Sentences with phrase «numerous other arts projects»

Jason Andrew is a founder of Norte Maar For Collaborative Projects In The Arts, a not - for - profit organization that is the principal organizer of Fete de Danse, as well as numerous other arts projects.

Not exact matches

The Internet is full of clever, and most importantly easy, ideas to consider, including using old juice boxes as toddler - friendly flower pots, Halloween decorations, toy boats and props for numerous other arts and crafts projects.

We've had numerous successful Kickstarter campaigns for our own projects, and been involved with numerous others by providing art or design assistance.

She has engaged in solo and collaborative projects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, amongprojects with numerous Chicago creatives and institutions, including A+D Gallery at Columbia College Chicago, The Black Visual Archive, Chicago Artists» Coalition & Hatch Projects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, amongProjects, the School of the Art Institute of Chicago, Hyde Park Art Center, Quite Strong and Swimming Pool Project Space, among others.

Her work has been included in numerous other exhibitions through the US including, LMP Projects Denver, CO, Saltworks, Atlanta, GA, Sardine Brooklyn, NY, Samson Boston, MA and Rebekah Templeton Contemoporary Art, Philadelphia, PA..

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

Min has had numerous solo exhibitions and projects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongprojects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongProjects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, among others.

Tran has had numerous solo exhibitions both nationally and internationally, which include Adornment of Basic Space at Susanne Vielmetter Los Angeles Projects in Culver City, CA; Mind is a Pure Expanse of Space at Anthony Meier Fine Arts in San Francisco, CA; Luminosity at Cohan and Leslie, New York, NY; Tam Van Tran: Psychonaut at Blaffer Gallery, at The Art Museum of the University of Houston, Houston, TX; Cold Frost at the Irvine Fine Arts Center, Irvine, CA and SubUrban: Tam Van Tran at the Knoxville Museum of Art, Knoxville, TN, among others.

Britton has exhibited in solo and group exhibitions at Boston University, Boston, MA, USA; Scott Charmin Gallery, Houston, TX, USA; LTD Gallery, Los Angeles, CA, USA; Vanity Projects, Miami, FL, USA; Field Projects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and pProjects, Miami, FL, USA; Field Projects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and pProjects, New York, NY, USA; Knockdown Center, Queens, NY, USA; Pelham Arts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and projeArts Center, Pelham, NY, USA; Schwules Museum, Berlin, Germany; and Siena Arts Institute, Siena, Italy and numerous other arts institutions and projeArts Institute, Siena, Italy and numerous other arts institutions and projearts institutions and projectsprojects.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

Proyecto Batiscafo started as an artist - run program of residencies in Havana, but from 2003 - 10 it grew and became a regular feature in the emerging Cuban art scene through numerous projects including open studio events, talks, performances, exhibitions, and many other public activities.

Participating in numerous exhibitions, discussions, public projects and other activities across Canada, the United States and internationally, Jacob has made a significant contribution to Toronto's art community.

His work was featured in a solo exhibition at Deitch Project in 2009 entitled «New Dark Ages,» and numerous other exhibitions and screenings including: Modern Art Museum of Fort Worth (solo); Loyal Gallery, Malmö (solo); Foxy Productions, New York (solo); Andreas Melas Presents, Athens (solo); Peres Projects, Berlin; Pace Wildenstein, New York; CANADA, New York; Green on Red Gallery, Dublin; The Museum of Modern Art, New York; the New Museum of Contemporary Art, New York; Tate Britain, London; Musee d' Art Moderne de la Ville de Paris / ARC, Paris; Yerba Buena Center for the Arts, San Francisco; and The Liverpool Biennial, Liverpool.

Pfeiffer has had numerous solo exhibitions at a diverse array of institutions including The Whitney Museum of American Art in New York (2001), the Hammer Museum in Los Angeles (2001), the Barbican Art Centre in London (2001), Massachusetts Institute of Technology's List Visual Arts Center in Cambridge, MA (2003), The Museum of Contemporary Art in Chicago (2003), The Contemporary Museum in Honolulu (2003), Gagosian Gallery in New York (2004), MUSAC - Museo de Arte Contemporáneo de Castilla y León, Spain (2008), Nationalgalerie im Hamburger Bahnhof - Museum für Gegenwart, Berlin (2009), BAIBAKOV Art Projects, Moscow (2009), Albright - Knox Gallery, Buffalo, NY (2010), Sammlung Goetz, Munich (2011), Paula Cooper Gallery, NYC (2012), and The Museum of Contemporary Art and Design, Manila, Philippines (2015), among others.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalart collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, JerusalArt (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, JerusalArt (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, JerusalArt (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, JerusalArt from The Israel Museum, Jerusalem.

Ned Smyth's work has been selected for numerous other public art projects in the United States, including The Upper Room, the first site - specific sculpture, commissioned for Battery Park, New York City.

By zeroing in on the codes that underpin and perpetuate women's homosocialization, these and numerous other women artists not only tapped the unsurpassed function of art to act as a mirror of its makers, they also found the exceedingly rarer facility of art enabling them to project the collective desire of an avant - garde that has stumbled upon a new code of social behavior to impress on the larger culture.

Her installations and drawings have been included in exhibitions in numerous galleries and institutions in the US, Mexico, and Europe, including the San Francisco Art Institute (SF, CA), the Drawing Center (NY, NY), Museum of Contemporary Art, Denver (CO), Arti et Amicitiae and 1K Project Space (Amsterdam, The Netherlands), among others.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networart in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networArt in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

She has curated and co-organized numerous performance art projects, including Rashid Johnson's first live work, Dutchman; Dave McKenzie's All the King's horses... none of his men; Clifford Owens's Five Days Worth; Fluxus founding member Benjamin Patterson's first retrospective concert Action as Composition; and Pope.L's Cage Unrequited; among others.

He has self - published numerous zines, artist books and other print - based projects available from Art Metropole, Printed Matter (NYC) and Motto (Berlin).

The firm has particular expertise creating architecture that enhances the experience of art, having worked internationally on numerous museums, galleries, art foundations, and other cultural projects.