Sentences with phrase «object as image»

The performative aspect of work that demands an affective response from the spectator is key, as is its ambiguous character: in this instance text as object, object as image.
After I save an object as an image, I import it into my eLearning software.
These images show Dragonfly's clear detection of the objects and their confirmation as diffuse objects as imaged by the much larger Canada - France - Hawaii Telescope.
Richard Artschwager at David Nolan Gallery by Gregory Galligan This show of Richard Artschwager's drawings and sculpture, «Objects as Images of Objects: 1966 - 2008,» made it quite clear that the artist is nobody's mimic.

Not exact matches

One of the features Apple is exploring is the ability to take a picture and then change the depth of the photograph or the depth of specific objects in the picture later; another would isolate an object in the image, such as a person's head, and allow it to be tilted 180 degrees.
After the original turtle image test, the researchers reproduced the reptile as a physical object to see if the modified image would still trick Google's computers.
The MIT team's algorithm created what are known as adversarial examples, essentially computer - manipulated images that were crafted to fool software that recognize objects.
There are different ways to perform facial recognition, but generally the accuracy of it depends on factors such as the quality of the image of your face at authentication time, light conditions, time between the enrollment image and verification, and visibility of occluding objects like a scarf or sunglasses.
The resolution of images in the video does not allow a proper identification of the object which might well be a drone (or a distant manned aircraft... such as an F - 117 that was spotted flying over Nevada with accompanying F - 16, in the recent past), still the story of the alleged interaction has had some exposure.
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The long strip of linen cloth known as the Turin Shroud, which bears the faint image of a crucified and beaten man, has been an enigma and an object of reverence for centuries.
The Faith movement's push for such coherence involves affirming, in a neo-Augustinian manner, the dynamic relationship of spiritual mind (whether of the absolute God or of the human soul in his image) with the objects of its knowing, as a metaphysical first principle.
- «The scholarly community will need to see the full report and images of the artifacts to make a judgment in regard to the interpretation of these objects as coins,» Steven Ortiz, associate professor of archaeology and biblical backgrounds at Southwestern Baptist Theological Seminary in Fort Worth, Texas, said.
But he goes on: «When these images clash — as in The Fascist octopus has sung its swan song, the jackboot is thrown into the melting pot — it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking.»
The self appears as a mere image or object in our mind's eye, an abstraction.
As we shall see in the next section, Whitehead's principal version of symbolic reference becomes his means of relating images or sensa as directly perceived to the objects which cause theAs we shall see in the next section, Whitehead's principal version of symbolic reference becomes his means of relating images or sensa as directly perceived to the objects which cause theas directly perceived to the objects which cause them.
To this useful image Marian Evans contrasts Dr. Cumming's God, who «instead of sharing and aiding our human sympathies is directly in collision with them; who instead of strengthening the bond between man and man, by encouraging the sense that they are both alike the objects of His love and care, thrusts himself between them and forbids them to feel for each other except as they have relation to Him.»
The conclusion reached is that the modern philosophical tradition was mistaken in postulating sensory images as objects of perception.
What we call the perception of these latter objects is in fact an inference we make to them from images as their representations.
If the basic purpose of the study of man is defined by the image of man as the creature who becomes what only he can become through confronting reality with his whole being, then the specific branches of that study must also include an understanding of man in this way, and this means not only as an object, but also, to begin with, as a Thou.
As we sit at our desks or walk to class, the immediate faces and objects around us seem far more real than do the aspirations we have for ourselves in the future or even the fleeting images that may come to mind from last summer's vacation.
But taken at face value, they are alienating insofar as they betray us into placing our own possibilities outside of us as attributes of God and not of humanity, viewing ourselves as unworthy objects of a projected image of our own essential nature.
In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.
The image is no longer conceived platonically as a copy, nor does it intervene between viewers and object.
In fact, in Newtonian physics we would expect that the image of a single substantial object would be identifiable not only by the continuity of its first three factors as an implicit function of the fourth, but also by the constancy of the fifth.
What one can historically describe as the «mechanization of the image of the world» is, at any rate in an environment formed by machines, a process which is also being looked at psychogenetically; this process advances the same object categories and ideas of movement, if only in a rudimentary, pre-reflexive manner, which might, especially for that reason, influence thinking so much more persistently.
There was a Talmudic - era rabbi by the name of Akiva ben Joseph (who argued plenty with another rabbi, Simeon ben Azzai) who argued that the greatest commandment in all of the Torah was to love your neighbor as yourself (to which ben Azzai objected primarily due to neighbor not being clear enough and then said that the greatest commandment was within Genesis 5:1 — that man was created in G - d's image and thus if you hate any person, you are hating G - d).
This view was given a great deal of support through the use of the lens, which provides in principle (as shown in Fig. 2) a point - to - point correspondence between object, O, and Image, I. By creating such a correspondence, the
In order to conceive of divine causation we should not take as our point of departure the crude images of transfer of power that we find in the objects of secondary (sense) perception.
In January this year, it was announced that the lander had been identified in images taken by Nasa's Mars Reconnaissance Orbiter in 2013; these showed the lander as a glinting object, just a few pixels wide, about 5 km from the intended touchdown site.
At the bottom of Campbell's heroic circle is the goal of the quest, expressed in such images as atonement, deification, or the capture of a desired object.
He makes out of the spoils of battle an ephod, an object in the paraphernalia of a priest (not an image, as a later editor in verse 27 would have it).
As in a holograph (p. 82), the image is not represented in the brain as a point - to - point image from an object to a photographic platAs in a holograph (p. 82), the image is not represented in the brain as a point - to - point image from an object to a photographic platas a point - to - point image from an object to a photographic plate.
As the folks at the Michael Kohn Gallery in L.A. explain it, the art exhibit that opened last Saturday «takes the idea of the object — in this case the seductive shape of the surfboard — and attempts to trap the image beneath the fiberglass and resin surface.
Choose books with realistic images, such as photographs, to help make the connection to real - world objects easier.
Quickly analyzing many images of stationary objects taken from different angles as the spacecraft descends can create a 3 - D rendering of the ground.
The team hopes others can use this unique property to image objects, such as delicate biological samples, that a more energetic, visible beam might otherwise destroy.
Because MUSE disperses the light into its component colours these objects become apparent, but they remain invisible in deep direct images such as those from Hubble.
The first algorithm they tried was developed for tracking systems such as radar, which must also determine whether objects imaged at different times are in fact the same.
Judging from images of these far - flung galaxies, they found the Milky Way likely began as faint, blue, low - mass object containing lots of gas.
The OSSOS project uses powerful computers to hunt the images, and Kavelaars was presented with a bright object moving at such a slow rate that it was clearly at least twice as far from Earth Neptune and 120 times further from the Sun than Earth.
It was found that when the image was flashed at them during the heartbeat, as opposed to between heartbeats, they were approximately 10 % more likely to perceive the object as a gun when it was held by a Black person.
Romani wagon in Germany, 1930s; image courtesy of Wikimedia Commons / Allgemeiner Deutscher Nachrichtendienst - Zentralbild (Bild 183) The Romani people — once known as «gypsies» or Roma — have been objects of both curiosity and persecution for centuries.
We interpret virtual images as appearing behind the reflective surface that creates them because our brains naturally interpret light from visible objects as traveling to our eyes in straight lines.
This will allow it to produce images of extended objects in the night sky such as giant cosmic clouds of gas and dust.
NASA's asteroid hunter, the Near - Earth Object Wide - field Infrared Survey Explorer (NEOWISE), has been imaging, and will continue to image, the comet as part of its operations.
The lens may produce multiple or distorted images of the background object as seen by the observer.
The collaborators compiled and modified a list of 109 visual features that can be used to assess the aesthetic appeal of an image, such as the relative size, color, and distribution of discernable objects within the image, as well as texture and color intensity.
«Follow - up spectroscopic observations are now needed to verify that the object is far more distant than the lensing galaxy, as well as to derive better distance estimates to confirm that multiple images really belong to the same object,» says Ratnatunga.
Many will know Newton for his stunning astrophotographs and CCD images of deep - sky objects such as the nebulae and galaxies.
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