Sentences with phrase «objects by contemporary artists»

The German collector of Turkish origin owns a collection numbering more than 15,000 objects by contemporary artists as significant as Banksy, KAWS, ZEVS, Shepard Fairey — OBEY, Daniel & Geo Fuchs, Audrey Kawasaki, FUTURA or JR..

Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter brings together 24 unique major works of George Ohr (many not exhibited in public before) along with objects by contemporary artists working in the same avant - garde vein.

Not exact matches

Museum of Stones, a massive installation by Brancusi - influenced Isamu Noguchi, will be supplemented with fifty works by thirty other contemporary artists, as well as by fifteen ancient Chinese rock - related objects, which are on loan from the Met.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

At Artists Space, a newcomer, Cameron Rowland, revived and revised the idea of the ready - made by using a group of convict - made objects to link the history of slavery to contemporary prison labor.

Bartha Contemporary & Joost van den Bergh are presenting a joint exhibition of Tantric drawings and objects juxtaposed with recent works by contempoContemporary & Joost van den Bergh are presenting a joint exhibition of Tantric drawings and objects juxtaposed with recent works by contemporarycontemporary artists

Perhaps one of the most intriguing recent developments in the field is the espousal of print - based media by a number of contemporary artists who do not define themselves as printmakers, but feel that it is the most appropriate medium in which to express themselves in today's media - saturated environment — a context that renders the hand - produced object antiquated and quaint.

The exhibition presents paintings by Rufino Tamayo himself, objects from the Mexican artist's collection, and works by contemporary artists the Tamayo Museum has acquired since his death.

More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.

Distributed Objects seeks to expand the discourse around time - based performances developed at ISSUE by disseminating artists» writings and unique recorded materials, offering new perspectives into the contemporary creative community local to New York City.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

In 1983, he raised funds to purchase several contemporary works by Black women artists and positioned the College as an institution where objects by and about women of the African Diaspora would be accessible, exhibited and regularly discussed.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

This year, ZONAMACO México Arte Contemporáneo and ZONAMACO Diseño will welcome exhibitors from 27 countries across America, Europe and Asia, presenting works ranging from Modern pieces to contemporary works by both established and emerging artists, as well as furniture and design objects from the 1920s to the most recent trends.

This collection comprises objects from a range of early cultures as well as colonial art, material culture, and works by modern and contemporary artists, including José Clemente Orozco.

Comparing the opinions of various curators, Glasstress addresses this issue through glass sculptures specially made by major artists on the contemporary scene and through objects and sculptures made by designers, whose research was influenced by the formal aspect of the use of the object.

During a discussion hosted by the institute which saw the artist discuss the exhibition with Marco Delogu, Director of the ICI, Gregor Muir, Executive Director of the ICA — Institute of Contemporary Arts, London and the curator Eugenio Re Rebaudengo, founder of ARTUNER, Cerutti emphasised his wish to objectify the body whilst giving a new sense of identity to the objects depicted in his paintings.

Collection, as Walter Hopps observed, is probably the first of Rauschenberg's works to evince all the characteristics of a Combine, that hybrid of painting and sculpture that the artist developed in the 1950s.1 Yet, despite the challenge to conventional categories posed by its collage and the addition of objects that transgress the limits of frame and picture plane, Collection stands primarily as a reflection on the contemporary status of painting.

Objects Like Us, a group exhibition featuring more than seventy tabletop art objects by fifty - six artists, will open at The Aldrich Contemporary Art Museum Objects Like Us, a group exhibition featuring more than seventy tabletop art objects by fifty - six artists, will open at The Aldrich Contemporary Art Museum objects by fifty - six artists, will open at The Aldrich Contemporary Art Museum in May.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Organized as a survey of contemporary work by Black artists in Los Angeles, each object was available to be rented or sold.

Fictive Kin presents works by three contemporary artists who all construct photographic tableaux, and are united by their cultivation of modes of seeing that question conventions behind the photographic representation of three - dimensional objects.

American artist Kevin Beasley takes found materials — including his own clothing, instruments, household objects and detritus he finds on the street — and moulds them into sculptural forms, using a mixture of resin and polyurethane.The sculptural installation BEATEN - FACE / TOMS / ARMS, TIES, & LEG / FLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until June 12.

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

Included are paintings, photographs, prints, and sculptural objects by emerging contemporary artists like Brian Belott, Jamian Juliano - Villani, and Sayre Gomez.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 19by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 19by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 19by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 19by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 19By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

Founded in 1967, the Dowd Gallery presents up to seven exhibitions each year featuring work primarily by nationally and internationally acclaimed contemporary artists and maintains a permanent collection of over 500 objects dating from the 13th through the 21st centuries.

A lecture by Emily Spivack, artist, writer, and editor whose work draws from contemporary culture, clothing, history, and our relationship to everyday objects.

The Aldrich Contemporary Art Museum is opening Handheld, a group exhibition that explores the contemporary meaning of touch by charting artists», designers», and makers» various responses to objects scaled Contemporary Art Museum is opening Handheld, a group exhibition that explores the contemporary meaning of touch by charting artists», designers», and makers» various responses to objects scaled contemporary meaning of touch by charting artists», designers», and makers» various responses to objects scaled to the hand.

All are part of the Linda Pace Foundation Collection, a rich reservoir of contemporary art numbering more than 500 objects, started by the late artist and philanthropist.

For 2014, curated again by leading contemporary artist Jake Chapman, Peace One Day are asking artists to use decommissioned M16 assault rifles to produce artwork, thereby continuing the story of taking objects of war and using them in support of peace.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

Many prominent contemporary masters on the international art scene, along with emerging young artists, have transformed the everyday coffee cup — in this case the white porcelain illy cup introduced by the architect and designer Matteo Thun — into a cult object.

Together, these historical and contemporary objects depict a visual narrative of the Northwest while providing insight to significant works by artists such as Northwest School members Carl Morris, Morris Graves, and Mark Tobey, legendary Oregon artist C.S. Price, and the acclaimed Jacob Lawrence, who is best known for depicting important moments in African - American history.

Opening April 28, the Institute of Contemporary Art at the University of Pennsylvania (ICA) will present Ginny Casey & Jessi Reaves, an exhibition featuring new and recent works by two emerging artists exploring the relationship between contemporary painting and sculpture, domestic objects, and decoratiContemporary Art at the University of Pennsylvania (ICA) will present Ginny Casey & Jessi Reaves, an exhibition featuring new and recent works by two emerging artists exploring the relationship between contemporary painting and sculpture, domestic objects, and decoraticontemporary painting and sculpture, domestic objects, and decorative surfaces.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

NE, The Chosen Object — European and American Still Life Los Angeles Museum of Contemporary Art, Los Angeles, The Private Images: Photographs by Artists Clark Institute, Williams College, Williamstown, MA, The Dada / Surrealist Heritage

The mural will be complemented by ancient to contemporary objects from the DMA's collection, including an ancestral Sikyatki Polychrome bowl with flower design and a modern kachina (katsina) doll of Palhikmana, among works by other contemporary Hopi artists.

Article by Caitlin Eyre in Berlin / / May 30, 2016 Austrian contemporary artist Erwin Wurm has explored the boundaries between sculpture, object and performance since the late 1980s.

The exhibition examines the role of designed objects that define and animate our interior environments, featuring contemporary furniture and furnishings by recent alumni and Artists - in - Residence of Cranbrook Academy of Art.

These historical inclusions, subtly and adroitly chosen, acted as bridges between projects by contemporary artists and objects with no disciplinary relation to art.

Bob and Roberta Smith Working under the pseudonym name «Bob and Roberta Smith», Patrick Brill is a British contemporary artist recognised for his sculptures often made from found objects and decorated by his trade - mark bright colours and witty slogans.

The Corcoran installation was arranged by artist, whereas in the two main galleries, the Intuit exhibition presents works by artists from the original 1982 show that are intermingled with objects by contemporary African American artists whose aesthetics or biography resonate with those of the earlier generation.

2015 Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Tchotchke: The Mass - Produced Sentimental Object in Contemporary Art, Gund Gallery, Kenyon College, Gambier, OH Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Letters and Shadows: African American Art and Literature Since the Harlem Renaissance, Bowdoin College Museum of Art, Brunswick, ME America Is Hard to See, Whitney Museum of American Art, New York, NY I Like It Like This: S 2 x Drake, Sotheby's Contemporary Art Gallery, New York, NY Collector's Legacy: Selections from the Lloyd and Sandra Baccus Collection, David C. Driskell Center, College Park, MD Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL Take an Object, Museum of Modern Art, New York, NY A Constellation, The Studio Museum in Harlem, New York, NY

Objects such as African pottery and Southwestern textiles are interspersed with contemporary ceramics, painting, sculpture, photography, and video by artists including Nick Cave, Michelle Grabner, Camille Henrot, Hew Locke, Vik Muniz, Toshiko Takaezu, Sara VanDerBeek, and Fred Wilson.

Artist Faheem Majeed curated the exhibition Post Black Folk Art in America 1930 — 1980 — 2016 for Intuit: The Center for Intuitive and Outsider Art in Chicago, which consists of 110 objects by modern and contemporary African American artists who have had no academic training.

The truth is that the artist puts found objects together, in the manner of a proper Neo-Dadaist, creating art that is somewhere between sculpture and assemblage, ready to be contemplated by a contemporary viewer.

For 2014, curated again by leading contemporary artist Jake Chapman, we asked asking artists to use decommissioned M16 assault rifles to produce artwork, thereby continuing the story of taking objects of war and using them in support of peace.

In 2014, curated again by leading contemporary artist Jake Chapman, we asked artists to use decommissioned M16 assault rifles to produce artwork, thereby continuing the story of taking objects of war and using them in support of peace.