Sentences with word «objecthood»

The development of Scully's oeuvre could be read as an increasing emphasis on the physicality and objecthood of painting.

This suggestion of imagery is balanced with concepts of objecthood as expressed through constructions of commonplace materials and shaped canvases.

The exhibition proposes to discuss concepts of consumption, materiality, and objecthood in light of today's contemporary environment.

Traditionally, paintings have tried (and succeeded) in suspending their own objecthood by depicting human space — that is, by creating the aesthetic illusion that we might actually enter the deep space depicted in the painting, approaching the figures or objects depicted.

As a whole, the exhibition hopes to expand ideas on objecthood, using altering materials, space and processes.

«Rauschenberg and Johns «used this feature [«the brushstroke»] not just to defeat but rather to obliterate objecthood by covering their hybrid «combines» and «assemblages» with the gestures that invoked painting's hegemonic period, loading their work with the repeated sign for painting itself.»

But in both the stripe paintings and the irregular polygons, it was not the «pictorial activity» of the depicted shape that «defeated objecthood.»

Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies, archival material, photographic documentation and contextual documents to addresses sculpture's concern with objecthood, space, encounter, time, duration, and our experience of an object and its imagined conceptual content.

Alexander writes that Shields» work is»... deeply rooted in a ritualization of the painting process and an assertion of art - making as an ancient practice... the large paintings possess a rich merger of painterly field and constructed objecthood — at once offhanded and painstakingly built.»

In part, Stella's paintings of the 1960s eradicated composition, pushing painting toward objecthood and away from a flattened pictorial plane.

Paired with sculpture's «literal objecthood» «illusions of physicality» loses its «Shakespearean» / obscure / big - number - of - syllables tone.

By redefining formal aspects of an object through process and material, Objecthood looks into various works by the first and second year graduate students at UNL.

What is begun with figurative photographs, his abstractions distill, bringing the malleability of photographic objecthood to the forefront of every piece.

Although for artists it may be precisely the progress their work makes away from the original index of reality that constitutes its true «sensual objecthood,» diagrams ultimately reference an operable (if imagined) dimensionality.

The unpainted area of aluminium or perspex becomes the edit point but also exposes the semi-reflective fabric of the work which helps lend the paintings a certain objecthood.

Mohammed's gold and silver nameplates commemorate those black men and women who were killed by police in 2016, and his penchant for using votive candles in his photographs takes aim at this loss of innocence; however, here perhaps he is looking at objecthood, and even that of a photograph, as a means to tell stories of resistance and hope.

Citing inspiration from the post-minimal style of Richard Tuttle, the arte povera movement and Robert Rauschenberg's combine paintings, the artist's unique pieces incorporate ready - mades, and conceptual objecthood, testing the traditional boundaries of form and physicality.

In the hands of the four canonical artists associated with the movement — Judd, Carl Andre, Dan Flavin, and Robert Morris — the work typically consisted of sculptural, bluntly geometrical works created from industrial materials (wood cubes, metal floor tiles, neon lights, thick felt drapes, etc.) that confronted viewers with their sheer, implacable objecthood, revealing nothing but their relation to the viewer's own physicality.

The title of the exhibition, «Extra Terrestrial», is not, according to the press release, «an homage to popular film culture, but speaks in relation to both artists work, of their uniquely conceptual occupations with landscape, perspective and ontological objecthood.

Objecthood marks the first solo presentation of the artist's work in New York City.

I have always understood Smith's attitude toward three - dimensional objecthood as a cubic extension of the late, all - black, cruciform - patterned square paintings of Ad Reinhardt.

Prescott Gallery is pleased to present Objecthood, a group exhibition curated by Michael Villarreal, a second - year Master of Fine Arts student at the University of Nebraska — Lincoln.

The exhibition catalogue will feature essays by Heather K. Love, Ph.D. (University of Pennsylvania) on affect and over-attachment and Scott Herring, Ph.D. (Indiana University, Bloomington) on queer objecthood.

While known for his paintings, objecthood comes into question in Scharf's work, such as in # 4, # 22 and # 17 — all repurposed television sets, shown from the back.

Related Posts: Leslie Wayne: Beyond painterly Pierre Coupey: Beyond the borders Sculptural objects around town Objecthood: Joan Miró's painted sculptures

Emerging from the artist's famous blps series he began in 1968, the hair works depart from the crisp lines and sharp forms of his better - known Formica furniture works, and blur the clarity of sculptural form, throwing objecthood out of focus.

Once the dominant expression of both the historical and the neo-avant-garde, but now pursued only by a select few, the mode feels locked into an endless repetition of long - tired tropes like objecthood, flatness, and material specificity.

According to the press release, the intention of My Crippled Friend was about «the intersection of painterly abstraction and the object,» but rather than approaching objecthood as «a formalist issue, the works in this exhibition gather their identity through the subversion of formalism — scrambling and reassembling themselves in an aesthetic shell game -LSB-...]»

These signal an important development into sculptural objecthood from the expressive silicone «paintings» that premiered in the artist's last London show two years ago.

This exhibition promises yet another round of what Michael Fried famously called the struggle for Frank Stella's soul — formalist flatness or Minimalist objecthood?

The lack of an immersive experience in viewing these works and their overt objecthood suggest the distance between dominant culture and the stories they hold.

Because, for me, that show seemed to take the work in a more sculptural direction, one that emphasized materiality; whereas the earlier ones, such as those shown a couple of years ago at Office Baroque, had tempered the inherent objecthood of the tarps with the painterly aspects of your choices related to color and, as you just mentioned, composition and cropping.

Beginning with the mute objecthood of the commercial fabricator's cuboid boxes, Havel gently nudges their contents to produce small ripples and curls.

Trisha Holt (Photography» 12) is part of the group exhibition, In Pieces: Presence and Objecthood in the Aftermath of Technology that will be open to the public at the Elaine L. Jacob Gallery from January 20 through March 24, 2017.

In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form — and artistic medium.

Presenting an object that explicates its own objecthood is the most banal, boring, tautological argument.

Michael Fried argued that the pictorial activity of the «depicted» shape, established their credentials as paintings by «defeating objecthood».

Their layers of oil and graphite come as close to the paradoxical buzzwords of flatness and objecthood as Clement Greenberg might wish.

Their shared concerns are with objecthood, new materials, structure, surface, volume and light.

Particularly the large paintings possess a rich merger of painterly field and constructed objecthood — at once offhanded and painstakingly built.

Earlier Robin wrote about «a tensioned reconciliation» in sculpture between «the illusions of physicality with its literal objecthood.»

Although the legacy of Abstract Expressionism still loomed large in the ethos of Western art during these years, the aesthetic quality of the series is more aligned with the contemporaneous prevalence of Minimalism — brought to Richter's attention through Palermo — with its embrace of industrial materials, supersession of artistic temperament, and emphasis on objecthood.

Placing great importance on the physicality and objecthood of recorded...

Once a person is reduced to the status of objecthood, violence against that object becomes intrinsically permitted.

The level to which the artist works her materials presents a level of craft as excessive as her objecthood.

Works appear simultaneously weightless and weighted, both masculine and feminine, all the while reinforcing their objecthood.