Sentences with phrase «objects around her studio»

Not exact matches

Jeana Eve Klein's recent studio practice has coalesced around the broad theme of value, specifically how society assigns value to objects.

Taylor worked as Rauschenberg's studio assistant from 1975 to 1982, and the legendary artist's repurposing of trash and ordinary objects for fine art is an evident influence on his Collection of Perishable Rings (1988), where assorted discarded circular items — a tin can, a cork, a roll of masking tape — form a mesmerizing sequence of shapes that seem to roll around, on top of, and within each other.

With the help of around a hundred or so employees in his New York studio, he deals with popular culture subjects and often creates reproductions of banal objects, elevating their status to becoming works of art.

The works, which began emerging from the artist's New York studio around 1959, were made of canvas and other fabrics, stretched over steel frames and stitched with wire, sometimes incorporating airplane parts, war - surplus materials, laundry — conveyor belts, industrial - saw teeth, and other incongruous objects.

Around the panther, which is strangely absent, are objects that Anderson collected in her studio over the course of eight months.

Around it were arranged several discreet objects: a tool box, a drywall chair with Polaroids of Jason working on the garage in his L.A. studio, a cardboard «rabbit hutch,» and a small model of the garage itself.

Fascinated by the inevitable decline of all material towards collapse, Tricia Middleton collects objects from the world around her to juxtapose against repurposed relics from her studio production, amassing and grafting these items onto one another to create objects and environments that mimic natural processes of accretion and decomposition.

His happenings were performed in fabricated environments created in his studio and galleries and staged around soft props that were early incarnations of the large - scale, sagging sculptures of mundane objects, such as Floor Burger (1962), which the artist later developed.

The idea: «To play around with some studio junk and stuff from the hardware store to make a few awkward objects without thinking intuitively with feeling!»

What initially seems like unpolished remnants from the studio, the work reveals itself as well considered objects carefully placed around the gallery inhabiting small quiet corners and alcoves.