Sentences with phrase «numerous international galleries»

He is regularly represented in numerous international galleries and major museums.

For over twenty years, he has been active in urban areas around the world and his works have been exhibited mainly in major institutions like the Museum fur Kunst und Gewerbe in Hamburg and numerous international galleries.

He collaborates with numerous international galleries, artists and magazines.

Her recognizable artworks of figurative women portraits have been shown in numerous international galleries or publications.

Since his notorious 1958 exhibition in the stairwell of New York's MoMA, Byars has been the subject of numerous international gallery and museum exhibitions that established his reputation as early as 1972, when he was included in Documenta V. Over the next two decades he had several solo exhibitions worldwide, including IVAM Centre del Carme, Valencia; Castello di Rivoli / Museo d'Arte Contemporanea, Turin; The Henry Moore Institute, Leeds; Fundaçao de Serralves, Porto; The Arts Club of Chicago; Kestner Gesellschaft, Hannover; and Van Abbemuseum, Eindhoven.

Not exact matches

Graham represented Canada at the Esposizione Internazionale d'Arte la Biennale of Venezia in 1997, and numerous international museums have dedicated personal shows to his works, including the Hamburger Kunsthalle, the Musée d'Art Contemporain in Montréal, the Vancouver Art Gallery, the Art Gallery of Ontario, and the Museum of Contemporary Art, Los Angeles.

her photographic works began to receive much attention by winning multiple international awards from Kodak, and being featured in numerous one - man art shows at galleries in the Boston area.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Casa Indigo is set closed to numerous art galleries, both local and international restaurants, and bars.

The fair will showcase the wares of numerous international printers and designers, aiming to eschew traditional table - top selling by working with the gallery manager at the Hepworth Wakefield Gallery to make some free standing structures to present the gallery manager at the Hepworth Wakefield Gallery to make some free standing structures to present the Gallery to make some free standing structures to present the pieces.

The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Her work has been featured in numerous exhibitions at the Wexner Center for the Arts, Columbus; Rose Art Museum, Brandies University; Blanton Museum of Art, University of Texas; Institute of Contemporary Art, Philadelphia: Yale University Art Gallery, New Haven; ZKM Museum of Contemporary Art, Karlsruhe, Germany; and the SITE Santa Fe Eighth International Biennial, Santa Fe.

Latham has had numerous international exhibitions at institutions including the Barbican Art Gallery and Lisson Gallery, London, UK; Kunsthalle Bern, Switzerland; Städtische Kunsthalle, Düsseldorf, Germany; and Musée d'Art Moderne, Paris, France.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Hockney's work is in the collections of numerous international institutions including London's Tate Gallery, the Boston Museum of Fine Arts, Los Angeles's J. Paul Getty Museum, Tokyo's Museum of Contemporary Art, Vienna's MUMOK, and Washington, D.C.'s Smithsonian American Art Museum.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

In addition to her work in Texas, Pace served on the national committee of the Whitney Museum of American Art, the national council of the Aspen Art Museum, a member of the Anderson Ranch Arts Center in Aspen, a member of the arts advisory committee at The Aspen Institute, a member of the board of trustee at the Dia Center for the Arts in New York, a member of the international council of the Tate Gallery, and won numerous awards for her commitment to artistic distinction Linda Pace died on July 2, 2007.

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

He exhibited regularly at the prestigious Willard Gallery in New York from 1949 to 1965, and he was included in numerous museum exhibitions during his lifetime, among them the «Pittsburgh International Exhibition of Contemporary Painting» (now called the «Carnegie «International») in 1955, and received the Popularity Prize for a 1953 painting called «Migrating Birds.»

Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.

He has also organized numerous art exhibitions, including the first retrospective of the work of Frida Kahlo at the Whitechapel Gallery (1982), The Situationist International at the Centre Pompidou (1989), and Global Conceptualism at the Queens Museum (1999).

His work has been in numerous group shows, including: Ille Arts, Amagansett, NY; The Curator Gallery Artists of the Year show, NYC; Scope Miami, Art Fair; Ariel Meyerowitz Gallery, NY; Open Space Gallery, London; The Museum of International Photography, NYC; and Heather Gaudio Fine Art, New Canaan, CT..

Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.

He is represented by Cheim & Read Gallery, New York and is in the public collections of numerous American and international museums.

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

New York was an international art center in the 1960s so many artists came to develop their careers in the city's numerous galleries and museums.

Wurm's work is in numerous international public and private collections, including Albertina, Vienna; Albright - Knox Art Gallery, Buffalo, New York; Centro de Arte Contemporáneo de Málaga, Spain; Centre Georges Pompidou, Paris; Kunsthaus Zürich, Switzerland; Kunstmuseum Bonn, Germany; Museo d'Arte Moderna di Bologna, Italy; The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Vancouver Art Gallery, Canada; and Walker Art Center, Minneapolis.

Since her 2015 solo gallery project in Basel, she has participated in numerous group shows in Swiss and international galleries and institutions.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Perez's work is held in the permanent collections of numerous international public institutions, including the Berkeley Art Museum and Pacific Film Archive, Berkley; the British Museum, London; the Corcoran Art Gallery, Washington, D.C.; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Museum of Contemporary Art, Miami; the RISD Museum of Art, Providence; the San Francisco Museum of Modern Art, San Francisco; the Tang Museum, Saratoga Springs; the Whitney Museum of American Art, New York; the Williams College Museum of Art, Williamstown; and the Yale University Art Gallery, New Haven.

Her work is in numerous international public and private collections, including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Queensland Gallery of Modern Art, Australia; Kunsthaus Zürich, Switzerland; and Moderna Museet, Stockholm, Sweden.

His work is represented in numerous collections including those of the NATIONAL GALLERY OF CANADA, the Canadian Museum of Contemporary Photography, the ART GALLERY OF ONTARIO and the International Museum of Photography at George Eastman House (Rochester, New York).

He had numerous exhibitions worldwide including the International Center of Photography, New York; National Museum of Art, Osaka, Japan; Venice Photography Biennale; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Biblioteque Nationale de Paris; Guggenheim Museum, New York; Fine Art Museum of San Francisco; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; Getty Museum, Los Angeles; and the Serpentine Gallery in London.

Wurm's work is in numerous international public and private collections, including Albertina, Vienna; Albright Knox Art Gallery, Buffalo, NY; Centro de Arte Contemporáneo de Málaga, Spain; Centre Georges Pompidou, Musée National d'Art Moderne, Paris; Kunsthaus Zürich, Switzerland; Kunstmuseum Bonn, Germany; Museo d'Arte Moderna di Bologna, Italy; The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Vancouver Art Gallery, Canada; and Walker Art Center, Minneapolis, MN.

Jordan McKenzie is a visual performance artist whose work has been exhibited in numerous national and international galleries including Yorkshire Sculpture Park, United Kingdom, Museu Serralves, Portugal, DOLL exhibition space, Switzerland, International Performance Art Festival, Russia, Arnolfini Gallery, Bristol England, Tate Britaininternational galleries including Yorkshire Sculpture Park, United Kingdom, Museu Serralves, Portugal, DOLL exhibition space, Switzerland, International Performance Art Festival, Russia, Arnolfini Gallery, Bristol England, Tate BritainInternational Performance Art Festival, Russia, Arnolfini Gallery, Bristol England, Tate Britain and the ICA.

Sona is a vibrant force in the International art community and has exhibited her works in London, Singapore, Copenhagen, Chicago, Las Vegas, Toronto, Paris, Miami, Hong Kong, New York City, Dubai, San Francisco, and numerous venues and galleries all over Southern California.

Piero Manzoni's work has been the subject of numerous solo and group exhibitions, including international retrospectives at the Museum d'Art Moderne de la Ville de Paris (1991), the Serpentine Gallery, London (1998), and the Museum d'Arte Contemporanea Donnaregina, Naples (2007).

Since then he has multiple solo exhibi - tions at galleries in Spain and Cuba and has been featured in numerous international group exhibitions, includ - ing Q & A the IDB Cultural Center Gallery in Washington, DC (2015); Cuba Contemporaine.

His work is held in numerous private, national and international collections including: The Sackner Archive, USA; The Scottish National Gallery of Modern Art; Siena Art Institute, Italy; Tate Gallery, London; Tsukuba Dojo, Japan; The Usher Gallery, Lincoln; Van Abbemuseum, Holland; Vancouver Art Gallery, Canada and Yorkshire Sculpture Park, UK.

He has participated in numerous international exhibitions including The Istanbul Biennial, Sonsbeek» 93, and The Whitney Biennial, and his work has been included in exhibitions at the Ludwig Museum, Cologne; MuMoK, Vienna; Migros Museum, Zurich; and the Hayward Gallery, London, among others.

Vavrek has had numerous solo exhibitions in Pennsylvania and New England galleries, and has work represented in collections including the Philadelphia Museum of Art, the Milwaukee Art Center, the Cleveland Museum of Art, and the Fu Le International Ceramic Art Museums in Shaanxi, China.