Not exact matches
His work has been shown in
numerous solo and group exhibitions in the US and Europe and are part of permanent
institutional and private collections in the USA, Australia, Europe, Japan, China and his native Macedonia.
Her first
solo exhibition occurred at the Stable Gallery in New York in 1952 and she presented almost annually at
numerous institutional and commercial galleries throughout the United States.
His work is included in
numerous prestigious
institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent
solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.
He has held
numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).
The artist received a Master's Degree in Fine Arts from Columbia University in 2000, and has staged
numerous solo presentations at
institutional venues including The Contemporary Art Museum St. Louis, Missouri (2015); Modern Art Museum of Fort Worth, Texas (2012 and 2007); Museum of Contemporary Art Denver, Colorado (2009 - 2010) and Baltic Centre for Contemporary Art, Newcastle (2005).
His work has been featured in
numerous solo and group exhibitions around the world and is represented in prominent
institutional collections worldwide.
In addition to his
solo work, Mr. Milan has participated in
numerous significant
institutional group exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.
Since their unveiling in a 2008
solo show at Team, the Gradients have been exhibited prominently in
numerous institutional shows.
His works are represented worldwide in prestigious private and
institutional collections, among them the Guggenheim Museum, New York, Banco Espirito Santo Photography Collection, Lisbon, MUMOK, Vienna, Kunsthalle Zurich, Fotomuseum Winterthur, Städel Museum, Frankfurt am Main, as well as and having been exhibited in
numerous international group and
solo shows.