Sentences with phrase «numerous international group shows»

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows, and has been offered residencies at the McColl Center for Visual Art (NC) and the International Studio and Curatorial Program (NY).

Apart from participation in numerous international group shows, Nara has had solo exhibitions at the Chicago Museum of Contemporary Art and the Santa Monica Museum of Art, and he is preparing for a retrospective in 2002, which will travel throughout Japan.

With his works, he has participated in numerous international group shows, such as the 54th Venice Biennale (2011) and the 5.

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

Not exact matches

Several examples of the work of IBFAN groups were mentioned: the collaboration in Argentina of the Buenos Aires provincial breastfeeding program; in Albania the Group for the Protection and Promotion of Breastfeeding serves as a centre for child feeding expertise; in Brazil, Canada, Guatemala, Mauritius, Pakistan and Uruguay the groups place particular emphasis on Code implementation, related marketing research and public information activities; national surveys in Benin, Burkina Faso, Gabon and Senegal to monitor International Code implementation show numerous violations even where national measures are adopted.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Throughout the 1960s he exhibited regularly, and his work was included in numerous national and international group shows, the most important of which were the São Paulo Biennial and the Fogg Museum of Art's «Three American Painters,» both held in 1965.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

His work has been in numerous group shows, including: Ille Arts, Amagansett, NY; The Curator Gallery Artists of the Year show, NYC; Scope Miami, Art Fair; Ariel Meyerowitz Gallery, NY; Open Space Gallery, London; The Museum of International Photography, NYC; and Heather Gaudio Fine Art, New Canaan, CT..

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Since her 2015 solo gallery project in Basel, she has participated in numerous group shows in Swiss and international galleries and institutions.

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

While Moulène has already had major international solo shows, for example in 2005 at the Jeu de Paume in Paris and in 2011 at Dia: Beacon, the reception of his work in Germany has been limited until now, being represented for example in numerous group shows with his photographic series «Objets de grève» (Strike Objects).

In recent years, his work has been shown in numerous international group and solo exhibitions.

The artist has been featured in numerous solo and group shows, and his works are in collections worldwide, including The Museum of Arts & Design, NY; The San Francisco Museum of Modern Art; The National Gallery of Costa Rica; The Instituto Veneto di Scienze, Lettere ed Arti, Venice, Italy; The Scottsdale Museum of Contemporary Art; The Montclair Museum of Art; The Plotkin Museum; The Brooklyn Public Library; Denise Bibro Fine Art, NY; Jason McCoy Gallery, Bradley International Airport, Los Angeles, CA; The Mayo Center for Humanities, Scottsdale, AZ..

Hirschhorn's work has been shown in numerous museums, galleries and group exhibitions including the Documenta11, 27th Sao Paolo Biennale, the 55th Carnegie International, Pittsburg, the Swiss Pavilion at the 54th Venice Biennale, La Triennale at Palais de Tokyo, Paris, the 9th Shanghai Biennale, and Gladstone Gallery, New York.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Rob has been in numerous group shows at International Print Center New York (2016,2015,2014,2012,2011), Socrates Sculpture Park, Queens, NY (2013,11); Arlington Arts Center, Arlington (2012); Provincetown Art Association and Museum, Provincetown, MA (2012); Mellon, Brooklyn, NY (2011); NADA Hudson (Canada Gallery), Hudson, NY (2011); Mason Gross Galleries, New Brunswick, NJ (2010); Philagraphika at Seraphin Gallery, Philadelphia (2010); Canada Gallery, NYC (2008); The Queens Museum at Bulova, Queens, NY (2008) and the Frederic Snitzer Gallery, Miami, FL (2006).

Although most of Moore's output was destined for these shows he also participated in numerous group exhibitions during the decade, most notably the International Surrealist Exhibition in London and Cubism and Abstract Art at the Museum of Modern Art, New York, both in 1936.

In 2013 Wright was named one of the 10 emerging South African artists to watch by The Times, and he has exhibited in a number of group and solo shows as well as at numerous South African and International Art fairs.

Following his first solo show at Karsten Schubert Ltd, London (1989) he rapidly established an international reputation, exhibiting in numerous significant group exhibitions throughout the 1990s.

His work has been shown at numerous exhibitions, including Addis Calling Group Show, Addis Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2Group Show, Addis Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2008).

Henning gained international fame through numerous solo and group shows in important museums and galleries in Europe, Asia and the US.

His work was shown at international Photography festivals from Rome to Singapore, as well as in numerous solo and group exhibitions in many galleries and museums worldwide.

His works are represented worldwide in prestigious private and institutional collections, among them the Guggenheim Museum, New York, Banco Espirito Santo Photography Collection, Lisbon, MUMOK, Vienna, Kunsthalle Zurich, Fotomuseum Winterthur, Städel Museum, Frankfurt am Main, as well as and having been exhibited in numerous international group and solo shows.

In addition to his solo shows, he has contributed numerous works to group exhibitions at the Audain Art Centre in Vancouver, Canadian Centre for Architecture in Montréal, Whitechapel Gallery in London, La Musee d'Art Moderne de la Ville de Paris, The 6th Beijing International Art Biennale, OCA Museum in Sao Paulo, and Mass Moca in Massachusetts along with many others.

He has shown in numerous international group exhibitions and his solo shows since 1991 include: Galerie Weber, Berlin (1991); Galerie Clara 90, Berlin (1992); Galerie Behrendt, Berlin (1994); Geo Galerie, Gesellschaft fur Erdkunde zu Berlin, Germany (1997); Rules of the Game Eagle Gallery, London (2006); Doubletake Eagle Gallery, London (2009) and In the Penalty Area Campden Gallery, Gloucestershire (2010).

In addition to showings at various galleries and art fairs in the past, Von Bruenchenhein's work has been showcased in numerous museum exhibitions, including the above - mentioned solo survey at the American Folk Art Museum in 2010 - 11; «Alternative Guide to the Universe,» at the Hayward Gallery in London in 2013, and «The Encyclopedic Palace,» the main, international group exhibition at the 2013 Venice Biennale.

The artist has received numerous prizes and travel grants since 1999 and has also had international solo exhibitions and participated in group shows since that year.