This isn't your backyard childhood game of cowboys and Indians, nor is it a stereotypical
oater in which the heroes fight off attacks from savages.
The quintessential B - movie lawman, granite - faced, mustachioed Jack Rockwell began turning up in low - budget
oaters in the late 1920s and went on to amass an impressive array of film credits that included 225 Westerns and two dozen serials, working mostly for Republic Pictures and Columbia although he was never contracted by either.
Not exact matches
At times more
in line with «Blazing Saddles» than the grimly bawdy qualities that define many bonafide
oaters, «Django Unchained» erupts with a conceptual brilliance from the outset that never fully meshes with its clumsy storyline.
One of the key Hollywood actors that specialized
in playing western bad guys, Robert J. Wilke can be seen
in dozens of
oaters from High Noon to Man of the West, almost always as a heartless killer.
A lead villain
in silent
oaters starring lesser - known cowboys like Lester Cuneo, Bill Patton, and Al Hoxie, Meehan's florid acting style can be enjoyed today
in such silents as Blazing Arrows (1922) and Red Blood (1926)-- the now veteran actor usually found himself demoted to that of anonymous henchman after the advent of sound.
The limited series struggles to recover from an early peak;
in the final 20 minutes of the premiere episode, all the pieces for an epic
oater fall into place.
A case
in point is Peter Fonda's directorial debut The Hired Hand (1971), a sensitive, deliberately paced western which Universal attempted to sell as a combination of an Easy Rider sequel and an action - revenge
oater.
As if on cue, a swell of new
oaters has tumbled into view this year to prove as much, and each of them
in their own way plays less like a period piece than it does a mirror.
Yet his comeback «Dead Man's Shoes», with its combination of small - town retribution and the supernatural, is far more successful
in importing the
oater sensibilities of «High Plains Drifter» to the West Country, while bringing back from the dead the sort of hardman grittiness not seen since such seventies classics as «Get Carter», «Straw Dogs» and the «Death Wish» films.
, the latest from Joel and Ethan Coen, telling the story of a studio fixer (Josh Brolin) trying to keep his boss and all of his stars happy, even as one (George Clooney) is kidnapped by Communist screenwriters, another (Channing Tatum) may be
in league with said writers, and another (Alden Ehrenreich) isn't able to make the transition from
oater Westerns to high - toned dramas.
It's hardly «Heaven's Gate,» but there's a similar grandiosity of ambition — and a familiar sense of folly — to Scott Cooper's «Hostiles,» a $ 40 million, independently produced, sure - to - be-R-rated Western
in a marketplace where even a more broadly appealing
oater, like Seth MacFarlane's tongue -
in - cheek «A Million Ways to Die
in the West,» can barely earn that -LSB-...]
It's hardly «Heaven's Gate,» but there's a similar grandiosity of ambition — and a familiar sense of folly — to Scott Cooper's «Hostiles,» a $ 40 million, independently produced, sure - to - be-R-rated Western
in a marketplace where even a more broadly appealing
oater, like Seth MacFarlane's tongue -
in - cheek «A Million Ways to Die
in the West,» can barely earn that kind of money back.
Farr had a more significant role
in 1956's «Jubal,» an
oater take on «Othello» that was directed by Daves and also starred Ford.
Directed by «Pirates of the Caribbean's» Gore Verbinski, this over-the-top
oater delivers all the energy and spectacle audiences have come to expect from a Jerry Bruckheimer production, but sucks out the fun
in the process, ensuring sizable returns but denying the novelty value required to support an equivalent franchise.
Meek's Cuttoff is the very definition of a slowburn treat, a classical Oregon - set «
oater»
in which a wagon trail heading across vast, acrid prairies is placed
in danger when its party decide to take heed of a short cut suggested by one Stephen Meek.
In a Valley of Violence begins like many oaters we've seen in the past and the archetypal characters that therein show all the hallmarks of cowboy picture platitudes; Paul (Ethan Hawke) is a self - effacing drifter who appears more like a peacenik than the dangerous army deserter we suspect him to be; Gilly (James Ransone) is a murderous intimidator; Mary - Anne (Tessa Farmiga) is a virginal ingenue; Marshal Clyde Martin (John Travolta) is the conflicted reprobate law man; and so o
In a Valley of Violence begins like many
oaters we've seen
in the past and the archetypal characters that therein show all the hallmarks of cowboy picture platitudes; Paul (Ethan Hawke) is a self - effacing drifter who appears more like a peacenik than the dangerous army deserter we suspect him to be; Gilly (James Ransone) is a murderous intimidator; Mary - Anne (Tessa Farmiga) is a virginal ingenue; Marshal Clyde Martin (John Travolta) is the conflicted reprobate law man; and so o
in the past and the archetypal characters that therein show all the hallmarks of cowboy picture platitudes; Paul (Ethan Hawke) is a self - effacing drifter who appears more like a peacenik than the dangerous army deserter we suspect him to be; Gilly (James Ransone) is a murderous intimidator; Mary - Anne (Tessa Farmiga) is a virginal ingenue; Marshal Clyde Martin (John Travolta) is the conflicted reprobate law man; and so on.
In Sydney Pollack's backcountry oater, a jaded Mexican War veteran (Robert Redford) seeks solace in the American West, only to discover that life in the Rocky Mountain State — with its harsh weather, craggy terrain and aggressive inhabitants — is more turbulent than transcendenta
In Sydney Pollack's backcountry
oater, a jaded Mexican War veteran (Robert Redford) seeks solace
in the American West, only to discover that life in the Rocky Mountain State — with its harsh weather, craggy terrain and aggressive inhabitants — is more turbulent than transcendenta
in the American West, only to discover that life
in the Rocky Mountain State — with its harsh weather, craggy terrain and aggressive inhabitants — is more turbulent than transcendenta
in the Rocky Mountain State — with its harsh weather, craggy terrain and aggressive inhabitants — is more turbulent than transcendental.
12 Strong comes from real life — specifically a covert Green Berets operation that went down
in Afghanistan shortly after the Twin Towers fell — but the movie plays like the squarest of John Wayne
oaters, riding tall
in the saddle with a minimum of casualties.
The film, directed by David Von Ancken and starring Liam Neeson and Pierce Brosnan, is a noble but overlong patchwork of elements and themes that were explored better
in the 1960s - 70s
oaters that clearly inspired it.
This old - fashioned
oater miniseries pits the two fellers against one another
in a rivalry that can only end with hot lead.
The story is completely ridiculous and wafer - thin:
in his first of many
oaters, Flynn is a morally grey buffalo herdsman who eventually stops turning a blind eye to Bruce Cabot's evil doings
in Dodge, yet the film has so many show - stopping sequences, the plot becomes unimportant.