Graham's work has been the subject of numerous solo exhibitions at venues such as Kingston Gallery in Boston, MA, where she is represented, and has been included in group exhibitions at Ruth Bachofner Gallery in Los Angeles, CA and Frederick Taylor Gallery in New York, NY, among others.

Over the years, she has had numerous, widely reviewed solo shows, at galleries such as Rosa Esman, Michael Klein, Cheim & Read (all New York); including a mid-career exhibition at the Weatherspoon Art Gallery (Greensboro, NC).

His work has been shown in numerous group exhibitions at important venues worldwide, such as Collection Sandretto Re Rebaudengo: Have you seen me before?

Miner has been featured in more than twenty solo exhibitions — with two planned in 2018 — and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

Kauper has had solo shows at ACME Gallery in Los Angeles, and Deitch Projects in New York City, and has been included in numerous group exhibitions both in the United States and Europe, including venues such as the Whitney Museum of American Art in New York, The Pompidou Center in Paris, the Kunsthalle Vienna, and the Stedelijk Museum in Gent.

His work has been included in numerous group exhibitions such as the 17th Biennale of Sydney, Australia (2010); 2004 Biennial Exhibition, Whitney Museum of American Art, New York; andThe Heavenly Tree Grows Downward: Selected Works by Harry Smith, Philip Taaffe and Fred Tomaselli, James Cohan Gallery, New York (2002).

His work has appeared in numerous solo and group exhibitions at such venues as the Whitney Museum of American Art, the Studio Museum in Harlem, the Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

His work has been included in exhibitions and collections at numerous venues, such as The Museum of Fine Arts Houston, The Ford Foundation, The Blanton Museum of Art, The Snite Museum of Art at Notre Dame, Artpace, The Parsons School of Design, OSDE Buenos Aires, among others.

His numerous solo exhibitions include several in public institutions such as the Miami Art Museum, in 2001.

He has curated and produced numerous memorable exhibitions, which included the works of Donald Judd, Anselm Kiefer, Sol LeWitt, John Chamberlain, Jean Michel Basquait, John Baldessari, Roy Litchtenstein, and Andy Warhol and has overcome such logistical hurdles as installing a 12,000 pound indoor Richard Serra sculpture in a second floor Philadelphia space.

After moving to London in 1997 he has had numerous solo exhibitions worldwide, such as «Falla Ideologico» (Museo de Arte Contemporaneo, 2012).

Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.

Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13.

From the gallery: «During his long career, Nama has been represented in numerous important exhibitions, galleries, and public collections, such as The Morgan Library, the Boston Athenæum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

Her work has been included in numerous two - person and group exhibitions at venues such as the Montgomery Museum of Fine Arts, AL; Adams and Ollman, Portland, OR; Frist Center for the Visual Arts, Nashville, TN; Cuevas Tilleard Projects, New York, NY; Knoxville Museum of Art, TN; Zuckerman Museum of Art, Kennesaw, GA; Lamar Dodd School of Art, Athens, GA; Hunter Museum of American Art, Chattanooga, TN; and Weatherspoon Museum of Art, Greensboro, NC.

He has had numerous solo exhibitions at such venues as Federico Luger, Milan, Italy; Sue Scott Gallery, New York, NY; and DiverseWorks, Houston, TX.

His work has been featured in numerous exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris.

During her tenure, she oversaw the implementation of numerous exhibitions of fine and decorative arts, such as Oskar Kokoschka (co-organised with the Hamburger Kunsthalle) Van Gogh and Expressionism (co-organised with the Van Gogh Museum), Klee and America (co-organised with the Menil Collection), Ferdinand Hodler (co-organised with Foundation Beyeler), Franz Xaver Messerschmidt (co-organised with the Louvre), to name but a few.

She has had numerous solo exhibitions in South Africa and has participated in major international shows such as Sphères, at Le Moulin, France in 2009 and Lust and Vice: From Durer to Nauman at the Kunstmuseum Bern in 2010.

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).