Sentences with phrase «object scenes in»

You aren't going to find any Hidden Object Scenes in this game, not a single one, but I can assure you this game is worth it.
This raises the challenge bar for trophies, especially for the usual one of solving hidden object scene in under a minute.

Not exact matches

«The ability to track, navigate, map and recognize both scenes and objects using Movidius» low - power and high - performance SoCs opens opportunities in areas where heat, battery life and form factors are key.»
In his notebook, he described his method — almost like a trick — for closely observing a scene or object: look carefully and separately at each detail.
The result is that the supposedly neutral referees of the global market (institutions such as the World Trade Organization) become themselves objects of the competition, subject to bribery and behind - the - scenes efforts by corporate entities to sway the outcome in their favour.
The students were able to better perceive moving objects (motion perception) in the far periphery, they were able to better attend to visual crowding, such as identifying a specific letter within a field of other letters, and they were much faster at finding objects in cluttered scenes (visual search), like finding a stapler on a messy desk.
Because phone cameras don't have moving parts, they use a «fixed focus» lens, which treats a scene the same way a wide - angle lens does: all objects are in focus, so depth is missing.
To find out, they devised an experiment in which people learned to associate particular adjectives with particular objects and scenes.
In a separate study, Goray and colleagues illustrated how easily DNA can transfer within and between items from a crime scene during transport to the lab, in a study involving objects such as used cigarette butts and bloodied knives (Forensic Science International Genetics, DOI: 10.1016 / j.fsigen.2011.03.013In a separate study, Goray and colleagues illustrated how easily DNA can transfer within and between items from a crime scene during transport to the lab, in a study involving objects such as used cigarette butts and bloodied knives (Forensic Science International Genetics, DOI: 10.1016 / j.fsigen.2011.03.013in a study involving objects such as used cigarette butts and bloodied knives (Forensic Science International Genetics, DOI: 10.1016 / j.fsigen.2011.03.013).
By laying out objects in increasing size order, a scene can be made to look smaller.
Ten - month - old infants looked longer at scenes in which the bigger object surrendered, indicating that they were surprised at this outcome (the amount of time infants spend studying a scene is a well - tested experimental metric for piqued interest).
Already this has shown that schizophrenia patients have particular problems noticing what has changed in a previously learned scene in which an object has been moved, but do better at recognising when the object has been replaced with something else.
First, when someone is looking at a fixed point in a complex part of a scene, they find it harder to divert their attention to a new object.
If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.
When laser light is later shone through the interference pattern, the object or scene appears to float in space with sharp, vivid realness that can be hard to distinguish from real realness.
It is possible that the «laws» of perception we have explored so far evolved primarily to deal with shadows and to distinguish them from «real» objects, which would also produce luminance differences in the visual scene as a result of differences in reflectance (for instance, a zebra's stripes or a white cat standing on a black surface).
Gazing intently with a Microsoft Kinect 3 - D camera and using a database of 3D videos, the Cornell robot identifies the activities it sees, considers what uses are possible with the objects in the scene and determines how those uses fit with the activities.
In the future, the scientists intend to further develop their method so that it will also work on deformable objects and larger scenes.
Receiving only one practice trial foiled all of the toddlers however, as did having the object moved to another hiding location in the scene and not taken away.
Events for the younger set included a tour of «the fourth dimension» — a room full of hypercubes and other higher dimensional objects that gave me a touch of vertigo; a chamber of robots that you could teach to play football; a demonstration of forensic science involving (real) guns and a (fake) cadaver in a staged crime scene; a live cooking show in which physicists, chemists, and anthropologists explained the science and origins of food; and a walking tour through the natural history of excrement featuring — you guessed it — a dizzying array of animal feces.
Eye - tracking — a commonly used technique to gauge mental abilities in preverbal children and apes — showed infants stared significantly longer at scenes where the unexpected object appeared behind the barrier, suggesting they were confused by the reveal.
It is possible that the «laws» of perception we have explored so far evolved mainly to deal with shadows and to distinguish them from «real» objects, which would also produce luminance differences in the visual scene as a result of differences in reflectance (for instance, a zebra's stripes or a white cat on a black mat).
For example, in 2012 we asked 15 college students to search for specific objects in busy photographs of natural scenes.
Deussen, one of the world's leading experts on modeling three - dimensional urban scenes, architecture, natural objects, and biological processes, has developed a sophisticated series of software packages to render these subjects in videos, computer graphics, or animations.
In a second test, they scanned the brains of participants in an MRI machine while the subjects watched a series of short video clips of unfamiliar faces, famous faces, common objects and navigational scenes, such as a clip of the Earth from outer space; and in a separate task as they recognized specific faceIn a second test, they scanned the brains of participants in an MRI machine while the subjects watched a series of short video clips of unfamiliar faces, famous faces, common objects and navigational scenes, such as a clip of the Earth from outer space; and in a separate task as they recognized specific facein an MRI machine while the subjects watched a series of short video clips of unfamiliar faces, famous faces, common objects and navigational scenes, such as a clip of the Earth from outer space; and in a separate task as they recognized specific facein a separate task as they recognized specific faces.
«There is already reason to suspect that infants» attention to objects and events in dynamic scenes might already be influenced by cultural - specific patterns of attention,» said the study's lead author Sandra Waxman, the Louis W. Menk Chair in Psychology in the Weinberg College of Arts and Sciences at Northwestern and faculty fellow in the University's Institute for Policy Research.
Then, infants watched new scenes in which either object was switched (the girl petting a pillow) or the action was switched (e.g., the girl kissing a dog).
When the robot is not given the location for the objects in the scene and needs to learn vision and control together, the learning process takes about three hours.
Furthermore, decades of previous research suggest that when observing scenes, adults from the U.S. focus predominantly on objects, while those from China and Japan direct more of their attention to the contexts and events in which those objects are engaged.
Their study looked at whether having the potential to act upon objects influences how humans allocate attention to different objects in a scene.
Researchers found that 24 - month - old infants from the U.S. and China — who are on the threshold of learning words for objects and actions — have a great deal in common when observing active scenes.
In a new Northwestern University study, researchers address the issue directly, asking how 24 - month - old infants from the United States and China deploy their attention to objects and actions in active sceneIn a new Northwestern University study, researchers address the issue directly, asking how 24 - month - old infants from the United States and China deploy their attention to objects and actions in active scenein active scenes.
Importantly, these changes in connectivity and task - evoked processing were concurrent with an improvement in associative scene recollection, but not in object recognition.
In a cluttered visual scene consisting of multiple objects, it is important that our brain can efficiently and flexibly allocate and coordinate resources to overcome limited processing capacity.
In both age groups, a nap soon after encoding scenes that contained a negative or neutral object on a neutral background led to superior retention of memory for emotional objects at the expense of memory for the neutral backgrounds.
First, a «differentiation index» measuring the preferential response of the PPA and LOC to scenes and objects, respectively, predicted across - participant differences in recognition memory.
«You can imagine a scenario where a crime scene investigator comes across a personal object — like a phone, pen or key — without fingerprints or DNA, or with prints or DNA not found in the database.
Tinder users are more likely to think of themselves as sex objects than people who don't use the app, suggests a new study of online dating If you find yourself on the dating scene in your 40s, getting into the app - dating world can feel overhwhelming.
2018-04-08 18:32 Tinder users are more likely to think of themselves as sex objects than people who don't use the app, suggests a new study of online dating If you find yourself on the dating scene in your 40s, getting into the app - dating world can feel overhwhelming.
Game Night's highlight is a scene in which all the characters run through a mansion with a stolen object.
Clearly nobody will mistake this comedy thriller for a precision - made object — the scenes seem held together with old shoelaces, and you could land a fleet of 747s through the holes in the plot.
Lots of non-violent, non-gory but otherwise unsettling scenes worth mentioning: many «jump» scenes when people or objects startle others; we hear some noises during the night in many scenes (creaking doors and floorboards, screams, eerie whispers, doorknobs turning, pounding at doors) and doors slam shut as people run past them; we see eerie carvings and sculptures throughout a house, a maelstrom and sculptures come alive and scream and a skeleton sits up abruptly; a ghostly face is seen at a window and in a ceiling, windows become eyes, ghostly children are seen a few times (in one scene, a ghostly baby from a sculpture crawls under the sheets as a woman lies in bed) and a woman's hair is braided by invisible hands.
And with a deft hand that avoids contrivance, Cotner and White suggest behind - the - scenes family bonds in lingering shots on fragmented objects.
A bit like investigating in a Phoenix Wright game, you go from scene to scene, walking around in third person as Tim, observing all the objects in the environment, and talking to all of the people and Pokémon.
In the opening scene, the object in question, a small yet infinitely powerful bluish - white cube, single - handedly destroys a vast top - secret government laboratory known as the Dark Energy Division (which, before it imploded, must have been a cool place to say you workeIn the opening scene, the object in question, a small yet infinitely powerful bluish - white cube, single - handedly destroys a vast top - secret government laboratory known as the Dark Energy Division (which, before it imploded, must have been a cool place to say you workein question, a small yet infinitely powerful bluish - white cube, single - handedly destroys a vast top - secret government laboratory known as the Dark Energy Division (which, before it imploded, must have been a cool place to say you worked.
At the risk of sounding like a broken record stuck on a groove, it must be once again told that the game, like everything else in Artifex Mundi catalog, is a mix of item - based puzzles, hidden objects scenes and mini games.
Getting a few chuckles, and being the object of many women (and men's) fantasies as you'll see in his scenes with undergarments, Fassbender hits a base hit with interpretation.
Still, for all that, the strength of the early scenes — particularly between newcomer Ferdia Walsh - Peelo, as Conor / Cosmo, and Jack Reynor (Malcolm in the most recent Macbeth) as Brendan, and Walsh - Peelo and Lucy Boynton (The Blackcoat's Daughter) as Raphina, the object of his affection — propel the film along until the energy finally dissipates.
Crowe is — well, I keep returning to that heartfelt, archetypal scene in his directorial debut, Say Anything, in which Lloyd Dobler (John Cusack) holds his boombox aloft, blasting Peter Gabriel's «In Your Eyes» for Diane (Ione Skye), the object of his affectioin his directorial debut, Say Anything, in which Lloyd Dobler (John Cusack) holds his boombox aloft, blasting Peter Gabriel's «In Your Eyes» for Diane (Ione Skye), the object of his affectioin which Lloyd Dobler (John Cusack) holds his boombox aloft, blasting Peter Gabriel's «In Your Eyes» for Diane (Ione Skye), the object of his affectioIn Your Eyes» for Diane (Ione Skye), the object of his affection.
Since it premiered at the Toronto Film Festival last year, The Wind Rises has been the object of controversy for everything from its matter - of - fact depiction of the ubiquity of cigarettes in the postwar era (in one of my favorite scenes, Jiro and Honjo sit together in their Tokyo flat, chain - smoking in friendly silence) to its alleged trivialization of Japan's role in some of the worst atrocities of the 20th century.
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