Sentences with phrase «objects at monsters»

Not exact matches

The most plausible explanation for this propulsive energy is that the monster object was given a kick by gravitational waves unleashed by the merger of two hefty black holes at the center of the host galaxy.

There are two different black hole scenarios proposed to explain these objects: (1) they contain very «big» black holes that could be more than a thousand times more massive than the Sun (Note 1), or (2) they are relatively small black holes, «little monsters» with masses no more than a hundred times that of the Sun, that shine at luminosities exceeding theoretical limits for standard accretion (called «supercritical (or super-Eddington) accretion,» Note 2).

(In fact, monster black holes at the centers of galaxies can cause matter around them to radiate so much light that they become some of the brightest objects in the universe.)

A flame - engulfed monster throws fireballs at objects causing explosions.

The recent releases of the official trailer and posters for Gods of Egypt contained men with wings that could appear and disappear at will, magical objects and large mess - making monsters but what many found too unrealistic to believe was that ancient Egypt appeared to be populated solely by Caucasians.

As you progress through the game you can use gold found throughout the worlds to purchase upgrades; one lets Spyro shoot three fireballs at once, another sends Gill Grunt's spear through multiple objects and monsters.

The Blue Monster was a cartoon - based «Social Object» that me and my Microsoft buddy, Steve Clayton, unleashed on the good but unsuspecting folk at Microsoft back in 2007.

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

Listen to Hugh's talk at Mix UK where he discussed Blue Monster, Social Objects and Microsoft.