Sentences with phrase «numerous public art exhibitions»

Reese exhibits regularly through the traditional gallery system and has been included in numerous public art exhibitions.

Not exact matches

The NMMA is committed to Mexico's folk artists by including their works in numerous exhibitions, inviting them to provide public demonstrations and hosting an annual Folk Art Week.

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New Yoart, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York.

She has exhibited her paintings widely in both solo and group exhibitions since the late 1960's, and her work is represented in numerous public, corporate and private collections, including The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum, in NYC, The Dallas Museum of Art, TX, The Albright Knox Museum, Buffalo.

He has been subject to numerous solo and group exhibitions in galleries across the country as well as abroad lending to most of his works becoming key pieces in many prominent private and public collections including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

COUNTRY: The United States AWARDED BY: The DeVos Foundation WHAT IT IS: Numerous prizes ranging from $ 20,000 to $ 200,000, with the top honor awarded by public vote AIM: To promote critical dialogue and collaboration throughout the year with the goal of decentralizing the traditional, top - down art competition ELIGIBILITY: Any artist 18 or older who is able to secure an exhibition venue in Grand Rapids, Michigan, to show a specially created work NUMBER OF WINNERS: 10 winners chosen by the public and six winners chosen by a jury of art world professionals.

His numerous solo exhibitions include several in public institutions such as the Miami Art Museum, in 2001.

Moran has been included in group exhibitions at numerous international institutions including Kunstverein Freiberg, Germany, as well as Tate Britain, London, San Francisco MOMA, and Walker Art Center, Minneapolis where her works are in the public collections.

She has been in numerous solo and group exhibitions around the world and is represented in over 50 public collections, including the National Gallery of Canada, the Australian National Gallery, the Bibliothèque Nationale de France, the Art Institute of Chicago, and the Metropolitan Museum of Art

His work has been the focus of over 40 solo exhibitions and can be found in numerous private, corporate and public collections, including: The Museum of Geometric and MADI Art, Dallas, TX; and in Brazil, the Niterói Museum of Contemporary Art and the National Museum of Bellas Artes, Rio de Janeiro; the University of Ceará, Fortaleza; and in São Paulo the Museum of Contemporary Art, the Gallery of the State, the Itaú Cultural Institute and the Moreira Salles Institute.

She has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly all major public collections of modern art.

Bailey has an extensive exhibition history, and his works appear in numerous public and private collections including the Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Fine Arts, Boston, MA; Museum of Modern Art, NY; National Museum of American Art, Smithsonian Institution, Washington, DC; among many others.

Wolowiec has participated in numerous group exhibitions internationally, and her work is in the public collections of the Hammer Museum (Los Angeles), Kadist Art Foundation (San Francisco), and the Detroit Center for Photography (Detroit).

His work is included in numerous prominent public collections and has been the subject of solo exhibitions at Dia Center for the Arts, New York (2002); Solomon R. Guggenheim Museum, New York (1961, 1985); Albright - Knox Gallery, Buffalo, NY (1978); Kunsthalle, Basel (1964, 1975); Kestner - Gesellschaft, Hannover (1973); and the Stedelijk Museum, Amsterdam (1964).

Amelie von Wedel has organised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.

Amelie von Wedelhasorganised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.

His work has been included in numerous group exhibitions, notably Mapping the Horizon at Upstream gallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Paris (2003)

Javier has curated exhibitions and related public programs in Spain and the US, and his writings have been published in numerous exhibition catalogs and art publications.

Since1964, her work has been the subject of over seventy solo exhibitions, and she is represented in numerous public collections including the Detroit Institute of the Arts, the Smithsonian American Art Museum, the Studio Museum in Harlem, and the Whitney Museum of American Art.

She graduated with a BA in Art and English Literature from King Abdulaziz University and since 1985 has participated in group and solo exhibitions in Saudi Arabia and well as Egypt, Morocco, Germany, Korea and Paris and her work is included in numerous important private and public collections.

A recipient of numerous awards, including the Individual Artist Fellowship in 1989 from the Tennessee Arts Commission, she has curated more than 30 exhibitions and her work is in many public and private collections including the Kemper Collection, Huntsville Museum of Art, the Boston Museum School, Tennessee State Museum and the Prudential and Bridgestone Collections.

Over the years the artist has shown his works in various solo and group exhibition, not to mention the large number of pieces held in numerous public collections spanning from The Museum of Modern Art in New York City, over Albertina in Vienna to Malmö Konsthall in Sweden.

His work is in the Washington Arts Commission, Art In Public Places Collection and the City of Portland (OR), Portable Works Collection as well as in numerous private collections (click Exhibition History & Related Bio for more info).

In addition to numerous exhibitions, he has completed several public art commissions including permanent installations at the Hartsfield - Jackson Atlanta and Jacksonville International Airports and a series of outdoor sculptures at a fire station.

Kelton's work has been featured in numerous exhibitions and publications and is in the collections of the Museum of Fine Arts Boston; Bibliothéque nationale de France; Norton Museum of Art, West Palm Beach, Florida; International Center of Photography, New York; and New York Public Library.

Her work is included in numerous private and public collections including the American University Art Museum and The Robert and Frances Fullerton Museum of Art, San Bernardino, CA and has been included in exhibitions at the Bernarducci Meisel Gallery, New York, NY, Catherine Edelman Gallery, Chicago, Fotografiska Museum, Stockholm, Sweden, the Corcoran Gallery of Art and the National Portrait Gallery, Washington, DC.

These exhibitions were coupled with the release of numerous publications and the organisation of public programmes, with the aim of reflecting on Arab history through its art and artists.

Bates has presented at national conferences on public art, juried numerous contemporary art exhibitions, and has served on public art review committees and grant selection panels for the New York State Council on the Arts and the New York Foundation for the Arts.

He has more than twenty - two solo exhibitions to his credit and numerous pieces in public collections including Austin Peay State University Campus, the Hunter Museum of American Art in Chattanooga, Tennessee, and the Tennessee State Museum of Art and Cheekwood Museum of Art, both in Nashville, Tennessee.

Dine has been represented by the Pace Gallery since 1976 and has had hundreds of solo exhibitions around the world including major solo shows in museums in Europe and the United States including the Whitney Museum of American Art, New York, the Museum of Modern Art, New York, the Walker Art Center in Minneapolis, the Guggenheim Museum, New York, and the National Gallery of Art in Washington, D.C.. His work can be found in numerous other public collections throughout the world in the United States, Europe, Japan, and Israel.

What prompted this reader's query was «ColorField.remix,» an ongoing series of art exhibitions and public programs through July at numerous area venues.

His artwork has been presented in solo and group exhibitions locally, nationally and internationally and his works appear in numerous public and private collections including the Nerman Museum of Art at Johnson County Community College, the Spencer Museum of Art at the University of Kansas, the Marianna Kistler Beach Museum of Art at Kansas State University, the John and Maxine Belger Family Foundation in Missouri, AGB Graphics Collection in Wisconsin, and the Studio Place Arts in Vermont.

She has been the recipient of numerous significant grants including the New York Foundation for the Arts Fellowship (twice), the St. Gaudens Foundation Fellowship, PEW Foundation Philadelphia Exhibition Initiatives, the Howard Foundation Fellowship and a Public Art Fund Grant.

Proyecto Batiscafo started as an artist - run program of residencies in Havana, but from 2003 - 10 it grew and became a regular feature in the emerging Cuban art scene through numerous projects including open studio events, talks, performances, exhibitions, and many other public activities.

Participating in numerous exhibitions, discussions, public projects and other activities across Canada, the United States and internationally, Jacob has made a significant contribution to Toronto's art community.

She initiated a number of conferences on art in public space, as well as art and education and launched numerous series of lectures and events in order to accompany and support the thematic focus of her exhibitions.

For nearly a decade, Eccles was Director of the Public Art Fund in New York City (1996 - 2005) where he curated more than 100 exhibitions and organized numerous outdoor projects in collaboration with major New York City institutions.

He has had solo exhibitions at the Haitian Heritage Museum and Anacostia Art Center, has been featured in numerous group exhibitions and created public art murals across the gloArt Center, has been featured in numerous group exhibitions and created public art murals across the gloart murals across the globe.

One such individual is the international art dealer Gian Enzo Sperone, whose collection comprises the heart of this exhibition, to which has been added numerous works borrowed from public and private sources.

He has exhibited in numerous solo and group exhibitions at institutions such as the Smithsonian, National Museum of African Art, Washington, the New Museum of Contemporary Art, New York and the Hood Museum of Art, Dartmouth, and his works are housed in international public and private collections.

Specializing in photography, video and art in the public space, she has curated numerous exhibitions internationally and written on contemporary African art.

She has received numerous grants, including the New York Foundation for the Arts Fellowship, St. Gaudens Foundation Fellowship, PEW Foundation Philadelphia Exhibitions Initiatives, Howard Foundation Fellowship and a Public Art Fund Grant.

She has had several public art commissions, and numerous group exhibitions in museums and galleries throughout the US, Canada, and Europe.

He has lectured at, curated exhibitions for, and contributed to public programmes at numerous institutions internationally, including the Sindh Museum in Pakistan, the British Museum, Manchester Art Gallery, SOAS, and Whitechapel Gallery in the UK, and the Aldrich Contemporary Art Museum (CT), Asian Art Museum (CA), and the Pacific Asia Museum (CA) in the USA.

Her works have also been on display in numerous group exhibitions, such as in Bass Museum of Art, Miami Beach (2014) or in Kunsthalle Wien (2014), in Museum of Contemporary Art Detroit (2013) as well as in the Public Art Fund - Exhibtion at City Hall Park in New York City (2013) and CCA Wattis Institute, San Francisco (2012).

In addition to gallery exhibitions, SCAI has also been responsible for numerous site - specific projects, including public art by Tatsuo Miyajima and Louise Bourgeois at Roppongi Hills, and Julian Opie's commissioned work at Omotesando Hills.

Since then he has had one - person exhibitions at numerous museums, including the Art Institute of Chicago, Fundación «la Caixa» in Madrid, the Hirshhorn Museum and Sculpture Garden in Washington, DC, the de Young Museum in San Francisco, the Irish Museum of Modern Art in Dublin, and the Museum of Contemporary Art San Diego, and he has completed public commissions in Europe, Japan, and the United States.