Sentences with phrase «numerous exhibitions surveying»

His photographs have appeared in numerous exhibitions surveying the Photo League such as the 2011Jewish Museum exhibition The Radical Camera: New York's Photo League, 1936 - 1951.

Not exact matches

Zeng has been the subject of numerous institutional surveys, most notably a 2016 exhibition at the Ullens Center for Contemporary Art in Beijing.

Born in 1961, Catherine Opie has been the subject of numerous exhibitions both here and abroad, including a mid-career survey at the Guggenheim Museum in 2008, and is in the collections of dozens of public institutions.

E.V. Day has had numerous solo exhibitions, at such institutions as the Whitney Museum of American Art at Philip Morris, New York; Bellevue Art Museum, Bellevue, Washington; and a 10 - year survey at the Johnson Museum of Art, Cornell University.

Since his first New York show in 1964, he has had numerous exhibitions in Europe and North America and has participated in many international surveys including Documenta 5 (1972) and Documenta 6 (1977).

Lauria is the organizer of several national touring exhibitions as well as numerous museum - based surveys of craft, design, and decorative arts.

Nielsen Gallery was also recognized for notable survey exhibitions of work by such artists Albert York, Martin Ramirez, Gregory Gillespie and numerous others.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Bradford's work has been the subject of numerous exhibitions, including a traveling survey of his work organized by the Wexner Center for the Arts in 2010, which traveled to Boston's Institute of Contemporary Art, the Museum of Contemporary Art Chicago, the Dallas Museum of Art, and a co-presentation at the San Francisco Museum of Modern Art and Yerba Buena Center for the Arts.

In addition to numerous group exhibitions, recent solo shows include the New Museum in New York, Pigna Projectspace in Rome, and Cornerhouse in Manchester (a survey of her solo works from 2008 to 2012) with an accompanying book.

Fred Tomaselli (born 1956, Santa Monica, CA) has had numerous solo exhibitions including the Modern Art Museum of Fort Worth (2014) and the University of Michigan Museum of Art (2014); a survey exhibition at Aspen Art Museum (2009) that toured to Tang and Brooklyn Museums (2010); The Fruitmarket Gallery, Edinburgh (2004) toured to four venues in Europe and the US; Albright - Knox Gallery of Art (2003); Site Santa Fe (2001); Palm Beach ICA (2001), and Whitney Museum of American Art (1999).

The artist has had numerous solo exhibitions in museums, including a 2009 show at the Centre Pompidou in Paris and a 2010 survey at London's Camden Arts Centre.

Cassel Oliver has also mounted numerous solo exhibitions including a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

His work has been included in numerous international survey exhibitions, including Bienal de São Paulo (1961, 1994), Biennale di Venezia (1964), Whitney Biennial (1973, 1987), and Documenta 7 (1982).

Thomas has been the subject of numerous solo exhibitions internationally, including recently Object Relations at the Art Gallery of Ontario in Toronto, a survey at the National Museum of Modern Art, Tokyo and 21st Century Museum of Contemporary Art, Kanazawa both also in 2016 and Thomas Ruff: Lichten at the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent in 2014.

Freed has been the subject of numerous recent museum exhibitions surveying the six decades of his work, but this is the first exhibition that elucidates in depth Freed's six earliest and most personal stories.

While at the ICA Mergel organized numerous exhibitions, including Acting Out: Social Experiments in Video (2009), and Tara Donovan (2008 — 2009), the sculptor's first museum survey, for which Mergel served as co-curator with Nicholas Baume.

Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.

Numerous solo and group gallery and museum shows that followed culminated in a survey exhibition curated by Julie Joyce at the Santa Barbara Museum of Art in 2011, which drew widespread critical acclaim.

He was included in large survey exhibitions throughout the decade of the 1980s, including the Sao Paolo Biennale (1985), Whitney Biennial (1987), Documenta 8 (1987), Australian Biennale (1988), Carnegie International (1988), and numerous single - venue and travelling museum exhibitions across the United States and Europe.

With topics such as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian art, alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

Amelie von Wedel has organised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

Brown had found his vocation, and for the next 15 years the Joseph Brown Gallery held numerous survey exhibitions of historical, modern and contemporary art, as well as solo exhibitions by Australia's most prominent artists.

Amelie von Wedelhasorganised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.

Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

Featuring numerous works from a variety of mediums, the exhibition is a sophisticated survey of multiple visual languages devised to determine what it means to be people of a diaspora.

Prior to joining the Rose, Bedford was Chief Curator at the Wexner Center for the Arts at The Ohio State University in Columbus, where he organized numerous exhibitions including Hard Targets, a multimedia show exploring sports and masculinity, and Mark Bradford, a major mid-career survey of the Los Angeles - based artist.

Numerous solo exhibitions and surveys have been made of Wegman's work.

Dawoud Bey (interview) is well - known for his own work as a photographer and has been featured in numerous exhibitions, including a mid-career survey at the Walker Art Center, Minneapolis in 1995.

His work has been included in a number of important survey exhibitions on contemporary painting, and held in numerous public collections.

At Chicago's Museum of Contemporary Art, Rooks curated numerous solo shows and survey exhibitions including Roy Lichtenstein: Interiors and H. C. Westermann for which he co-authored Westermann's catalogue raisonné.

He has since had numerous exhibitions worldwide, including a survey at the Walker Art Center.

He has been featured in numerous exhibitions — including a midcareer survey at Walker Art Center, Minneapolis, in 1995 — and has received several awards, including grants from the National Endowment for the Arts and a Guggenheim Fellowship.

Mr. Rondeau has organized over 30 solo exhibitions and large survey shows, and has published and lectured extensively, with 13 catalogues and numerous essays and articles to his credit, alongside talks from Basel to Madrid and from New York to San Francisco.

Voulkos is a central figure in the history of MAD, featured in numerous exhibitions, including two monographic surveys, and an exemplar of the cross-disciplinary thinking that the Museum supports.

Her work has been the subject of numerous museum and gallery exhibitions, included «De-Warped and Un-Weft,» a survey of Herzog's work since 1993, at the Daum Museum of Contemporary Art in Missouri in 2009; the Aldrich Museum of Contemporary Art (CT); Smack Mellon (Brooklyn, NY); the Herbert F. Johnson Museum at Cornell University (Ithaca, NY).

Mergel has organized numerous exhibitions and artist projects at the ICA, including: Acting Out: Social Experiments in Video (2009), an examination of the complex dynamics of social relationships featuring works by Yael Bartana, Phil Collins, and Javier Téllez; Tara Donovan (2008 — 2009), the sculptor's first museum survey, for which Mergel served as co-curator with Nicholas Baume and coordinated the national tour; and Accumulations (2007 — 2008), an ICA Collection exhibition that considered how artists assemble discrete elements into more than the sum of their parts, with works by Paul Chan, Josiah McElheny, and Cornelia Parker, among others.

Today there are many such exhibitions originating from the internet and participants in them are often numerous (JstChillin, BYOB, Speedshows, immaterial surveys, etc.).

Since the 1990s, she has curated numerous survey exhibitions, among others on Carl Andre, Paul McCarthy, AllanKaprow, Martin Kippenberger, and Andy Warhol.

The subject of numerous solo and group exhibitions across the United States and in Europe, Moffett's next major exhibition is a large traveling survey of his work that will originate at the Andy Warhol Museum in Pittsburgh in 2010, and will culminate at the Contemporary Art Museum (CAM) in Houston in 2012.

His work has been featured in numerous solo and group exhibitions, including the 2004 Whitney Biennial and a career survey at the Jeu de Paume in 2008.

In addition to showings at various galleries and art fairs in the past, Von Bruenchenhein's work has been showcased in numerous museum exhibitions, including the above - mentioned solo survey at the American Folk Art Museum in 2010 - 11; «Alternative Guide to the Universe,» at the Hayward Gallery in London in 2013, and «The Encyclopedic Palace,» the main, international group exhibition at the 2013 Venice Biennale.

While his work has been seen in numerous group and solo exhibitions over the past three decades or so, no comprehensive survey of Perehudoff's career has been organized, until now.

Fetting participated in numerous influential exhibitions, including: Zeitgeist (1982) at the Martin - Gropius - Bau Berlin; Von hier aus Zwei neue deutsche Kunst in Düsseldorf, Messe Düsseldorf, (1984), An International Survey of Recent Painting and Sculpture at the MoMA, New York, (1988); Refigured Painting — The German Image 1960 — 1988 at the Guggenheim Museum, New York (1989); and Portrait Now, National Portrait Gallery London, UK (1993).