Sentences with phrase «object in the room while»

Not exact matches

Normally many of the object - oriented programming languages clean up for you because they notice when you are running low on memory and haven't used a bit of code in a while, but in the case of these terascale systems, it would be like having a kitchen the size of a football field, so by the time you ran out of room, it would take weeks to clean it up.

Switch the direction your baby lays in her crib since often babies fall asleep while looking at a preferred object in the room.

Elana — first — you are doing a good job second — at 9 months your bubba is learning about object permanence — if he fusses when you leave the room — he is developmentally right on track don't worry — it doesn't last — and is actually a good sign — it signals that he is well attached to you — which is highly desirable in terms of raising happy well adjusted children that are willing to explore their world He isn't to young for independent play — It just might be for a little while that it happens while he can see you As he chooses to — allow him to move himself out of your sight (somewhere safe of course) i.e around the edge of a couch, through a door way etc — playing disappearing and reappearing games like peek - a-boo and hiding things under boxes / blankets for him to «find» etc is good too as time goes on — he will learn that things re-appear when they disappear

Companies like the MLB, the Wall Street Journal and the New York Times were given the actual device under very strict compliance requisites of secrecy, like keeping the device in an isolated room with blackened windows while making sure the device is fastened to a fixed object at all times.

Thankfully objects that you need to use later in a different room are stored in your inventory, while ones you need in the immediate area you pick up and place somewhere (a cog in a machine, for example).

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

There is no PlayStation Move compatibility, although there are two control schemes with the free mode allowing players to move using the DualShock 4's analogue sticks, while comfort mode projects a transparent Lara Croft to show where in your surroundings you are about to transport to, alongside the ability in both control schemes to utilise the DualShock 4's gyroscopic motion sensing functionality to manipulate objects such as documents to search for clues as to the location of the mastery key to open up more rooms and find the safe combination.

An immaculate mini-map shows what areas are left to uncover and, while each room is usually host to a handful of enemies, the emphasis is on collecting the puzzle objects that are needed to unlock the final gate in the stage.

While the activity in room A explored some aspects of sex — concentration, fantasy, exclusion, inclusion, shame, regression — room B was concerned with hate and fear, savagery, domination and resentment expressed through others while Acconci remained the passive object of these emotWhile the activity in room A explored some aspects of sex — concentration, fantasy, exclusion, inclusion, shame, regression — room B was concerned with hate and fear, savagery, domination and resentment expressed through others while Acconci remained the passive object of these emotwhile Acconci remained the passive object of these emotions.

While there, and because the smaller project room is more conducive to a studio environment, I will be working on my own pieces (both performance and object based) that will function as responses and reflections of the specific works and artists included in the show.

Roman Ondák's «Swap» (2011) asks a performer to choose an object as they sit behind a table, and when visitors enter the room they are then able to swap the object with anything else they are willing to exchange, while in Chinese artist Xu Zhen's «In Just a Blink of an Eye» (2005) a body floats in mid-air as if frozen, defying both time and gravity, and making the audience question reality and reflect on the work's seeming impossibilitin Chinese artist Xu Zhen's «In Just a Blink of an Eye» (2005) a body floats in mid-air as if frozen, defying both time and gravity, and making the audience question reality and reflect on the work's seeming impossibilitIn Just a Blink of an Eye» (2005) a body floats in mid-air as if frozen, defying both time and gravity, and making the audience question reality and reflect on the work's seeming impossibilitin mid-air as if frozen, defying both time and gravity, and making the audience question reality and reflect on the work's seeming impossibility.

The second edition (held in 2005) featured works such as Chen Zhen's Purification Room, in which the artist covered a space and its assorted objects with earth to form a petrified field, and Mella Jaarsma's architectural, decorative shelters that looked like shrines and totems and fitted snugly around the human body while offering protection from the elements.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

Abstracted figures and objects come together in Technicolor scenarios that hint at an almost surrealist sensibility, while still based firmly in the realm of physical space as rooms such as kitchens or living rooms become concretized.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

Views from city windows, gentle scenes of washing lines in back gardens, the artist's shadow on a summer lawn with her painting tools at the far edge of the image: these objects of the painter's attention declare themselves while leaving room to breathe for both viewer and artist.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

While it is the largest object in the room, the work has an airy presence that doesn't demand the same attention as other, more gritty works in the exhibition.

In the demonstration, it was clear that sound objects moved over, under, around and beside the viewer (directionality and separation) while filling the room with clear sounds.

• Demonstrated ability to greet guests friendly and courteously, in sync with the hotel's standards and protocols • Highly experienced in operating courtesy shuttles and handling baggage for tours and / or dispatch purposes • Unmatched ability to recognize returning guests and welcome and escort them through the facilities • Qualified to store and retrieve luggage and other objects for guests, in accordance to hospitality standards and procedures • Proficient in ensuring that lobbies, bell closets and work areas are clean and presentable at all times • Highly skilled in safely and efficiently unloading luggage on curbsides, and promptly delivering it to guests» rooms • Hands - on experience in handling room service requests and assisting guests with laundry services • Deeply familiar with maintaining luggage carts and hailing taxis, and assisting with front desk and housekeeping tasks • Solid track record of efficiently delivering luggage, messages and packages to guests while maintaining the integrity of all items • Adept at informing guests of emergency procedures and operation of amenities within the room • Competent in inspecting guests» rooms for order and adequate supplies and timely providing items on loan to guests • Proven ability to provide assistance to concierge with her or his duties during busy periods, and manning the front desk as needed

Two types of objects were of particular interest: couple displays representing jointly acquired objects that couples want visitors to see (e.g., the shelf in the living room showing off the shot glasses from all of the countries we've been to together), and couple markers reflecting those favorite objects that couples jointly acquired (e.g., the quilt in our bedroom that we bought while on a romantic weekend trip to New England).

It will scoot across your floors, picking up dust and debris, sensing the room dimensions to conduct a thorough clean while avoiding stairs and objects in the way.

If you're dining area is in an open - plan space, a room divider in the form of a floor - to - ceiling bookshelf will help create a sense of initmacy while also providing a space to decoratively display books and objects.