Sentences with phrase «object as a vessel»

The works in the exhibition continue the artist's signature use of functional and found objects relating to his home country, drawing on both cultural and social shifts as well as considering these objects as vessels with personal and geological histories.

Not exact matches

Because before the foundation of the world, God decided to create some objects as «vessels of wrath» so that those who were chosen to be His vessels of mercy might glorify God all the more!

An object such as, for instance, a silver votive vessel comes into being not only by the interplay between the dark hiddenness of the earth and the radiant openness of the heavens — hidden ores brought up to shine in the light of day — but by the reverently poetic approach of mortals toward the gods and by the lordly approach of the gods toward mortals, out of the hidden realm of the divine, announcing themselves in the powers of nature.

In Mexico, Minebea Intec will offer an extensive range of weighing and inspection products, solutions and services for diverse manufacturing processes — from goods in to goods out, including platform scales, vessel and silo scales (load cells), checkweighers and equipment for detecting foreign objects (metal detectors and x-ray inspection systems), as well as software solutions for statistical process control and formulation applications.

Bodies as objects, as vessels, as recording devices.

While each woman is entitled to her opinion on the topic, such public figures speaking out against breastfeeding photos only serves to remind us that we've been conditioned to believe that breasts are only to be viewed publicly as sexual objects, not as biological vessels for feeding our children.

Fractal objects have repeating patterns at many scales and are seen in nature in such things as tree branches, rivers, snowflakes, blood vessels and neurons.

Avoid thinking about your body as merely an object, but as a vessel or machine that allows you to be active, to perform tasks and to be affectionate toward those you love.

Year 6 Science Assessments and Tracking Objectives covered: Describe how living things are classified into broad groups according to common observable characteristics and based on similarities and differences, including micro-organisms, plants and animals Give reasons for classifying plants and animals based on specific characteristics Identify and name the main parts of the human circulatory system, and describe the functions of the heart, blood vessels and blood Recognise the impact of diet, exercise, drugs and lifestyle on the way their bodies function Describe the ways in which nutrients and water are transported within animals, including humans Recognise that living things have changed over time and that fossils provide information about living things that inhabited the Earth millions of years ago Recognise that living things produce offspring of the same kind, but normally offspring vary and are not identical to their parents Identify how animals and plants are adapted to suit their environment in different ways and that adaptation may lead to evolution Recognise that light appears to travel in straight lines Use the idea that light travels in straight lines to explain that objects are seen because they give out or reflect light into the eye Explain that we see things because light travels from light sources to our eyes or from light sources to objects and then to our eyes Use the idea that light travels in straight lines to explain why shadows have the same shape as the objects that cast them Associate the brightness of a lamp or the volume of a buzzer with the number and voltage of cells used in the circuit Compare and give reasons for variations in how components function, including the brightness of bulbs, the loudness of buzzers and the on / off position of switches Use recognised symbols when representing a simple circuit in a diagram

It goes on to discuss such diverse methods of transportation as skis and sleds, horses and wagons, and seafaring vessels, as well as such adjunct topics as roads, maps, and vehicles for moving objects.

These works stand solemnly in polished stainless steel — as empty vessels, allowing the viewer to insert themselves into a historical or participatory role with the objects.

A folk art «memory vessel» in the show began as a humble pot whose function was nullified and its meaning elevated by an anonymous artist who encrusted it with objects of personal significance.

«I wish to face things quietly, attentively» the artist has stated, «I treat painting [and objects] sincerely; I am communicating with them...» Her paintings turn these vessels into small monuments — monuments to usefulness and its reverse, emptiness, as well as the humanity we breathe into the objects of our world.

This iconoclastic gesture destroyed the vessel as a container, and conceptually transformed the object as subject.»

These are technologies of memory, not vessels of memory in which memory passively resides so much as objects through which memories are shared, produced, and given meaning.»

The survey begins with small, smooth - finished bronze sculptures such as Oiseau Solaire (1946), through to the raw bronze constructions of found objects (including mannequins, dolls, rustic vessels, discarded cans) made consistently from the 1960s onwards and highly - coloured, painted bronzes of the 1960s and 70s.

While abstract at its core, Von Rydingsvard's work takes visual cues from the landscape, the human body, and utilitarian objects — such as the artist's collection of household vessels — and demonstrates an interest in the point where the man - made meets nature.

Presented as a site specific installation, objects, vessels and instruments, are stationed purposefully around the floor and on altar - like stands in front of opulent paintings.

Cammie Staros's ceramic objects allude to the forms of classical vessels, but update them with neon or metal additions, as well as references to feminism and S&M.

This is the home's interior, defined here as a place for the presentation and display of objects and vessels.

Looking specifically to the shapely vessels of Classical Greece, the artist's hand - built objects marry ancient ceramic techniques with modern industrial materials such as neon and machined metals.

The films use a variety of cinematic techniques: fast cuts, tracking and close - ups that slide over random objects the artist has collected or inherited, such as coins, golden bangles, glass vessels, stone heads, heavy dark chains, crystals and lipstick cases.

In the aptly titled exhibition, the artist introduces low relief sculptures and drawings to comment on cultural and psychological undertones of furnitures, not only as mundane utilitarian objects, but also as witnesses and vessels of human experience.

By framing the minimalist object as «hollow» Fried implies the existence of some essential vessel or form, however compromised.

Each ceases contemporary art that connects with the history of glasswork, from luxury objects such as chandeliers and mirrors to household items like drinking vessels and light bulbs.

The Virginia Museum of Fine Arts owns 208 Pre-Columbian ceramic vessels, textiles, sculptures and metalwork objects from Meso, Central and South America as part of its Ancient American Art Collection.

October 25 - 16 Trunk Show: Virginia Raku Clay 11 a.m. — 4 p.m. Inspired by many contemporary artists such as Chagall, Matisse, Picasso, and Klimt as well as African, Asian, and Islamic art forms, Tanya Tyree incises her raku - fired clay sculptures, vessels, decorative objects, wall art, and jewelry with abstract drawings that reveal their own mystery, sweet spirit, and mood.

Using representation as both an inspiration and a catalyst, Swallow collects a variety of found objects — cardboard tubes, clocks, targets and cups — which then act as molds, constructed forms of vessels for his ceramic, wood and bronze pieces.

Among the exhibition's more than 180 objects are examples of the leaded - glass windows and lamps for which he is best known as well as blown - glass vessels and decorative objects such as mosaics, jewelry, bronzes, paintings, watercolors, architectural elements, and silver.

The marks and images can evoke many objects, such as crosses, stars, nets, clocks, organic, inorganic and industrial structures or vessels.

Seen as single objects or as a group, they stand up to the long history of pottery, subtly suggestive of vessels from a multitude of cultures and origins.

Selected group exhibitions and screenings include I like to fondle, Acme Fire Station, London UK (2017); Cruising Spaces, LUX, London UK (2017); Now We Are Six, Marian Cramer Projects, Amsterdam NL (2016); The Ultimate Vessel, Koppe Astner, Glasgow UK (2016); Discursive Objects, WAH Gallery, Eindhoven NL (2015); Blurred Edges: Non / Fiction, Seattle Art Museum, Seattle US, as part of the Black Box Festival, (2015); The Best Tailor in Town, Hunt Kastner, Prague CH (2015); On the Devolution of Culture, Rob Tufnell, London UK (2014); Last Seen Entering the Biltmore (curated by Anna Gritz), South London Gallery, London UK; I love you Me either, Project Native Informant London UK (both 2014); SECCESSONE (curated by Rhys Coren, Paul Flannery & Attilia Fattori Franchini), bubblebyte.org (2013); Blue Lagoon (curated by Candice Jacobs), One Thornesby Street, Nottingham UK (2013); One and One and One, CGP London UK (2012); Forth & Back, Limoncello, London UK; Florence Loewy, Paris FR; 10,000 Hours, Glasgow International, Glasgow UK; YBAII (curated by Ryan Gander and Christina von Rotenhan), Dienstgebaude, Zurich CH (all 2012).

Branzi intends the cabinets to be used as vessels filled with personal objects from daily life.

She carefully considers the metal objects — hairbrushes, drinking vessels, bowls and coins — that the characters use in ritual ceremonies or as tools in their everyday lives, featuring them in both the «tapestries» and sculptures.

In addition, the installation incorporates objects with functional intent, such as original wallpaper designs by Charles Burchfield, furniture by Frederick Kiesler, Moving Mountains, and Aaron Poritz and Nika Taubinsky, as well as glass vessels by Louis Comfort Tiffany and artist stools from the studio of Jackson Pollock.

As Zapata teaches participants to use rope, yarn, and tapestry needles to create small coil vessels, she will also discuss the artists Anni and Josef Albers, avid collectors of pre-Columbian objects.

Taking finds in ethnological museums as a starting point, he distinguishes between two different concepts of repair: the patched vessels, statuettes and writing tablets in the ethnological collections very openly display their joints and clamps, and with them their histories as objects.

On another, Johns» picture insists that we reconsider paintings as objects, rather than as mysterious windows or vessels.

As in Lovell's tableaux, these images are paired with objects including playing cards, flags, ropes, vessels, and jewelry, suggesting personalities or life experiences.

Kathy Butterly TIBOR DE NAGY GALLERY As an artist whose medium is clay, Kathy Butterly works between two histories: the tradition of pots — of objects that may well be refined but as vessels.As an artist whose medium is clay, Kathy Butterly works between two histories: the tradition of pots — of objects that may well be refined but as vessels.as vessels...

Mark Neufeld creates a rewarding parody of what he calls «curatorial care» in this exhibition, a compact total work that includes painting, photography, appropriated prints, collage, sculpture, and found objects such as trays and plastic vessels.

The ceramic bricks can be used as shelving, the gorgeous ceramic vessels as stackable plant holders and objects.

«The body is more than simply another machine, indistinguishable from the artificial objects of the world, it is also the vessel of the individual's sense of self, his most personal feelings and aspirations, as well as that entity to which others respond in a special way because of their uniquely human qualities.»