Sentences with phrase «numerous other exhibitions»

She has curated numerous other exhibitions, as well, such as «Paris - Beijing,» the first retrospective in France of Chinese contemporary art at the Espace Pierre Cardin, Paris.
Gartenfeld has also cofounded two exhibition spaces, Three's Company and West Street Gallery, along with curating numerous other exhibitions and writing for A.i.A. and Interview.
His work was featured in a solo exhibition at Deitch Project in 2009 entitled «New Dark Ages,» and numerous other exhibitions and screenings including: Modern Art Museum of Fort Worth (solo); Loyal Gallery, Malmö (solo); Foxy Productions, New York (solo); Andreas Melas Presents, Athens (solo); Peres Projects, Berlin; Pace Wildenstein, New York; CANADA, New York; Green on Red Gallery, Dublin; The Museum of Modern Art, New York; the New Museum of Contemporary Art, New York; Tate Britain, London; Musee d' Art Moderne de la Ville de Paris / ARC, Paris; Yerba Buena Center for the Arts, San Francisco; and The Liverpool Biennial, Liverpool.
He also showed and participated in numerous other exhibitions and residencies across this period.
Alongside museum colleagues, she has contributed to numerous other exhibitions, including Teiji Furuhashi: Lovers (2016), From the Collection: 1960 - 1969 (2016), Ellsworth Kelly: The Chatham Series (2013), Artist's Choice: Trisha Donnelly (2012), Cy Twombly: Sculpture (2011), and Bauhaus 1919 - 1933: Workshops for Modernity (2009).
Her work has been included in numerous other exhibitions through the US including, LMP Projects Denver, CO, Saltworks, Atlanta, GA, Sardine Brooklyn, NY, Samson Boston, MA and Rebekah Templeton Contemoporary Art, Philadelphia, PA..

Not exact matches

The huge former royal palace in the heart of the city is home to the Mona Lisa and other renowned works of art but also a shopping complex and numerous exhibition spaces.
Indeed, throughout the year, the City is home to numerous other Festivals, Art Collections, Exhibitions, Galleries and Museums.
Recent group shows include the Cintas exhibition at Miami Dade College Museum of Art + Design; Self - Proliferation curated by Micaela Giovannotti at the Girls» Club, Ft. Lauderdale; and If You Leave Me, Can I Come Too, at Hunter College, NY among numerous others.
In his lifetime, Kelley held solo exhibitions at numerous institutions worldwide, including the Musée du Louvre, Paris; Institute of Contemporary Art, London; Tate Liverpool; Museum Moderner Kunst, Vienna; Los Angeles County Museum of Art; Whitney Museum of American Art, New York; and Hirshhorn Museum and Sculpture Garden, Washington, D.C, among many others.
Mark Lewis (b. 1957; Canada) has had solo exhibitions at the Hamburger Kunstverein; MUDAM, Luxembourg; Kunsthalle Bern; Columbia University, New York; The National Gallery of Canada, Ottawa; Patrick Painter, Los Angeles; Triple Candie, New York; among many others, and has participated in numerous group exhibitions.
From 1995 to 2006, Cameron was Senior Curator at the New Museum, where he developed numerous group exhibitions including East Village USA and Living Inside the Grid, as well as retrospectives of Carolee Schneemann, Eugenio Dittborn, William Kentridge, Martin Wong, Paul McCarthy, Cildo Meireles, Carroll Dunham, Faith Ringgold, Marcel Odenbach Jose Antonio Hernandez - Diez, and David Wojnarowicz amongst others.
Her art has appeared in numerous solo and group exhibitions (including traveling exhibitions) throughout the United States: California; New York; Chicago, IL; Cincinnati, OH; Baltimore, MD; Washington DC; Boston; Louisville, KY; and Virginia, among others.
As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.
Since 2005, he has had twelve solo exhibition in the United States and Europe and numerous group exhibitions at venues that include, among others: MoMA PS1, New York, NY; Nevada Museum of Art, Reno, NV; de Cordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio, New York, NY; The Drawing Center, New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Federico Luger, Milan, Italy; Sue Scott, New York, NY.
The organizer of numerous exhibitions, she has also published widely about the work of Joseph Beuys, John Cage, John Chamberlain, Walter de Maria, Dan Flavin, Willem de Kooning, Andy Warhol, and others.
She has been included in numerous exhibitions including: Everyday Hybrid, Prospect1.5, Isaac Delgado Fine Art Gallery, New Orleans, LA; Prospect.2 Lafayette, Lafayette, LA; Double Crescent, curated by Dan Cameron, C24 Gallery, New York, NY; External, Eternal, Fitchburg Art Museum, Fitchburg, MA, among others.
She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.
Nielsen Gallery was also recognized for notable survey exhibitions of work by such artists Albert York, Martin Ramirez, Gregory Gillespie and numerous others.
ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.
Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.
Juarez's work has been in numerous group and solo exhibitions and he has received awards from the Guggenheim Fellowship, The National Academy of Art, and The American Academy of Arts and Letters, among others.
Tuttle has been the subject of numerous solo exhibitions and retrospectives, at venues including the Whitney Museum, Chicago's Museum of Contemporary Art, the Dallas Musuem of Art, the Drawing Center in New York, the ICA London, the Musée d'art modern de la ville de Paris, among many others.
He has been the subject of numerous solo museum exhibitions, two Lyon Biennials, the Sydney Biennial, the Whitney Biennial, and others.
Neshat has had numerous solo exhibitions at galleries and museums worldwide, including: the Detroit Institute of Arts (2013); the Stedelijk Museum, Amsterdam (2006); Hamburger Bahnhof, Berlin (2005); the Walker Art Center, Minneapolis (2002); Musée d'art contemporain de Montréal (2001); and the Serpentine Gallery, London (2000), among others.
Now in its 19th iteration, the exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections.
He has lectured widely, curated numerous exhibitions (other than his own work), and has written literally hundreds of critical essays.
Other materials document the numerous exhibitions of Akari between 1952 and 1985, in the home - furnishings marketplace, in galleries, and culminating in his presentation at the 1986 Venice Biennale.
Brian Tolle's work has been exhibited in the Whitney Biennial, Liverpool Biennial at the Tate Modern, Kunsthalle Bern, Switzerland, the S.M.A.K. in Ghent, Belgium, Institute of Contemporary Art, Philadelphia; Contemporary Arts Center, Cincinnati; the Queens Museum of Art, New York, Havana Biennial, Cuba, the Invitational Exhibition at the American Academy of Arts and numerous other institutions.
The artist's work has been included in numerous museum solo exhibitions including the ICA Boston; MCA Chicago; ICA Philadelphia; Whitney Museum of American Art; Philadelphia Museum of Art, and many others.
Graham's work has been the subject of numerous solo exhibitions at venues such as Kingston Gallery in Boston, MA, where she is represented, and has been included in group exhibitions at Ruth Bachofner Gallery in Los Angeles, CA and Frederick Taylor Gallery in New York, NY, among others.
The subject of numerous solo exhibitions, he is also featured in many prominent institutions, including the Museum of Modern Art, the Whitney Museum of American Art, the Walker Art Center, the Art Institute of Chicago, among others.
He was included in the 2013 Armory Focus: USA Centennial, curated by Eric Shiner, Director of the Andy Warhol Museum, and has had solo and group exhibitions at numerous institutions, including MoMA PS1; Museum of Contemporary Art, Chicago; Museum of Art and Design, New York; Cincinnati Art Museum; Bass Museum; and Contemporary Arts Center, Cincinnati and New Orleans; among others.
I've been to a good few other exhibitions but if you want to ease in to trying out art exhibitions then the Summer Exhibition is perfect as it's so varied with all different types of art from numerous artists.

His work has been the subject of numerous solo exhibitions, including Bring Me the Hands of Piri Reis , Honor Fraser Gallery, Los Angeles (2012); Glenn Kaino: Safe Vanish , LAXART, Los Angeles (2011); Honor Among Thieves , Performa09, in collaboration with Creative Time, New York (2010); Transformer: The Work of Glenn Kaino , The Andy Warhol Museum, Pittsburgh (2008); and The Burning Boards , The Whitney Museum of American Art at Altria, New York (2007 amongst others.
He has written numerous contributions on contemporary art and has curated solo - exhibitions with Louise Lawler, Johanna Billing, Christian Philipp Müller, Simon Starling, Amelie von Wulffen, Sterling Ruby amongst others but also large - scale thematic exhibitions like Flashback — Revisiting the Art of the 80s and Index — California Conceptualism.
The exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections.
Apart from having his work included in esteemed group exhibitions like the 2008 Whitney Biennial and the Museum of Modern Art's «New Photography» series in 2009, Beshty has also numerous solo shows at MoMA PS1 (2004), the Hammer Museum of Art in Los Angeles (2006), and the Hirshhorn Museum (2009), among others.
His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the São Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Bienal, and is in the permanent collections of the Museum of Modern Art, Institute of Contemporary Art, Boston, Guggenheim Museum, Whitney Museum of American Art, San Francisco Museum of Modern Art, and other institutions worldwide, including a permanent large - scale installation at the Massachusetts Institute of Technology.
His work has appeared in numerous solo and group exhibitions at such venues as the Whitney Museum of American Art, the Studio Museum in Harlem, the Los Angeles County Museum of Art, and the Museum of Modern Art, among others.
Baselitz's work has been the subject of numerous exhibitions, including major retrospectives at the Whitechapel Art Gallery in London, the Stedelijk Museum, Kunsthalle Basel, the Centre Pompidou, the Solomon R. Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, and the Neue Nationalgalerie in Berlin, among many others.
His work has been included in exhibitions and collections at numerous venues, such as The Museum of Fine Arts Houston, The Ford Foundation, The Blanton Museum of Art, The Snite Museum of Art at Notre Dame, Artpace, The Parsons School of Design, OSDE Buenos Aires, among others.
His work has been exhibited in numerous one - person exhibitions at the Jeu de Paume, Paris (1991); Musée Nationale d'Art Moderne (Centre Georges Pompidou), Paris (1994); Institute of Contemporary Art, London (1994); the Museo Nacional Centro de Arte Reina Sofia, Madrid (1994); The Art Institute of Chicago, Chicago, IL (2000); and The Serpentine Gallery, London, England (2002), among others.
Pier's work has been shown in numerous group exhibitions and has been reviewed and appeared in The New Yorker, The New York Times, The Paris Review, Art in America, and Town & Country, along with other publications.
Phillips has exhibited in numerous group exhibitions and has had solo exhibitions at the Kessler City Lofts, Atlanta, Georgia; Johnson Center for the Arts, Troy, Alabama; Tuskegee University Legacy Museum, Tuskegee, Alabama; Rosa Parks Museum, Montgomery, Alabama; Hammonds House Museum, Atlanta, Georgia; and others.
Mariko Mori has been the subject of numerous international solo exhibitions at institutions such as the Royal Academy of Arts, London, United Kingdom; the Japan Society, New York; Espace Louis Vuitton, Tokyo, Japan; The Museum of Contemporary Art, Tokyo, Japan; The Brooklyn Museum of Art, New York; the Museum of Contemporary Art, Chicago; and the Serpentine Gallery, London, United Kingdom among others.
His work has been shown in numerous exhibitions worldwide, including the Whitney Biennial, the Sydney Biennial, the Sao Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Biennale, and is in the collections of the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum of American Art, the Albright - Knox Museum, the San Francisco Museum of Modern Art and other institutions worldwide, including a permanent large - scale installation at MIT.
Shapiro has had numerous exhibitions around the country — her work has shown at Elizabeth Harris Gallery, NYC, Lenore Gray Gallery, Providence, RI., the Drawing Center NYC, Geoffrey Young Gallery, MA and Milwaukee Institute of Art, among others.
Axell's work was shown in numerous solo and group exhibitions, among others at Centre Pompidou (Paris, France, in 2009), at Kunsthalle (Vienna, Austria, in 2010), at Kunstverein (Hamburg, Germany, in 2011), at Tate Liverpool (UK, in 2013), at Schirn Kunsthalle (Frankfurt, Germany, in 2013), at LENTOS Kunstmuseum (Linz, Austria, in 2013), at the Barbican Art Gallery (London, UK, in 2013), at the Dallas Museum of Modern Art (USA, in 2015), at Walker Art Center (Minneapolis, USA, in 2015), at the Philadelphia Museum of Art (USA, in 2016), at Tate Modern (London, UK), at the Warsaw Museum of Modern Art (Poland, in 2017) and at KIOSK Art Center (Ghent, Belgium, in 2017).
Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.
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