Sentences with phrase «numerous international museum»

She has been the subject of numerous international museum exhibitions, including a solo drawing show at the Museum für Gegenwartskunst, Basel, in 2001, and a print retrospective at The Metropolitan Museum of Art in 2002.

Konaté has participated in numerous international museum exhibitions.

He has been the subject of numerous international museum retrospectives.

Verna participated in the Venice Biennale in 1970, 1978 and 1980 and was included in numerous international museum exhibitions in Philadelphia, Dusseldorf, Rotterdam, Frankfurt, Stockholm, Cologne, Moscow, and Rio de Janeiro amongst many others.

Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13.

McCollum's work has been recognized through numerous international museum exhibitions and publications.

Graham represented Canada at the Esposizione Internazionale d'Arte la Biennale of Venezia in 1997, and numerous international museums have dedicated personal shows to his works, including the Hamburger Kunsthalle, the Musée d'Art Contemporain in Montréal, the Vancouver Art Gallery, the Art Gallery of Ontario, and the Museum of Contemporary Art, Los Angeles.

Novoa's work is featured in numerous international museums and many other venues.

His work as an artist is in the permanent collections of numerous international museums including Tate Modern, the Museum of Modern Art in New York and the Moderna Museet, Stockholm.

Sorin has realized films and video installation that have been shown at numerous international museums.

Yokoo's work has been the subject of many solo exhibitions and is included in the permanent collections of numerous international museums, including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; The Fondation Cartier, Paris; the Victoria and Albert Museum, London; the Stedelijk Museum, Amsterdam; and the M + Museum, Hong Kong.

Signer's work has been shown in numerous international museums and galleries.

Noah Becker is an acclaimed oil painter with exhibitions at numerous international museums and galleries.

Her work has been shown in numerous international museums and biennials.

Thomas Demand represented Germany at the 2004 São Paulo Biennial and has had one - person exhibitions at numerous international museums, including the Museum of Modern Art in New York, the Neue Nationalgalerie in Berlin, and the Museum of Contemporary Art in Tokyo.

Eliasson represented Denmark at the Venice Biennale 2003 and has exhibited his work before and since in numerous international museums, among others the Pinacoteca do Estado de Sao Paolo, the San Francisco Museum of Modern Art (SFMoMA), the Museum of Modern Art (MoMA) and PS1 Contemporary Art Center, the Museum of Contemporary Art Sydney, the Musée d'Art Moderne in Paris and the Hara Museum of Contemporary Art in Tokyo, The Leeum Samsung Museum of Art in Seoul, South Korea, and the Long Museum in Shanghai, China, and many more.

Not exact matches

Instead of behaving in a professional manner, our military invaded Iraq with far too small a force; failed to respond adequately when parts of the Iraqi Army (and Baathist Party) went underground; tolerated an orgy of looting and lawlessness throughout the country; disobeyed orders and ignored international obligations (including the obligation of an occupying power to protect the facilities and treasures of the occupied country — especially, in this case, Baghdad's National Museum and other archaeological sites of untold historic value); and incompetently fanned the flames of an insurgency against our occupation, committing numerous atrocities against unarmed Iraqi civilians.

Merisotis also helped create the Corporation for National and Community Service (AmeriCorps), and serves on numerous national and international boards of directors, including Bates College in Maine, Anatolia College in Greece, the Central Indiana Corporate Partnership, and The Children's Museum of Indianapolis.

His companies have championed a variety of charitable organizations through volunteer work, local sponsorships and car donations supporting Educational Museums, local Veterans & Armed Forces, Wounded Warriors, Lake Oswego Arts & Humanities, Oregon International Ballet Academy, Evans Scholar, American Breast Cancer, Children's Cancer, Dress for Success, Wilsonville Little League, various High School programs, and numerous other local organizations.

The museum also hosts an annual film festival and several unique season art exhibitions from numerous international artists.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.

He has been included in numerous exhibitions in Europe and the United States over the last three decades, including The Astrup Fearnley Museum of Modern Art, Oslo; Kunstmuseum, Düsseldorf; Museu Calouste Gulbenkian, Lisbon; The Walker Art Center, Minneapolis; International Center of Photography, New York; Moderna Museet, Stockholm; Centre Georges Pompidou, Paris; and the Museum of Contemporary Art, Chicago.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Sugimoto's work has been presented in numerous international solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie Internatinternational solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie InternationalInternational (1991).

Berlinde De Bruyckere (b. 1964, Ghent, Belgium) has participated in numerous international surveys including the Berlin Biennale (2006) and After Nature at the New Museum in New York (2008).

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, Newmuseum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, NewMuseum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

The 1990s brought widespread international recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchenglainternational recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, MönchenglaInternational, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

Throughout the 1960s he exhibited regularly, and his work was included in numerous national and international group shows, the most important of which were the São Paulo Biennial and the Fogg Museum of Art's «Three American Painters,» both held in 1965.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Ulf Puder has had numerous international solo shows and is part of major public and private collections, such as The Museum für Moderne Kunst, in Frankfurt, Germany, and Hildebrand Collection in Leipzig.

Her work has been featured in numerous exhibitions at the Wexner Center for the Arts, Columbus; Rose Art Museum, Brandies University; Blanton Museum of Art, University of Texas; Institute of Contemporary Art, Philadelphia: Yale University Art Gallery, New Haven; ZKM Museum of Contemporary Art, Karlsruhe, Germany; and the SITE Santa Fe Eighth International Biennial, Santa Fe.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Ward's work is in numerous international public and private collections, including Baltimore Museum of Art, MD; the Brooklyn Museum, New York; Istanbul Modern; The Museum of Modern Art, New York; The Nasher Museum of Art at Duke University, Durham, NC; Pérez Art Museum Miami; Speed Art Museum, Louisville, KY; The Studio Museum in Harlem, New York; Walker Art Center, Minneapolis, MN; and the Whitney Museum of American Art, New York.

During his tenure, Tucker led numerous national and international collaborations to develop the museum's program of modern and contemporary design.

His work has been featured in international exhibitions including the Sculpture Project in Munster (1997); XXIV São Paulo Biennial; Documenta X; Venice Biennale (1993, 2003); as well as numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; the Serpentine Gallery, London; and the Kunsthalle, Zurich.

Tàpies's work has been exhibited at numerous international institutions, including retrospectives at the Guggenheim Museum in New York in 1995, the Museum of Modern Art in 1992, and the Museo Nacional Centro de Arte Reina Sofia in Madrid in 1990, among many others.

Hockney's work is in the collections of numerous international institutions including London's Tate Gallery, the Boston Museum of Fine Arts, Los Angeles's J. Paul Getty Museum, Tokyo's Museum of Contemporary Art, Vienna's MUMOK, and Washington, D.C.'s Smithsonian American Art Museum.

Milhazes has participated in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai Art Museum, Shanghai (2006); XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of Art, Pittsburgh (1995).

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

From 1994 to 1996 Bauer was guest curator for NowHere at the Louisiana Museum of Modern Art, Humlebæk (1996), and was Artistic Director at Künstlerhaus Stuttgart e.V. from 1990 to 1994, she has also been responsible for numerous exhibitions, lectures and international conferences such as Radical Chic (1993) and A New Spirit in Curating «(1992).

Smith's work is held in numerous international public collections including The Broad, Los Angeles; Carnegie Museum of Art, Pittsburgh; Centre Pompidou, Paris; Moderna Museet, Stockholm; Musée d'art contemporain de Montréal; The Museum of Modern Art, New York; Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna; and the Whitney Museum of American Art, New York.

He has participated in numerous U.S. and international exhibitions and is included in the permanent collections of the Museum of Modern Art, NY, the Whitney Museum of American Art, the Houston Museum of Fine Arts and the San Francisco Museum of Modern Art.

In addition to her work in Texas, Pace served on the national committee of the Whitney Museum of American Art, the national council of the Aspen Art Museum, a member of the Anderson Ranch Arts Center in Aspen, a member of the arts advisory committee at The Aspen Institute, a member of the board of trustee at the Dia Center for the Arts in New York, a member of the international council of the Tate Gallery, and won numerous awards for her commitment to artistic distinction Linda Pace died on July 2, 2007.

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.