Sentences with phrase «objectified past»

(ii) Science restricts itself to abstractions that depend not on the full structure of an actual entity, but on those elements of structure that an entity inherits through its objectified past.
An actual entity in a personal society prehends itself in its immediate past along with prehensions of other objectified past actual entities.
For, no matter what is meant by an objectified actual occasion, it is almost universally agreed that the objectified past occasions are data for the feelings originated by the new concrescence or subject.
The general philosophical principle is that every becoming occasion objectifies every past occasion in some way.
Thus, a new actual entity «selects» the feelings by which it will objectify past actual entities only in a very restricted sense of the term «selects.»
In the case of a simple physical feeling X belonging to a new actual entity A, the feeling Y by which X objectifies the past actual entity B is called the «objective datum» of X. Whitehead describes this second subphase in the following passage:

Not exact matches

(3) At first Whitehead tries to derive the subjective aim from the activities of the occasion itself, as it seeks to unify its multiple past in the light of the multiple interrelatedness of the realm of eternal objects (i.e., the nontemporal actuality of God objectified).
It is a consciousness of consciousness, a taking by the subject of its own past, now become objectified for present intuition.
Her argument against this position, as best I can discern and summarize it, is that each new divine occasion would in turn be irresistibly objectified or «superjected» (she uses this as a verb) back into the world, which would «bind the present irrevocably to the past, to sacrifice spontaneity and autonomy at the altar of necessity» (p. 164).
In its subjective immediacy the occasion is thus conforming to a past occasion as given, or objectified, for it.
Looked at from the point of view of its prehension of past occasions, an actual entity (say, in the personally ordered society of actual entities which constitute the «self» of a human being) can be viewed as conditioned by, caused by, the other entities which it objectifies.
The fact is that duration of self - enjoyed becoming — that moment of passage in which the past actual world is prehended and objectified in a new way for the use of the future.
This is because eternal objects can not convey a sense of the individuality of the past actual entities which are being objectified by a new actual entity (see PR 229f.
This feeling provides the new actual entity with its subjective aim, and in turn the subjective aim determines how the new actual entity will objectify the actual entities in its past.
By contrast, the feelings involved in objectification can express the way in which past actual entities are objectified as individuals.
He begins his pulsating, momentary existence as an individual from a set of complex impulses derived from the ongoing energy of past events as they objectify themselves into the present.
He wrote, «We — as enduring objects with personal order — objectify the occasions of our own past with peculiar completeness in our immediate present.»
Where past occasions are objectified by their physical poles, all that are not contiguous are mediated through the contiguous occasions.
This means that God has been objectified by Y. Presumably the objectification of God by Y was triggered by the prehension of X derived from the past actual occasion.
Whitehead points out that the «objectified experiences of the past... describes the efficient causation operative in the actual world» (PR 115-117/176 -178).
In Whiteheadian terminology this means that only past actual entities which are devoid of subjective immediacy can be objectified.
It is important to distinguish actual entities as thus objectified from mere abstractions,» although Ogden is correct that much of the concreteness of the past actual entity is «abstracted» from.
SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!
There has been a paradigm shift in Indigenous health research over the past 50 years, from researchers objectifying, to consulting, and, more recently, collaborating with Indigenous peoples.6 The focus is now on partnerships and Indigenous - directed research.4 In practice, consultation and negotiation with Aboriginal communities are continual, and should achieve mutual understanding about the proposed research.7 The community should be fully informed about the aims, methods, implications and potential outcomes of a research project, so that they can decide whether to accept or oppose it.7
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