Sentences with phrase «numerous international group exhibitions including»

Fallah has also had solo exhibitions are the Nerman Museum of Art, Overland, KS, Shulamit Nazarian, Los Angeles, CA and Gordon Gallery, Tel Aviv, Israel; in addition to numerous international group exhibitions including We Must Risk Delight: Twenty Artists from Los Angeles, 56th La Biennale di Venezia, Venice, Italy (2015) and the 9th Sharjah Biennial, Sharjah, United Arab Emirates (2009).

Lives in Los Angeles, CA) has had solo exhibitions at The Third Line, Dubai, United Arab Emirates, and the Nerman Museum Of Art, Overland, KS in addition to numerous international group exhibitions including the 56th La Biennale Di Venezia, Venice, Italy and the 9th Sharjah Biennial, Sharjah, United Arab Emirates.

He has participated in numerous international group exhibitions including Documenta IX (1992) and the Venice Biennale (1990).

Her work has been included in numerous international group exhibitions including 10 under 40, Istanbul» 74, Istanbul, Turkey (2013); Cadavres Exquis, Museum Granet, Aix - en - Provence, France (2013); Invisible Cities, Mass MoCA, North Adams, Massachusetts (2012); and Reoriented, Havremagasinet, Luleå, Sweden (2012).

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

Not exact matches

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Moran has been included in group exhibitions at numerous international institutions including Kunstverein Freiberg, Germany, as well as Tate Britain, London, San Francisco MOMA, and Walker Art Center, Minneapolis where her works are in the public collections.

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

Her works have been part of numerous international group exhibitions, including Centro dos de Mayo, Madrid (2016), Van Abbemuseum, Eindhoven (2015), the Armenian Pavillion at the Venice Biennial (2015), Istanbul Biennial (2015), New Museum, New York (2014), São Paolo Biennial (2014) and Documenta 13, Kassel (2012).

Her prints, drawings and artist books have been included in numerous solo and group exhibitions throughout the United States, including The Drawing Center, New York and The International Print Center, New York.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

She has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art, and the Solomon Guggenheim Museum.

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions.

Her work has been the subject of numerous solo and group exhibitions at prominent institutions worldwide, including the 56th International Art Exhibition at the Venice Biennale (2015); The Metropolitan Museum of Art, New York (2013); Palais de Tokyo, Paris (2012); MoMA PS1, New York (2012 and 2005); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum (2011); Whitney Museum of Art, New York (2010); the 7th Gwangju Biennale, Korea (2008); and the Royal Academy of Arts, London (2006).

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Kure has had many international solo and group exhibitions, including numerous exhibitions in her home country.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

Piero Manzoni's work has been the subject of numerous solo and group exhibitions, including international retrospectives at the Museum d'Art Moderne de la Ville de Paris (1991), the Serpentine Gallery, London (1998), and the Museum d'Arte Contemporanea Donnaregina, Naples (2007).

A 2001 recipient of CCF's Fellowship for Visual Artists, over the years she has had numerous group and solo exhibitions throughout the world including the California African American Museum, Japanese American National Museum, the Craft and Folk Art Museum, the International Assemblage Artists Exhibition (Berlin, Germany), National Museum of Mexican Art (Chicago, Illinois) and international Assemblage Artist Award Exhibition (New YorInternational Assemblage Artists Exhibition (Berlin, Germany), National Museum of Mexican Art (Chicago, Illinois) and international Assemblage Artist Award Exhibition (New Yorinternational Assemblage Artist Award Exhibition (New York, New York).

He has exhibited and realized commissions all around the world, including participation at numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).

Her work has been exhibited in numerous international solo and group exhibitions, including Galleria AMA, Helsinki, Finland (2014); Time Waits for Us, Galleri Magnus Karlsson, Stockholm, Sweden (2013); Nordic Cool 2013: New Nordic — Architecture and Identity, The Kennedy Center, Washington D.C. (2013); and New Nordic, Louisiana, Copenhagen, Denmark (2013).

In 2016, Murillo participated in numerous international group exhibitions, including the 2nd Hangzhou Triennial of Fiber Art 2016 in China; the 3rd Aichi Triennial.

Hirschhorn's work has been shown in numerous museums, galleries and group exhibitions including the Documenta11, 27th Sao Paolo Biennale, the 55th Carnegie International, Pittsburg, the Swiss Pavilion at the 54th Venice Biennale, La Triennale at Palais de Tokyo, Paris, the 9th Shanghai Biennale, and Gladstone Gallery, New York.

She has also participated in numerous group exhibitions including Perez Art Museum, Miami, Little Haiti Cultural Complex, Miami, Musée International des Arts Modestes in Sete, France, Museo Arte Contemporáneo de Puerto Rico, San Juan, NSU Art Museum, Fort Lauderdale, White Box, New York, Inman Gallery, Houston, TX, National Museum of Women in the Arts, Washington, D. C., among others.

He has participated in national and international solo and group exhibitions at numerous galleries, art fairs, and museums including the 2014 Whitney Biennial in New York.

Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

He has participated in numerous group exhibitions include based in Berlin, Kunst - Werke, Berlin (2011); Venus in a Shell, Fluxia Gallery, Milan (2011); Join the Black Mamba, Karma International, Zurich (2011); Tarot, Focal Point Gallery, Southend - on - Sea (2011); The Smart Frrridge, Kunstverein Medienturm, Graz (2011).

Teresita Fernández has been featured in numerous solo and group exhibitions internationally and abroad at sites including the Corcoran Gallery, Washington, D.C. (1997); the Institute of Contemporary Art, Philadelphia (1999); Site Santa Fe, New Mexico (2000); the Witte de With, Rotterdam (2001); Outer City, Inner Space: Teresita Fernández, Stephen Hendee, and Ester Partegas at the Whitney Museum of American Art at Phillip Morris; Castello di Rivoli, Torino, Italy (2001); Miami Art Museum, Florida (2002); Centro de Arte Contemporáneo de Málaga, Spain (2005); Lehmann Maupin Gallery, New York (2009); Blind Lanscape at the Contemporary Art Museum at the University of South Florida in Tampa; the Blanton Museum of Art in Austin, TX (2009); and the Setouchi International Art Festival, Naoshima, Japan (2010).

He has exhibited work in many group exhibitions including «Aichi Triennale 2013», Nagoya, Japan and solo exhibitions at numerous international venues including Linenhall Arts Centre, Castlebar, Ireland (2014); Leitrim Sculpture Centre, Manorhamilton (2012); Gallery αM, Tokyo (2011); Golden Thread Gallery, Belfast (2011).

Alexander has participated in American and international solo and group exhibitions at numerous galleries, museums, and art fairs including Art From the New World at the Bristol City Museum, Bristol, England, Outwin Boochever Portrait Painting and Sculpture Exhibition at the Smithsonian National Portrait Gallery in Washington, DC, Art Miami, Miami Project, Scope Miami, Strychnin Gallery in Berlin, Germany, and Merry Karnowski Gallery in Los Angeles, CA.

Salter has had numerous solo and group exhibitions recently including: Paintings, Drawings, Prints, Beardsmore Gallery, London (2016); First Light, Howard Scott Gallery, New York (2015); New Works on Paper (with Gianfranco Foschino) Galerie Michael Sturm, Stuttgart (2014); Beyond, Beardsmore Gallery, London (2013); International Print Exhibition UK / Japan, Kyoto, Kita Kyushu (2012); into the light of things: Rebecca Salter 1981 - 2010, Yale Center for British Art, Connecticut (2011); Rebecca Salter and Japan, Yale University Art Gallery (2011); 40 Artists: 80 Drawings, Burton Art Gallery and Museum, Bideford, Devon (2011); Pale Remembered, Beardsmore Gallery, London (2009); 40 Artists - 40 Drawings, Victoria and Albert Museum (2009); Drawing into Painting into Drawing, The Drawing Gallery, UK (2008).

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art and the Metropolitan Museum of Art.

Lee's work has been celebrated in numerous international solo and group exhibitions including the Gwangju Biennale (2000, 2006), São Paulo Biennial (1969, 1973) and Documenta (1977).

Ratman has exhibited in numerous of international group exhibitions, including Real Time: Israeli Art 1998 - 2008, at Israel Museum (Jerusalem) in 2008, Teritorial Bodies at the Museum Beelden Aan Zee (Haag) also in 2008, Why don't you say it at the Herzliya Museum of Art in 2005 and the Video Art Festival in Beijing in 2003.

She has participated in a number of international group exhibitions, including the 53rd Venice Biennale (2009); Liverpool Biennial (2006); 26th São Paulo Biennial (2004); 1995 Whitney Biennial; among numerous others.

Eisenman's work has been included in numerous group exhibitions including the 2016 Biennale de Montreal; «American is Hard to See,» Whitney Museum of American Art; «Painting 2.0: Expression in the information Age,» Museum Brandhorst, Munich; «The Forever Now: Contemporary Painting in an Atemporal World,» Museum of Modern Art, New York; Manifesta 10, the State Hermitage Museum, St. Petersburg; the 2013 Carnegie International; and the 2012 Whitney Biennial.