Sentences with phrase «numerous national exhibitions»

Solomon participated in numerous national exhibitions, including at the Whitney Museum of American Art, New York; the Corcoran Gallery of Art, Washington, D.C.; and the National Academy of Design, New York.

Steel's work has been included in numerous national exhibitions as well as international exhibitions which include the North American Cultural Center in San Jose, Costa Rica; the American Consulate in Tijuana, Mexico; and at the U.S. Embassy in Ouagadougou, Burkina Faso.

Juried numerous national exhibitions and has exhibited in museums, galleries and universities in New York and across the country.

Not exact matches

Tu also received numerous awards nationally which include «Award for Progress in Anti-malarial Research Achieved by Project 523 Scientific Team» honored by China National Congress of Science and Technology (1978); «National Scientific Discovery Award» for Anti-malaria Drug - Qinghaosu by the China Ministry of Science and Technology (1979); «Invention Award» (as the first inventor) by China National Congress for Awards in Science and Technology (1982); «Award of Young and Middle - aged Experts with Outstanding Contribution» by the Chinese Government (1984); «The Top Honorary Award» by China Academy of Traditional Chinese Medicine (1992); «The Top Ten National Achievements for Progress in Science and Technology» by China National Committee of Science and Technology (1992); «First - Class Award of National Achievements in Science and Technology» by China National Award Committee for Advances in Science and Technology (1992); «National Model» by China State Council (1995); «Award for Outstanding Achievement in Traditional Chinese Medicine» by Guangzhou Zhongjing Award Foundation for Traditional Chinese Medicine (1995); «Outstanding Scientific Achievement Award» by Qiu Shi Science and Technologies Foundation of Hong Kong (1996); «Top Ten Health Achievements in New China» by China Ministry of Health (1997); «Female Inventor of the New Century» by China National Bureau of Intellectual Property (2002); «Golden Medal of the 14th National Invention Exhibition» by China National Bureau of Intellectual Property (2003); «Award for Development of Chinese Materia Medica» by Cyrus Chung Ying Tang Foundation, (2009).

Kauffman has won numerous national awards and presented many group and solo exhibitions.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Mark Lewis (b. 1957; Canada) has had solo exhibitions at the Hamburger Kunstverein; MUDAM, Luxembourg; Kunsthalle Bern; Columbia University, New York; The National Gallery of Canada, Ottawa; Patrick Painter, Los Angeles; Triple Candie, New York; among many others, and has participated in numerous group exhibitions.

Salminen has won more than 220 awards in national and international exhibitions, and he has been an invited artist in numerous international watercolor exhibitions in China, Singapore, Taiwan, Thailand, Russia, Turkey, Mexico, Italy, Belgium and Australia.

Roth has organized numerous exhibitions and film series, including Scotiabank Photography Award: Mark Ruwedel (2015); Edward Burtynsky: Oil (2009), Richard Avedon: Portraits of Power (2008), Sally Mann: What Remains (2004), and I... Dreaming: The Visionary Cinema of Stan Brakhage (National Gallery of Art, 2002).

Since then she has exhibited in numerous national and international solo and group exhibitions.

Her work has been exhibited internationally and featured in numerous solo and group exhibitions, including at the National Museum of Modern and Contemporary Art, Seoul (2016); Centre Pompidou - Metz (2015); Reina Sophia, Madrid (2006); MoMA PS1, New York (2001); 24th São Paulo Biennial (1998); the 48th, 49th, 51st and 52nd Venice Biennales.

She has exhibited her video, digital prints, and installation in numerous exhibitions in the U.S. and abroad including the Reina Sofia Museum in Madrid, the Generali Foundation in Vienna, The National Gallery in Capetown, The India Habitat Center in New Delhi.

He has since had numerous exhibitions worldwide, including The Art Institute of Chicago, The Barbican Centre in London, the Detroit Institute of Arts, the High Museum of Art in Atlanta, the Los Angeles County Museum of Art, the National Portrait Gallery in London, the Wadsworth Atheneum in Hartford, the Walker Art Center in Minneapolis, the Wexner Center for the Arts in Columbus, the Whitney Museum of American Art in New York City, and the Yale Art Gallery in New Haven.

Noguchi has been the subject of numerous solo exhibitions since the 1920s at institutions including the Arts Club of Chicago (1929, 1955); San Francisco Museum of Modern Art (1942); Museum of Modern Art, Kamakura (1952); Whitney Museum of American Art, New York (1968, 1994, 2004); National Portrait Gallery, Smithsonian Institution, Washington (1989); National Museum of Modern Art, Tokyo (1992); Museum of Modern Art (1993); Museo Rufino Tamayo, Mexico City (1999); The Nelson - Atkins Museum of Art, Kansas City, MO (1999); Arthur M. Sackler Gallery, Smithsonian Institution, Washington (2003); and Philadelphia Museum of Art, (2009 — 13).

He has been the subject of numerous solo exhibitions, and his works are held in the collections of museums worldwide, including the Essl Museum - Kunst der Gegenwart, Klosterneuburg, Austria; Solomon R. Guggenheim Museum, New York; National Gallery of Australia, Canberra; and Shanghai Art Museum, China.

Covey has exhibited her prints in numerous national and international solo shows, including exhibitions in New York, Chicago, Washington, DC, Buenos Aires, and Geneva.

He has also participated in numerous group and invitational exhibitions with regional, national and international venues.

Lauria is the organizer of several national touring exhibitions as well as numerous museum - based surveys of craft, design, and decorative arts.

Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.

Since then, his work has been the subject of numerous exhibitions and scholarship, most notably, a retrospective organized by the National Portrait Gallery in 1993 and the establishment of the James VanDerZee Photographic Collections at The Studio Museum in Harlem.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Juarez's work has been in numerous group and solo exhibitions and he has received awards from the Guggenheim Fellowship, The National Academy of Art, and The American Academy of Arts and Letters, among others.

Numerous large - scale solo exhibitions of Paolozzi's work have been presented by museums and galleries around the world including Cass Sculpture Foundation and Pallant House Gallery, National Galleries of Scotland, Yorkshire Sculpture Park, National Portrait Gallery, London, Royal Academy of Art, London, Tate Gallery, London and Pace Gallery.

She has curated numerous exhibitions including Paul Chan: 7 Lights, Serpentine Gallery, London, England (2007); Runa Islam: Conditional Probability, Serpentine Gallery (2006); Art Metropole: The Top 100, National Gallery of Canada, Ottawa (2006); and Daniel Richter: Pink Flag, White Horse, The Power Plant, Toronto, Canada, traveled to the Morris and Helen Belkin Art Gallery, Vancouver, Canada, and the National Gallery of Canada (2004 - 05), co-curated with Wayne Baerwaldt and Scott Watson.

His work has been featured in numerous group shows including exhibitions at The Studio Museum in Harlem, the Wadsworth Athenaeum Museum of Art in Hartford, Connecticut, The High Museum in Atlanta, and the Zacheta National Gallery in Warsaw, Poland.

Solo exhibitions of Laing's work have been held at numerous museums including the Museum of Contemporary Art Australia; Kunsthallen Brandts Klædefabrik, Denmark; Domus Artium 2002, Spain; Frist Center for the Visual Arts, Tennessee; and National Museum of Art Osaka, Japan.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

His critically acclaimed exhibitions have appeared in numerous national and international venues.

His work has been the subject of numerous solo shows worldwide, including exhibitions at National Portrait Gallery, London (2016); Forte di Belvedere, Florence (2015); Zentrum Paul Klee, Bern (2014); Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989).

Highlights from his numerous exhibitions include Portraits of Our Time (1978) at the Photographers Gallery, London; Brian Griffin (1984) at the Olympus Gallery, Tokyo; 20 for Today (1986) at the National Portrait Gallery, London; Createurs d'Images Createurs de Mode (1988) at the Museé des Arts de la Mode, Paris; Towards a Bigger Picture (1988) at the Victoria & Albert Museum; Work (1988) at the National Portrait Gallery, London; Beyond the Portrait (1992) at Derby City Art Museum; Seeing Things (1992) at the Victoria and Albert Museum; People and the City (2003) at Birmingham Art Gallery & Museum; a retrospective: Influences (2005) at the Art Museum, Reykjavik, Iceland; and A Question of Identity (2005) at the National Portrait Gallery, London.

Since his first solo show, at Roko Gallery in New York in 1954, Katz has been the subject of numerous international exhibitions, including solo shows at the Museum of Fine Arts in Boston, the Whitney Museum of American Art, the National Portrait Gallery in London, the Jewish Museum in New York, the Carnegie Museum of Art in Pittsburgh, the London Institute of Contemporary Arts, the Irish Museum of Modern Art in Dublin, the Albertina Museum in Vienna, the Saatchi Collection in London, the Brooklyn Museum, the Musée Grenoble, the Deichtorhallen Hamburg, and the Museum fur Moderne Kunst in Frankfurt.

Her work has been seen in one - person exhibitions at numerous galleries and museums, including the Metropolitan Museum of Art; the Parrish Art Museum; The Museum of Fine Arts, Houston; the National Museum of Women in Art, Washington, DC; and the Philadelphia Museum of Art.

Now in its 19th iteration, the exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections.

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

C.T. Jasper's works have been presented in exhibitions in North America, Europe, Asia, Australia and the Caribbean and at numerous institutuions across these regions, some of which include: The Sculpture Center, New York City; The Bronx Museum, New York City; The Drawing Center, New York City; The Centre for Contemporary Art, Ujazdowski Castle; The Zacheta National Gallery of Art, Warsaw; Fondazione Querini Stampalia, Venice; The National Gallery, Prague; Kunstsammlungen Chemnitz; DePaul Art Museum, Chicago; Contemporary Art Centre, Vilnius, Lithuania; Hirshhorn Museum, Washington D.C.; Australian Centre for Contemporary Art, Melbourne.

His work has been the subject of numerous solo exhibitions, including a career retrospective at the Baltic Centre for Contemporary Art, Gateshead, UK; CAPC, Musee de'Art Contemporain de Bordeaux, France; MoMA PS1 Contemporary Art Center, Long Island City, NY; Magasin, Centre National d'Art Contemporain, Grenoble, France; ICA, London; and Musee d'Art Moderne et Contemporain, Geneva, Switzerland.

Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993, prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).

Her work is currently on exhibit at Bates College Museum of Art («Back and Forth: the collaborative works of Dawn Clements and Marc Leuthold»), and has been included in numerous exhibitions including: «Paper» (Saatchi Gallery, London), «Ghost of Architecture» (Henry Art Gallery, Seattle), «Ballpoint Pen Drawing Since 1950» (Aldrich Contemporary, CT), «Making Room: The Space Between Two and Three Dimensions» (MassMoCA), «11th National Drawing Invitational: New York, Singular Drawings» (Arkansas Arts Center), «Contemporary American Drawing» (Xiang Art Museum, Sheng Zheng, China), and the Whitney Biennial 2010 (Whitney Museum of American Art, NY).

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Since then, the artist's oeuvre has been the subject of solo exhibitions at numerous museums worldwide, including the Pushkin Museum, Moscow, the Centre Pompidou, Paris, the Kunsthalle Hamburg, and the National Portrait Gallery, London.

Her work has been exhibited at numerous galleries and exhibitions including at Phillips de Pury, The National Arts Club, as well as The Untitled Magazine's Voyeur Exhibit at Art Basel Miami in 2010.

The exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections.

Charles Esche has curated or co-curated numerous international exhibitions, including the 9th Muslim Mulliqi Prize Exhibition, It Doesn't always have to be Beautiful Unless it's Beautiful at National Gallery of Kosovo, Prishtinë, 2012; the sixth U3 Triennial for Contemporary Art in Slovenia, An Idea for Living, Moderna Galerija, Ljubljana, 2011; the 9th International Istanbul Biennial, 2005; the 4th Gwangju Biennale, Korea, 2002; and Intelligence: Tate Triennial at Tate Britain, London, 2000.

She participated in numerous group exhibitions in National Museum of Modern and Contemporary Art, Seoul Museum of Art (Seoul), Ilmin Art Museum (Seoul), Incheon Art Platform (Incheon, Korea), Project Space Sarubia (Seoul), and many more.

Numerous museums have featured solo exhibitions of Laing's work including the Museum of Contemporary Art Australia, Sydney; Kunsthallen Brandts Klædefabrik, Odense, Denmark; Domus Artium 2002, Salamanca, Spain; Frist Center for the Visual Arts, Nashville, USA; and the National Museum of Art, Osaka, Japan.

Solien has been invited to participate in numerous exhibitions of National and International magnitude including, the 1983 Whitney Biennial, the 39th Biennial of American Painting at the Corcoran Museum, Washington D.C.; Avant - Grade in the 80's, at the Los Angeles County Museum of Art; The American Artist as Printmaker, Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis and Contemporary Drawings, High Museum of Art, Atlanta.

Thomas has been the subject of numerous solo exhibitions internationally, including recently Object Relations at the Art Gallery of Ontario in Toronto, a survey at the National Museum of Modern Art, Tokyo and 21st Century Museum of Contemporary Art, Kanazawa both also in 2016 and Thomas Ruff: Lichten at the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent in 2014.

She has been in numerous solo and group exhibitions around the world and is represented in over 50 public collections, including the National Gallery of Canada, the Australian National Gallery, the Bibliothèque Nationale de France, the Art Institute of Chicago, and the Metropolitan Museum of Art

Since that time, she has been featured in over fifteen one - person exhibitions and has received numerous awards including the College Art Association Award for Distinguished Teaching of Art (1996), and the Honor Award for Achievement in the Visual Arts from the National Women's Caucus for Art (1983).

Laing has presented solo exhibitions at numerous museums, including the Museum of Contemporary Art, Sydney; Frist Center for the Visual Arts; and National Museum of Art, Osaka.