He has exhibited and realized commissions all around the world, including participation at
numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).
Not exact matches
Cai has been the subject of
numerous international solo
exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of
such seminal
group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).
Gaining early
international recognition with her participation in Damien Hirst's Freeze
exhibition, Surrey Docks, London (1988), she has had
numerous solo
exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and
group shows at venues
such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).
Maor has curated solo shows for
numerous Israeli and
international artists, as well as large - scale, thematic
group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.
Besides
numerous thematic
group exhibitions, Kroksnes has also curated solo
exhibitions by
international artists
such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).
He has had solo
exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among
numerous international group shows at venues
such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).
He has exhibited in
numerous solo and
group exhibitions at institutions
such as the Smithsonian, National Museum of African Art, Washington, the New Museum of Contemporary Art, New York and the Hood Museum of Art, Dartmouth, and his works are housed in
international public and private collections.
Bedia's work has been exhibited in
numerous U.S. and
international solo and
group exhibitions, and is included in
such museum collections as the Museum of Modern Art, NY, Whitney Museum of American Art, Guggenheim Museum and Tate Modern, London.
The 1987 winner of the Turner Prize, his work has been presented in
numerous individual
exhibitions in Europe, America, and Aisa, and the sculptor has also participated in many
group exhibitions such as the Carnegie
International, Münster's Skulpturen Projekten, and Documenta.
She has been involved in
numerous group exhibitions such as the Edinburgh Art Festival, Edinburgh, UK (2015); the Göteborg
International Biennial for Contemporary Art, Göteborg, Sweden (2013); and «Performance Now: The First Decade of the New Century», various venues, USA (2012 - 14).
Her work has been the subject of
numerous solo
exhibitions organized by museums
such as the Fundació Antoni Tàpies (Barcelona), the Institute of Contemporary Art (Boston), the Museum of Contemporary Art (Los Angeles), Portikus (Frankfurt am Main) and Vienna Secession, as well as
numerous group exhibitions, including at the
International Center of Photography (New York), Institute of Contemporary Art (London), Centre Georges Pompidou (Paris), MACBA (Barcelona) and the Museum of Contemporary Art (Chicago).
Her work has appeared in
numerous solo and
group exhibitions at
such national and
international venues as the Fabric Workshop and Museum, the Corcoran Gallery of Art, the Museum of Contemporary Art, Miami, and the National Museum of Modern Art, Tokyo.
Scott twice represented Ireland at the Guggenheim
International Exhibition, in 1958 and 1960; during the 1950s, 60s» and 70s» he was included in
numerous group exhibitions of Irish art in the US, Sweden, Germany and Switzerland,
such as The Irish Imagination 1959 - 71, which travelled from the Municipal Gallery of Modern Ireland to Boston, Philadelphia, and Washington DC.