Sentences with phrase «numerous international group exhibitions at»

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

Not exact matches

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Moran has been included in group exhibitions at numerous international institutions including Kunstverein Freiberg, Germany, as well as Tate Britain, London, San Francisco MOMA, and Walker Art Center, Minneapolis where her works are in the public collections.

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

Her works have been part of numerous international group exhibitions, including Centro dos de Mayo, Madrid (2016), Van Abbemuseum, Eindhoven (2015), the Armenian Pavillion at the Venice Biennial (2015), Istanbul Biennial (2015), New Museum, New York (2014), São Paolo Biennial (2014) and Documenta 13, Kassel (2012).

She has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art, and the Solomon Guggenheim Museum.

Douglas's work has been featured in numerous solo and group exhibitions at major institutions around the world, and in 2012 he received the Infinity Award from the International Center of Photography, New York.

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Her work has been the subject of numerous solo and group exhibitions at prominent institutions worldwide, including the 56th International Art Exhibition at the Venice Biennale (2015); The Metropolitan Museum of Art, New York (2013); Palais de Tokyo, Paris (2012); MoMA PS1, New York (2012 and 2005); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum (2011); Whitney Museum of Art, New York (2010); the 7th Gwangju Biennale, Korea (2008); and the Royal Academy of Arts, London (2006).

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

Piero Manzoni's work has been the subject of numerous solo and group exhibitions, including international retrospectives at the Museum d'Art Moderne de la Ville de Paris (1991), the Serpentine Gallery, London (1998), and the Museum d'Arte Contemporanea Donnaregina, Naples (2007).

Since then he has multiple solo exhibi - tions at galleries in Spain and Cuba and has been featured in numerous international group exhibitions, includ - ing Q & A the IDB Cultural Center Gallery in Washington, DC (2015); Cuba Contemporaine.

He has exhibited and realized commissions all around the world, including participation at numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).

He has taken part in numerous group exhibitions at The Fruitmarket Gallery, Edinburgh, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., deCordova Museum and Sculpture Park, Lincoln, MA, Scottsdale Museum of Contemporary Art, MACRO, Rome, Museum De Fundatie, Zwolle, The Solomon R. Guggenheim Museum, New York (2010); Making Worlds: 53rd International Art Exhibition, La Biennale di Venezia (2009); 50 Moons of Saturn, Turin Triennial (2008).

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

Hirschhorn's work has been shown in numerous museums, galleries and group exhibitions including the Documenta11, 27th Sao Paolo Biennale, the 55th Carnegie International, Pittsburg, the Swiss Pavilion at the 54th Venice Biennale, La Triennale at Palais de Tokyo, Paris, the 9th Shanghai Biennale, and Gladstone Gallery, New York.

He has participated in national and international solo and group exhibitions at numerous galleries, art fairs, and museums including the 2014 Whitney Biennial in New York.

Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Among numerous group exhibitions in national and international gallery and museum venues, Sánchez had solo exhibitions at BRIC Arts / Media House, P.S. 1 / MoMA Contemporary Art Center, El Museo del Barrio, Exit Art, Bronx Museum of the Arts, the 5th Havana Biennale, and El Museo de Historia, Antropologia y Arte, Universidad de Puerto Rico.

Teresita Fernández has been featured in numerous solo and group exhibitions internationally and abroad at sites including the Corcoran Gallery, Washington, D.C. (1997); the Institute of Contemporary Art, Philadelphia (1999); Site Santa Fe, New Mexico (2000); the Witte de With, Rotterdam (2001); Outer City, Inner Space: Teresita Fernández, Stephen Hendee, and Ester Partegas at the Whitney Museum of American Art at Phillip Morris; Castello di Rivoli, Torino, Italy (2001); Miami Art Museum, Florida (2002); Centro de Arte Contemporáneo de Málaga, Spain (2005); Lehmann Maupin Gallery, New York (2009); Blind Lanscape at the Contemporary Art Museum at the University of South Florida in Tampa; the Blanton Museum of Art in Austin, TX (2009); and the Setouchi International Art Festival, Naoshima, Japan (2010).

He has exhibited work in many group exhibitions including «Aichi Triennale 2013», Nagoya, Japan and solo exhibitions at numerous international venues including Linenhall Arts Centre, Castlebar, Ireland (2014); Leitrim Sculpture Centre, Manorhamilton (2012); Gallery αM, Tokyo (2011); Golden Thread Gallery, Belfast (2011).

Alexander has participated in American and international solo and group exhibitions at numerous galleries, museums, and art fairs including Art From the New World at the Bristol City Museum, Bristol, England, Outwin Boochever Portrait Painting and Sculpture Exhibition at the Smithsonian National Portrait Gallery in Washington, DC, Art Miami, Miami Project, Scope Miami, Strychnin Gallery in Berlin, Germany, and Merry Karnowski Gallery in Los Angeles, CA.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art and the Metropolitan Museum of Art.

Although most of Moore's output was destined for these shows he also participated in numerous group exhibitions during the decade, most notably the International Surrealist Exhibition in London and Cubism and Abstract Art at the Museum of Modern Art, New York, both in 1936.

Apart from participation in numerous international group shows, Nara has had solo exhibitions at the Chicago Museum of Contemporary Art and the Santa Monica Museum of Art, and he is preparing for a retrospective in 2002, which will travel throughout Japan.

Ratman has exhibited in numerous of international group exhibitions, including Real Time: Israeli Art 1998 - 2008, at Israel Museum (Jerusalem) in 2008, Teritorial Bodies at the Museum Beelden Aan Zee (Haag) also in 2008, Why don't you say it at the Herzliya Museum of Art in 2005 and the Video Art Festival in Beijing in 2003.

He has exhibited in numerous solo and group exhibitions at institutions such as the Smithsonian, National Museum of African Art, Washington, the New Museum of Contemporary Art, New York and the Hood Museum of Art, Dartmouth, and his works are housed in international public and private collections.

His work has been included in numerous group exhibitions at institutions including Addison Gallery of American Art, Andover, Mass.; Ca» Pesaro International Gallery of Modern Art, Venice; Peggy Guggenheim Museum, Venice; National Academy Museum, New York; and Portland Museum of Art, Maine.

She has participated in numerous group exhibitions including Glasgow International, Glasgow; Kunstverein München, Munich; and at the Museum of Contemporary Art, Salt Lake City.

A participant in the 2013 Sofia International Paper Art Biennale and the Pittsburgh Biennial in 2008, Kang's work has been included in numerous solo and group exhibitions nationally and internationally at venues including the Susquehanna Art Museum, Queens Museum, Whatcom Museum, Pittsburgh Center for the Arts, and the Ganser Gallery at Millersville University.

Fowler's work has been featured in numerous solo and group exhibitions throughout the United States, including Remix: Selections from the International Collage Center in 2013 at the Daum Museum of Contemporary Art, Sedalia, MO; Slash, Paper Under the Knife, an exhibition celebrating the one - year anniversary of the Museum of Arts and Design, NYC, in 2009; and in LineAge at The Drawing Center, NYC in 2005.

Following his first solo show at Karsten Schubert Ltd, London (1989) he rapidly established an international reputation, exhibiting in numerous significant group exhibitions throughout the 1990s.

Roels» work has been seen in solo exhibitions at Gallery Fifty One, Antwerp, at numerous international art fairs, and in group exhibitions including Photo Frictions at the Cultuurcentrum Mechelen, Belgium, which is on view through April 15.

Her work has been included in exhibits at Life on Mars Gallery, the International Print Center, the New York Public Library, White Columns, the Brooklyn Museum and most recently in Sympathetic Magic, curated by Elisa Decker at Westbeth Gallery and in a group exhibition at the Bo Lee Gallery in London, among numerous others.

Lives in Los Angeles, CA) has had solo exhibitions at The Third Line, Dubai, United Arab Emirates, and the Nerman Museum Of Art, Overland, KS in addition to numerous international group exhibitions including the 56th La Biennale Di Venezia, Venice, Italy and the 9th Sharjah Biennial, Sharjah, United Arab Emirates.

His work has been shown at numerous exhibitions, including Addis Calling Group Show, Addis Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2Group Show, Addis Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2008).

Awarded national and international residencies, Allen has been featured in numerous exhibitions, including the 2010 International Artists in Residence in Argentina, Buenos Aires; the 2009 Artpace International Artist - In - Residence Program; and Nexus Texas, a 2007 group exhibition of 16 artists working in Texas at the Contemporary Arts Museuinternational residencies, Allen has been featured in numerous exhibitions, including the 2010 International Artists in Residence in Argentina, Buenos Aires; the 2009 Artpace International Artist - In - Residence Program; and Nexus Texas, a 2007 group exhibition of 16 artists working in Texas at the Contemporary Arts MuseuInternational Artists in Residence in Argentina, Buenos Aires; the 2009 Artpace International Artist - In - Residence Program; and Nexus Texas, a 2007 group exhibition of 16 artists working in Texas at the Contemporary Arts MuseuInternational Artist - In - Residence Program; and Nexus Texas, a 2007 group exhibition of 16 artists working in Texas at the Contemporary Arts Museum in Houston.

Claire Morgan has had solo exhibitions in Belfast, London and Paris and has taken part in numerous international group exhibitions, including in 2009 at the Palais de Tokyo in Paris and in 2010 at the Museum of Arts and Design in New York.

His work was shown at international Photography festivals from Rome to Singapore, as well as in numerous solo and group exhibitions in many galleries and museums worldwide.

She also has participated in numerous group exhibitions in the United States and abroad, including «Figuring Color» (2012) at the Institute of Contemporary Art in Boston, «Dirt on Delight: Impulses the Form Clay» (2009) at the Institute of Contemporary Art in Philadelphia and the Carnegie International (2004) at the Carnegie Museum of Art in Pittsburgh.