Sentences with phrase «numerous traveling exhibitions»

The museum also displays numerous traveling exhibitions throughout the year.

Wharton was included in numerous traveling exhibitions, especially in the 1980s and 1990s.

Not exact matches

Motherwell's exhibition highlights include MoMA's landmark «The New American Painting» exhibition in 1958 - 59; a traveling retrospectives presented by Albright - Knox Art Gallery of Buffalo plus numerous important gallery and museum exhibitions.

He has been the subject of numerous exhibitions worldwide including «Robert Rauschenberg: A Retrospective,» the Solomon R. Guggenheim Museum, New York (1997)(traveled to the Menil Collection, Contemporary Arts Museum and Museum of Fine Arts, Houston; the Museum Ludwig, Cologne and the Guggenheim Museum, Bilbao, through 1999); «Combines,» the Metropolitan Museum of Art, New York (2005, traveled to the Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm, through 2007); and «Gluts,» the Peggy Guggenheim Collection, Venice (2009, traveled to the Guggenheim Museum Bilbao, Tinguely Museum, Basel, and Villa e Collezione Panza, Varese, through 2010).

Her art has appeared in numerous solo and group exhibitions (including traveling exhibitions) throughout the United States: California; New York; Chicago, IL; Cincinnati, OH; Baltimore, MD; Washington DC; Boston; Louisville, KY; and Virginia, among others.

Nikki is curating a traveling drawing exhibition; «Drawn Out, Drawn Over: Mapping the Territory of Experience and in the last year has had two solo exhibitions and participated in numerous group exhibitions.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

She has curated numerous exhibitions including Paul Chan: 7 Lights, Serpentine Gallery, London, England (2007); Runa Islam: Conditional Probability, Serpentine Gallery (2006); Art Metropole: The Top 100, National Gallery of Canada, Ottawa (2006); and Daniel Richter: Pink Flag, White Horse, The Power Plant, Toronto, Canada, traveled to the Morris and Helen Belkin Art Gallery, Vancouver, Canada, and the National Gallery of Canada (2004 - 05), co-curated with Wayne Baerwaldt and Scott Watson.

First was included in the exhibition Hand - Colored Prints in 1975 - 76, which traveled to numerous museums in the United States and is included in the print collection of the Museum of Modern Art, NY.

He is currently the Chair of the Sculpture and Integrated Media at the Southwest School of Art has received an Artist Foundation Grant, Artpace Travel Grant, was a finalist for the Arthouse Texas Prize, and has had the privilege of participating in numerous solo and group exhibitions.

Bradford's work has been the subject of numerous exhibitions, including a traveling survey of his work organized by the Wexner Center for the Arts in 2010, which traveled to Boston's Institute of Contemporary Art, the Museum of Contemporary Art Chicago, the Dallas Museum of Art, and a co-presentation at the San Francisco Museum of Modern Art and Yerba Buena Center for the Arts.

Novoa's work has been included in numerous group exhibitions including Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy; Center for Contemporary Art Laznia, Gdansk, Poland; Museo Nacional Reina Sofia, Madrid, Spain; Mediations Biennale, Muzeum Narodowe, Poznan, Poland; El Museo del Barrio, New York; Museo Del Palacio de Bellas Artes, Mexico City, Mexico; Nassau County Museum, Roslyn Harbor, New York; Exit Art, New York; City Art Museum Ljublana, Ljublana, Slovenia; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; The University Art Museum, University of California, Santa Barbara, California also traveled to University Galeries, Illinois State University, Normal, Illinois and DePauw University Art Gallery, Greencastle, IN; Centro de Cultura Contemporanea, Barcelona, Spain; Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina and Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; Museum of Art, Fort Lauderdale, Florida; Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands, also traveled to Fundación CAIXA, Palma de Mallorca and Centro de Arte Santa Mónica, Barcelona, Spain; Engraving Museum, Curitiba, Brazil; Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico; Museo del Chopo, Mexico City, Mexico; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Museo Jesus Soto, Ciudad Bolivar, Venezuela; Ludwig Forum Fur Internationale Kunst, Aachen, Germany; Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany; Porin Taide Museo, Pori, Finland; also traveled to Mucsarnok Museum, Budapest, Hungary and Palffy Palace, Vienna, Austria; Massachusetts College of Art, Boston, Massachusetts also traveled to The Bronx Museum, New York and III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba.

Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.

Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993, prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).

His work has been featured in numerous exhibitions, including an installation at Project Row Houses in Houston and the traveling group show The Dresser Trunk Project.

Rainer's long career has been the subject of numerous retrospectives, monographs and traveling exhibitions..

His works have been exhibited in numerous solo and group exhibitions, among them, the 2007 retrospective at the Rubell Family Collection, Miami, FL, which presented a decade of the artist's work and traveled to the Brooklyn Museum of Art in February 2008; and Bas's inclusion in the Nordic Pavilion at the 53rd Venice Biennale, curated by Elmgreen & Dragset.

As if to underscore the point, the Dallas Museum of Art's presentation of the traveling exhibition Hopper Drawing: A Painter's Process includes both actual and reproduced Hopper paintings for comparison with the numerous studies and preparatory sketches behind them.

His works have been exhibited at museums and galleries throughout the United States, Europe, and Asia with retrospective exhibitions traveling to numerous museums including the Centre Georges Pompidou, the Stedelijk Museum, the Walker Art Center, the Whitney Museum of American Art, and the Brooklyn Museum.

Works from the Souls Grown Deep collection have been featured in numerous exhibitions, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which travelled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, among others; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

Since Mapplethorpe's untimely death in 1989, his work has been the subject of numerous exhibitions in museums throughout the world, including several major traveling retrospectives.

His work has been included in numerous exhibitions worldwide, including Santa Monica Museum of Art (solo show), California, 2002; Prague Biennial I, Czech Republic, and the Studio Museum, Harlem, New York in 2003; Musà © e International des Arts Modestes, Paris, France, and White Box, New York in 2004; Antiguo Museo de Arte Moderno, Guadalajara, Mexico, and the 51st Venice Biennale, Venice Italy, 2005, the Whitney Biennial, New York, 2008 and Phantom Sightings: Art after the Chicano Movement, at the Los Angeles County Museum of Art (traveled to Mexico City, San Antonio, Phoenix, Guadalajara and New York, 2008 — 2010).

He was included in large survey exhibitions throughout the decade of the 1980s, including the Sao Paolo Biennale (1985), Whitney Biennial (1987), Documenta 8 (1987), Australian Biennale (1988), Carnegie International (1988), and numerous single - venue and travelling museum exhibitions across the United States and Europe.

The work of CPLY has been the subject of numerous single artist shows and a traveling retrospective at the Kunsthalle Bern, Centre Georges Pompidou, and the Stedelijk Van Abbesmuseum, and has been exhibited in several important group exhibitions, including documenta 5 and documenta 7.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

She has had numerous exhibitions in museums throughout the world, including traveling exhibitions organized by the Museum of Modern Art Oxford and the Japan Society in New York.

He completed numerous public commissions and exhibited actively in Europe, but it was not until the 1996 traveling exhibition, Explorations in the City of Light: African - American Artists in Paris, 1945 - 65, organized by The Studio Museum in Harlem, that Cousins» work was seen in the United States.

The traveling exhibition program has lent numerous shows to art venues both domestically and internationally, and continues to extend the scope of the collection and its educational mission beyond the Syracuse University campus.

Mary Frank has had numerous solo museum and gallery exhibitions over the years, including two retrospectives at the Neuberger Museum in Purchase, NY (2000 and 1979), and the show Natural Histories, organized by the DeCordova Museum, in Lincoln, MA, (1988), which traveled to the Pennsylvania Academy of the Fine Arts, Philadelphia, and the Everson Museum of Art, Syracuse, NY.

His work has been included in numerous group exhibitions, including Blues for Smoke, Museum of Contemporary Art, Los Angeles (2012); the Whitney Biennial, Whitney Museum of American Art, New York (2008); the California Biennial, Orange County Museum of Art (2008); Philosophy of Time Travel, Studio Museum in Harlem, New York (2007); Ordinary Culture: Heikes / Helms / McMillian, Walker Art Center, Minneapolis (2006); Painting in Tongues, Museum of Contemporary Art, Los Angeles (2006).

Colo's work has been exhibited at numerous venues, most recently as part of the exhibition Radical Presence, organized at the Contemporary Art Museum, Houston, and which traveled to the Walker Art Center, the Yerba Buena Center for the Arts in San Francisco, and the Studio Museum in Harlem (2013 - 2015).

Pettibon's work has been the subject of numerous museum exhibitions worldwide including Kunstmuseum Luzern, Lucerne (2012); Kestnergesellschaft, Hanover (2007); Kunsthalle Wien, Vienna (2006); Centro de Arte Contemporáneo de Málaga, Malaga (2006); Museum of Contemporary Art San Diego, San Diego (2005); Whitney Museum of American Art, New York (2005); Museu d'Art Contemporani de Barcelona, Barcelona [traveled to Tokyo Opera City Art Gallery, Tokyo and Gemeentemuseum, The Hague](2002); The Renaissance Society, Chicago in collaboration with the Philadelphia Museum of Art, Philadelphia [traveled to The Drawing Center, New York and the Museum of Contemporary Art, Los Angeles](1998); and Kunsthalle Bern, Bern (1995).

Mary Frank has been the subject of numerous museum exhibitions, including a retrospective organized by the Neuberger Museum in Purchase, New York in 1978; an in - depth look at her Persephone Series at the Brooklyn Museum in 1988; and Natural Histories, organized by the DeCordova Museum in 1988 which traveled to the Pennsylvania Academy of the Fine Arts and the Everson Museum of Art.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

Frize's work has been shown extensively internationally and has been the subject of numerous solo exhibitions, including Akademie der Künste, Berlin, Germany (2015), Fundação Calouste Gulbenkian, Lisbon, Portugal (2015), Berlinische Galerie, Berlin, Germany (2011), Musée d'Art Moderne de la Ville de Paris, Paris, France (2003), Haggs Gemeentemuseum, The Hague, Netherlands which travelled to Stedelijk Museum voor Actuele Kunst, Gent, Belgium (2002), Kunstverein St. Gallen Kunstmuseum, St. Gallen, Switzerland (2000), Chisenhale Gallery, London, UK (1994), Kunsthalle Zurich, Zurich, Switzerland (1993) which travelled to D.A.A.D. Galerie, Berlin, Germany (1994).

Her numerous curated exhibitions include «Non-Participation» (2014 - 16) and «Canceled: Alternative Manifestations & Productive Failures,» (2012 - 2014) which traveled in the US and abroad.

His work has been exhibited in numerous solo exhibitions around the world including PLATEAU, Samsung Museum of Art, Seoul, South Korea in 2015; Bass Museum of Art, Miami in 2013; Kunstverein, Hannover, Germany in 2012; and the Rubell Family Collection, Miami in 2007, which traveled to the Brooklyn Museum of Art the following year.

Sillman's work has been the subject of numerous solo exhibitions at institutions including: Albright Knox Art Gallery, Buffalo, New York; Drawing Center, New York; Portikus, Frankfurt am Main, Germany; Kunsthaus Bregenz, Austria; and The Hirshhorn Museum and Sculpture Garden, Washington, D.C. Beginning at the Institute of Contemporary Art, Boston in 2014, Sillman's solo exhibition, «one lump or two,» traveled to the Aspen Art Museum in Colorado and the Center for Curatorial Studies at Bard College, New York.

In the 1960s Alechinsky traveled extensively in Europe, the United States and Mexico and participated in numerous international exhibitions.

His work has been in numerous solo and group exhibitions, including a mid-career retrospective at the Cincinnati Art Museum which traveled to the Hammer Museum in Los Angeles and the Fotomuseum in Winterthur.

Since his first exhibition in 2010, Alessio has won numerous awards and even published a book, Fuori Dalla Caverna, which features stories and photographs about his travels.

Today his work has been the subject of numerous museum shows, including the retrospective «Martín Ramírez: Pintor Mexicano,» at the Centro Cultural / Arte Contemporaneo, Mexico City, in 1989, and two major exhibitions at the American Folk Art Museum, NYC: a traveling retrospective titled «Martín Ramírez» in 2007, and «Martín Ramírez: The Last Works» in 2009.

Included among Saar's numerous exhibitions are: Betye Saar: Extending the Frozen Moment, a major traveling exhibit organized by the University of Michigan Museum of Art (2005); Betye Saar: Still Tickin», Museum Het Domein, Sittard, The Netherlands; Scottsdale Museum of Contemporary Art, Scottsdale, AZ (2015); Betye Saar Black White / Blend, Roberts & Tilton, Culver City, CA (2016); Uneasy Dancer, Fondazione Prada, Milan, Italy (2016), Soul of a Nation: Art in the Age of Black Power, Tate Modern, London; Crystal Bridges Museum of Art, Bentonville, AR; Brooklyn Museum, Brooklyn, NY (2017 - 2018); We Wanted a Revolution: Black Radical Women, 1965 - 85, California African American Museum, Los Angeles, CA; Brooklyn Museum, Brooklyn, NY; Institute of Contemporary Art, Boston, MA; Albright - Knox Art Gallery, Buffalo, NY (2017 - 2018); and Outliers and American Vanguard Art, Los Angeles County Museum of Art, Los Angeles, CA; High Museum of Art, Atlanta, GA (2018 - 2019).

In thirty - five years of operation, ICI has organized 116 traveling exhibitions, as well as numerous events, publications, and training opportunities for diverse audiences around the world, profiling the work of more than 3,700 artists.

Kos has been the subject of numerous solo exhibitions including Everything Matters: Paul Kos, A Retrospective (2003), organized by the Berkeley Art Museum and Pacific Film Archive, which traveled to the Contemporary Arts Center, Cincinnati; Grey Art Gallery, New York University; and the Museum of Contemporary Art, San Diego.