Sentences with phrase «numerous institutional exhibitions»

Michel François realized numerous institutional exhibitions and took part in major events such as the 48th Venice Biennale, Documenta IX in Kassel, and the São Paulo Biennial XXI.

Over the course of his career he has participated in numerous institutional exhibitions and biennials throughout the world, including most recently Not New Now, Marrakech Biennale 6, Morocco, 2016; Surface Matters, Museum of Fine Arts, Boston, 2015; Surface Tension, The FLAG Art Foundation, New York, 2015; Affecting Presence and the Pursuit of Delicious Experiences, The Menil Collection, Houston, 2015; Represent: 200 Years of African - American Art, Philadelphia Museum of Art, 2015; Pretty Raw: After and Around Helen Frankenthaler and New Acquisitions, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 2015; and Witness: Art and Civil Rights in the Sixties, organized by the Brooklyn Museum, 2014 - 15.

Throughout his lifetime, Paik's work was the subject of numerous institutional exhibitions including Museum of Modern Art, New York (1977); Whitney Museum of American Art, New York (1982); Centre Georges Pompidou, Paris (1982); Tokyo Metropolitan Art Museum (1984); San Francisco Museum of Modern Art (1989); Kunsthalle Basel (1991); and Solomon R. Guggenheim Museum, New York (2000).

Not exact matches

Zeng has been the subject of numerous institutional surveys, most notably a 2016 exhibition at the Ullens Center for Contemporary Art in Beijing.

His work has been shown in numerous solo and group exhibitions in the US and Europe and are part of permanent institutional and private collections in the USA, Australia, Europe, Japan, China and his native Macedonia.

Her first solo exhibition occurred at the Stable Gallery in New York in 1952 and she presented almost annually at numerous institutional and commercial galleries throughout the United States.

His work has been featured in numerous exhibitions in the U.S. and internationally, and is held in major institutional collections including the Solomon R. Guggenheim Museum, the Museum of Modern Art, the Whitney Museum of American Art, Albright - Knox Art Gallery, Crystal Bridges Museum of American Art, the Centre Georges Pompidou, San Francisco Museum of Modern Art, and the Astrup Fearnley Museet for Moderne Kunst, Oslo.

His work is included in numerous prestigious institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.

Since joining the Studio Museum in 2011, she has organized numerous exhibitions, including «Kianja Strobert: Of This Day in Tim» e (2014), «Titus Kaphar: The Jerome Project» (2014), «Charles Gaines: Gridwork 1974 — 1989» (2014), «Glenn Kaino: 19.83» (2014), «The Shadows Took Shape» (co-curated with Zoe Whitley, 2013), «Robert Pruitt: Women» (2013), «Fore» (co-curated with Lauren Haynes and Thomas J. Lax, 2012), «Caribbean: Crossroads of the World» (Institutional Curator, 2012), «Collected.

Johnson's work has featured in numerous gallery exhibitions and has been included in many institutional thematic exhibitions including at the Museum of Contemporary Art, Los Angeles, the Museum of Modern Art, New York, the Whitney Museum of America Art, and the Hammer's Mirror Image exhibition in 2002.

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

Fia Backström's work has been part of numerous institutional, international exhibitions and projects, including the Whitney Biennial in 2008, MoMA 2010 (both New York), The Baltic, 2009 (Newcastle), Tranzit 2008, (Prague), and Moderna Museet, 2010, (Stockholm).

His work has been featured in numerous solo and group exhibitions around the world and is represented in prominent institutional collections worldwide.

In addition to his solo work, Mr. Milan has participated in numerous significant institutional group exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.

Rosenfeld's exhibition series «African - American Art: 20th Century Masterworks,» held annually from 1993 through 2003 and featuring works by Jacob Lawrence, Eldzier Cortor, Alma Thomas, and numerous others — all artists he still has on his roster today — is recognized for having put momentum behind the market and institutional demand for works by black artists of the last century.