Sentences with phrase «numerous gallery projects»

During the last years, the artist has participated in numerous gallery projects.

Not exact matches

A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».

Larkey has been featured in numerous group exhibitions at such galleries and institutions as The Drawing Center, New York; Samson Projects, Boston; and Bobbie Greenfield Gallery, Santa Monica.

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; Palais de Tokyo, Paris, FR; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; The Grand Palais, Paris, FR; Guido Costa Projects, Turin, IT; The Embassy Gallery, Edinburgh Scotland; and The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK.

She has engaged in solo and collaborative projects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, amongprojects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, amongProjects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, among others.

Since 2000, she has participated in numerous group exhibitions, including shows at Galerie Edward Mitterand, Geneva, Switzerland; Bizart Gallery, Shanghai, China; and Swiss Institute, The Kitchen and Lombard - Freid Projects in New York.

The recipient of numerous honours and awards, Jonas's most recent solo exhibitions include the U.S. Pavilion at the 56th Venice Biennale 2015, Centre for Contemporary Art, Kitakyushu Project Gallery, Japan (2014); Kulturhuset Stadsteatern Stockholm (2013); Proyecto Paralelo, Mexico (2013); Contemporary Arts Museum, Houston (2013); Bergen Kunsthall, Norway (2011); and Museum of Modern Art, New York (2010).

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

He has participated in numerous exhibitions including Raze; Revert, Repeat, Pepin Moore Gallery, Los Angeles, 2012, Made in L.A., The Hammer Museum, The Los Angeles Municipal Art Gallery, LA, CA, 2012, Picture Industry (Goodbye to All That), organized by Walead Besthy, Regen Projects, 2010, Art Multiple 2008, Ke Center for Contemporary Arts, Shanghai China, 2008.

Czyszczoń has had numerous solo projects including: Evil Air at Art Agenda Nova Gallery, Kracow; Polscy Malarze, Polskie Obrazy (with Piotr Lakomy) at Starter Gallery Poznan; I lit up one cigarette from another at Czynna Gallery, Warsaw; andLektionen in finsterni — Lessons of darkness at Starter Gallery Poznan.

Kauper has had solo shows at ACME Gallery in Los Angeles, and Deitch Projects in New York City, and has been included in numerous group exhibitions both in the United States and Europe, including venues such as the Whitney Museum of American Art in New York, The Pompidou Center in Paris, the Kunsthalle Vienna, and the Stedelijk Museum in Gent.

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; the Office gallery, CY; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; Galerie Nuke, Paris, FR; Guido Costa Projects, Turin, IT; 20 Hoxton Square Projects, London, UK; Galerie Analix Forever, Geneva, CH; The Embassy Gallery, Edinburgh, UK; The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK; The Edinburgh Art Festival, UK; Anna Lupertz Gallery, Berlin; and C24 Gallery, Negallery, CY; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; Galerie Nuke, Paris, FR; Guido Costa Projects, Turin, IT; 20 Hoxton Square Projects, London, UK; Galerie Analix Forever, Geneva, CH; The Embassy Gallery, Edinburgh, UK; The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK; The Edinburgh Art Festival, UK; Anna Lupertz Gallery, Berlin; and C24 Gallery, NeGallery, Edinburgh, UK; The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK; The Edinburgh Art Festival, UK; Anna Lupertz Gallery, Berlin; and C24 Gallery, NeGallery, Berlin; and C24 Gallery, NeGallery, New York.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

Among numerous other noteworthy projects, Mather worked on the master plan for London's South Bank Centre and expansions to the National Maritime Museum in Greenwich, the Dulwich Picture Gallery, and the Wallace Collection in London.

Since her 2015 solo gallery project in Basel, she has participated in numerous group shows in Swiss and international galleries and institutions.

Her work has been the subject of numerous solo exhibitions, including The Landing Gallery (Rockland, ME); Evos Art Institute (Lowell, MA); the Attleboro Museum of Art (Attleboro, MA); The Judi Rotenberg Gallery (Boston, MA); 571 Projects (New York City).

Picón, who currently oversees the Met's department of Greek and Roman Art, has served at the institution since 1990, curating numerous exhibitions and overseeing a major renovation project for its Greek and Roman galleries.

Min has had numerous solo exhibitions and projects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongprojects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongProjects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, among others.

Tran has had numerous solo exhibitions both nationally and internationally, which include Adornment of Basic Space at Susanne Vielmetter Los Angeles Projects in Culver City, CA; Mind is a Pure Expanse of Space at Anthony Meier Fine Arts in San Francisco, CA; Luminosity at Cohan and Leslie, New York, NY; Tam Van Tran: Psychonaut at Blaffer Gallery, at The Art Museum of the University of Houston, Houston, TX; Cold Frost at the Irvine Fine Arts Center, Irvine, CA and SubUrban: Tam Van Tran at the Knoxville Museum of Art, Knoxville, TN, among others.

She has been in numerous solo and group exhibitions, including (solos) The Contemporary Art Museum St. Louis, MO; the Pomona College Museum of Art, Claremont, CA; Ameringer McEnery Yohe Gallery, New York, NY; Anita Beckers Gallery, Frankfurt, GE; Angles Gallery, Los Angeles, CA; Susanne Vielmetter Los Angeles Projects, Los Angeles, CA; The Armory Center for the Arts, Pasadena, CA; Pitzer Art Galleries in Claremont, CA; and 2016 exhibitions at Páramo Gallery, Guadalajara, Mexico; and at Patron Gallery, Chicago, IL.

The artist has also participated in numerous festivals and collaborations in public art projects around the U.K. Douglas restored and converted a horse box «The Tinker Box» into a traveling gallery / stage, she has worked as a restorer for over a decade.

His artwork and projects have been presented internationally, including the The Guggenheim Museum, PS1 / MoMA, and 51st Venice Biennale, in addition to numerous festivals, art fairs, and galleries.

As creative collaborators, Wiley and Tisci spent numerous hours together walking through the galleries of the Louvre and discussing both the aesthetic and conceptual context for the project, specifically society's ideals of feminine beauty and the frequent marginalization of women of color.

Her work has been the subject of numerous solo exhibitions including Institut d'art contemporain, Villeurbanne / Rhône - Alpes (2017); Nasher Sculpture Center, Dallas (2016); Wellcome Collection, London (2015); S.M.A.K., Ghent (2015); FRAC Corse, Corte (2013); Beppu Project, Beppu, Japan (2012); WIELS, Brussels (2009); Musée d'Orsay, Paris (2003); CCA Wattis Institute, San Francisco (2003); Kunsthalle, Bern (2003); and Ikon Gallery, Birmingham (2002).

His work has been included in numerous group exhibitions, notably Mapping the Horizon at Upstream gallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Parisgallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, ParisGallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Paris (2003)

Britton has exhibited in solo and group exhibitions at Boston University, Boston, MA, USA; Scott Charmin Gallery, Houston, TX, USA; LTD Gallery, Los Angeles, CA, USA; Vanity Projects, Miami, FL, USA; Field Projects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and pProjects, Miami, FL, USA; Field Projects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and pProjects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and projectsprojects.

He has also been featured in numerous group exhibitions at venues including the Solomon R. Guggenheim Museum, New York; Tate Britain, London, England; Hayward Gallery, London, England; The Saatchi Gallery, London, England; Espace Culturel Louis Vuitton, Paris, France; Baibakov Art Projects, Moscow, Russia; the Institute of Contemporary Arts, London, England; the San Francisco Museum of Modern Art; and the Helsinki Kunsthalle, Finland.

Individually, Gaines has worked as an independent critic and curator and written for the theater, while Segade has directed projects on film and video that have been included in numerous galleries and festivals.

Among the many exciting exhibition programmes announced by the galleries, of particular note are the numerous special projects, solo and thematic exhibitions which will be on view: Noteworthy solo presentations include Tony Cragg at Buchmann, George Condo at Simon Lee, Rachel Whiteread at Luhring Augustine, Balla at Toninelli, Peter Blake at Claude Bernard, Erwin Blumenfeld at Minotaure, Gérard Deschamps at Martine and Thibault de la Châtre, John Armleder at Catherine Issert...

Jules de Balincourt has contributed to numerous exhibits around the world, including recent solo exhibitions at the Deitch Projects gallery in New York and the Mori Art Museum in Tokyo, Japan.

His work has featured in numerous solo and group exhibitions and esteemed galleries and museums since 2004, including The Art Center, Illinois, Chicago Cultural Center, Walker Art Center, Chicago Urban Art Society, Linda Warren Projects, Kasher / Potamkin Gallery, The Arts Club of Chicago, Delta Institute and Museum Belvedere, Netherlands.

His work has been featured in solo exhibitions at School 33 (Baltimore), Bedford Gallery at Longwood University (Virginia), and the Washington Theological Union (DC), and in group exhibitions at numerous venues including Vox Populi (Philadelphia), Outlet (Brooklyn), Trestle (Brooklyn), ArtSpace (New Haven), Maxon Mills (Wassaic, NY), Passenger (Detroit), the Museum of New Art (Detroit), Tompkins Projects (Brooklyn), Zora Space (Brooklyn), Porch Projects (DC), and the Katzen Museum (DC).

She has had numerous solo exhibitions nationally and internationally, including the Pomona College Museum of Art, Claremont, CA; Angles Gallery, Los Angeles, CA; Susanne Vielmetter Los Angeles Projects, Los Angeles, CA; Ameringer McEnery Yohe Gallery, New York, NY; Anita Beckers Gallery, Frankfurt, Germany; Noga Gallery of Contemporary Art, Tel Aviv, Israel; and the Armory Center for the Arts, Pasadena, CA.

She has curated exhibitions at venues including Smack Mellon, Brooklyn; Nicole Klagsbrun Gallery, New York, the Center for Book Arts, New York, as well as numerous temporary, collaborative, and publication - based projects outside of traditional exhibition spaces.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anitagallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by AnitaGallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

She has performed and exhibited her work internationally in numerous museums, galleries, and film festivals including the 54th Venice Biennale — Swiss Off - Site Pavilion; Curtat Tunnel, Lausanne, Switzerland; L.U.C.C.A. Museum of Contemporary Art, Lucca, IT; Les Rencontres Internationales Paris / Berlin / Madrid; Yerba Buena Center for the Arts, San Francisco, CA; MOMA PS1; Deitch Projects; Leo Koenig Inc..

Zach has completed numerous projects in fashion, film, editorial, advertising, gallery and print publishing industries, and continues to work in these industries.

Beattie has been included in numerous group exhibitions including In the Line of Beauty, Irish Museum of Modern Art, Dublin (2013), O Brave New World, Rubicon Projects, Brussels (2013) All Humans Do, The Model, Sligo and Whitebox, New York (2012); Holding Together, Douglas Hyde Gallery, Dublin (2010); La Part des Choses, Mains d'Oeuvres, Paris, and in Quiet Revolution, Hayward Touring, UK (2009).

Independent's development of a close circle of regular galleries since its inception in New York in 2010 is highlighted in the collaborative nature of the gallery projects too, with numerous spaces pairing up and cross pollinating.

Her work has been presented in numerous group exhibitions such as at Cooper Cole Gallery, Toronto; Le Confort Moderne, Poitiers; Kunstraum, London; ABC Klubhuis, Antwerp; Parallel, Oaxaca; Komplot, Brussels; Dash, Kortrijk; Diesel Project Space, Seraing; Damien and the Love Guru, Brussels.

Alexander has participated in American and international solo and group exhibitions at numerous galleries, museums, and art fairs including Art From the New World at the Bristol City Museum, Bristol, England, Outwin Boochever Portrait Painting and Sculpture Exhibition at the Smithsonian National Portrait Gallery in Washington, DC, Art Miami, Miami Project, Scope Miami, Strychnin Gallery in Berlin, Germany, and Merry Karnowski Gallery in Los Angeles, CA.

His work was featured in a solo exhibition at Deitch Project in 2009 entitled «New Dark Ages,» and numerous other exhibitions and screenings including: Modern Art Museum of Fort Worth (solo); Loyal Gallery, Malmö (solo); Foxy Productions, New York (solo); Andreas Melas Presents, Athens (solo); Peres Projects, Berlin; Pace Wildenstein, New York; CANADA, New York; Green on Red Gallery, Dublin; The Museum of Modern Art, New York; the New Museum of Contemporary Art, New York; Tate Britain, London; Musee d' Art Moderne de la Ville de Paris / ARC, Paris; Yerba Buena Center for the Arts, San Francisco; and The Liverpool Biennial, Liverpool.

In London, Markopoulos was exhibition organizer at the Serpentine Gallery and at the Hayward Gallery, where she worked on numerous projects by artists including Richard Artschwager, Dan Flavin, Brice Marden, Hans Haacke and Bridget Riley, with whom she continued to maintain a close relationship.

Pfeiffer has had numerous solo exhibitions at a diverse array of institutions including The Whitney Museum of American Art in New York (2001), the Hammer Museum in Los Angeles (2001), the Barbican Art Centre in London (2001), Massachusetts Institute of Technology's List Visual Arts Center in Cambridge, MA (2003), The Museum of Contemporary Art in Chicago (2003), The Contemporary Museum in Honolulu (2003), Gagosian Gallery in New York (2004), MUSAC - Museo de Arte Contemporáneo de Castilla y León, Spain (2008), Nationalgalerie im Hamburger Bahnhof - Museum für Gegenwart, Berlin (2009), BAIBAKOV Art Projects, Moscow (2009), Albright - Knox Gallery, Buffalo, NY (2010), Sammlung Goetz, Munich (2011), Paula Cooper Gallery, NYC (2012), and The Museum of Contemporary Art and Design, Manila, Philippines (2015), among others.

Her work has been included in numerous group exhibitions including; Safe Gallery, Brooklyn, NY; Regina Rex, New York, NY; Songs for Presidents, Ridgewood, NY; and Alleyoop Projects, New York, NY.

NGA Kids — Vasily Kandinsky An interactive site for children that includes a series of questions related to Kandinsky's Improvisation 31 (Sea Battle), in the collection of the National Gallery of Art, Washington, D. C. Online Picasso Project Detailed chronology of the life and career of the artist with numerous reproductions of his art.

Her conceptually based projects, from contemporary portraits of Jesus to levitating bottles of Xanax, have been included in numerous group and solo exhibitions in museums, galleries, and alternative spaces throughout the US.

The recipient of numerous honors and awards, Jonas's most recent solo exhibitions include those at HangarBicocca, Milan (Fall 2014); Centre for Contemporary Art, Kitakyushu Project Gallery, Japan (2014); Kulturhuset Stadsteatern Stockholm (2013); Proyecto Paralelo, Mexico (2013); Contemporary Art Museum, Houston (2013); Bergen Kunsthall, Norway (2011); and Museum of Modern Art, New York (2010).

These inquiries have since triggered numerous artistic projects, including Revolt, They Said, and Geyer's current show, If I Told Her, at Hales Gallery, London, continues the trend.