Sentences with phrase «objects by their characteristics»

Older toddlers can sort objects by their characteristics (all the plastic fish in one pile, all the plastic birds in another).

Not exact matches

Vorhanden, which Heidegger uses of the peculiar mode of being characteristic of inanimate objects, as contrasted with responsible human Dasein, I have translated by «tangible», as in Bultmann the antithesis is not so much between Vorhandensein and Dasein as between the tangible realities of the visible world and eternal realities, very much like the Pauline contrast of kata sarka and kata pneuma.

They are nexus of actual entities that are ordered by means of a «defining characteristic» (i.e., an eternal object).

The eternal object is a common defining characteristic only because the actual entities of the nexus are concretely related by their prehension and objectification of one another.

Within physics complementary models are used in the domain of the unobservably small, whose characteristics seem to be radically unlike those of everyday objects; the electron can not be adequately visualized or consistently described by familiar analogies.

If I am thinking of this object as a piece of coal having certain characteristics, I might be either surprised or be amused by your commenting on its beauty or its being a part of the crust of the earth or a thousand other comments, each true but not relevant to my consideration.

Whitehead's insistence upon the organismic connectedness of things is certainly conducive to answering this question by means of analogy and metaphor, mapping in isomorphic fashion characteristics of the actual occasion onto the macrocosmic objects of human experience.

(The following statements are somewhat characteristic of such schools: Bethany Theological Seminary affirms that its object is «to promote the spread and deepen the influence of Christianity by the thorough training of men and women for the various forms of Christian service, in harmony with the principles and practices of the Church of the Brethren»; Augustana Theological Seminary «prepares students for the ministry of the Evangelical Lutheran Church with the special needs of the Augustana Church in view»; the charter of Berkeley Divinity School begins, «Whereas sundry inhabitants of this state of the denomination of Christians called the Protestant Episcopal Church have represented by their petition addressed to the General Assembly, that great advantages would accrue to said Church, and they hope and believe to the interests of religion and morals in general, by the incorporation of a Divinity School for the training and instructions of students for the sacred ministry in the Church aforementioned.»)

The answer is, that when things are separately and specifically noticed in acts which, though distinct, are unified and ordered by a characteristic enumerative interest or purpose, the primary contents (sensa) corresponding to the things are caught up in the overarching act to form a whole representation (in the sense of an intentional object) on the basis of which an objective, real, multiplicity intuitively appears.

That aspect of the eternal object which is its for - the - world perspective is also indicated by the characteristics of non-unique relational essence (3), element of associative hierarchy (5), pattern (7), and repeatability (9).

A substance comes into being by means of that event which establishes its essence, i.e., an enduring object comes into being by means of the initial member occasion of that society which first constitutes its defining characteristic.

She contends that, if one takes into account the priority of the conceptual pole (the divine primordial nature), over the physical pole (the divine consequent nature), within God, one can propose that the divine consequent nature is prehensible by «worldly» actual occasions since it is constantly integrated with the fully determinate valuation of eternal objects characteristic of the divine primordial nature.

HERA will not be able to directly analyze the chemical composition of those early objects (such work is done with a technique called spectroscopy), but Hewitt said it will be possible to learn something about the characteristics of those early objects by studying their interaction with the hydrogen that surrounded them.

They looked for objects moving in orbits similar to those of Pluto and the large bodies in the Kuiper Belt, whose motion is influenced in a characteristic fashion by the gravitational pull of Neptune.

By recognizing the scattering characteristics of objects such as leaves (green), shingles (magenta) and boards, forecasters can generate more accurate warnings and reduce emergency personnel response times to affected areas.

The measurement technique relies on radio telescopes picking up radio waves emitted by objects in space; the more accurately scientists can determine the positions of the radio telescopes, the more precisely they can measure various characteristics of the Earth.

The paper outlines how interactions between particles emitted by a black hole can reveal information about what lies within, such as characteristics of the object that formed the black hole to begin with, and characteristics of the matter and energy drawn inside.

The most accepted theory establishes that the orbits of these objects, which travel beyond Neptune, should be distributed randomly, and by an observational bias, their paths must fulfil a series of characteristics: have a semi-major axis with a value close to 150 AU (astronomical units or times the distance between the Earth and the Sun), an inclination of almost 0 ° and an argument or angle of perihelion (closest point of the orbit to our Sun) also close to 0 ° or 180 °.

With detailed information on each object, students can manipulate the artifacts by spinning high - quality three - dimensional images and tapping to learn more about the history and characteristics of each item.

Learners can begin by placing the main characters at the head of the various columns and then compare and contrast each character or object with regards to a specific characteristic they enter in the left - hand column.

To quickly review, learners can begin by placing the main characters in the various columns and then compare and contrast each character or object with regards to a specific characteristic they enter in the left hand column.

As it seems to be clear, classification essays are in which an author sorts objects by various characteristics.

Collection, as Walter Hopps observed, is probably the first of Rauschenberg's works to evince all the characteristics of a Combine, that hybrid of painting and sculpture that the artist developed in the 1950s.1 Yet, despite the challenge to conventional categories posed by its collage and the addition of objects that transgress the limits of frame and picture plane, Collection stands primarily as a reflection on the contemporary status of painting.

Through enlivening these dated portraits with an updated palette and active washes of color, Fischer attempts to re-imagine the representation of history as only painting can by depicting intangible mental characteristics excluded from an object - based historical archive.

This vibrant print by Michael Craig - Martin is characteristic of the artist's hard - edge Pop depictions of household objects.

On the surface, the ordinary objects collected by the artist Zhu Jinshi during his time in apartment Ganjiakou 303 are very different from the heavy impasto strokes characteristic of his later oil paintings.

Photographs are presented in multiple formats, to emphasise their status as objects, not as mimetic devices merely depicting their subject: there are large scale, unique silver gelatin prints, with the inky, seductive, saturated blacks that are characteristic of Beasley's hand - printed method; there is a stack of litho - prints that you can help yourself to, and there are photographic postcards on the kind of dumb, commercial rotating stand that ought to threaten a fine art practice but has instead been co-opted by Beasley to extend her meditation on the currency of the photographic image.

In the same way as Marcel Broodthaers, Tony Cragg and Robert Filliou experiment and play with the physical characteristics of the materials used with humor and wit, Isa Genzken, Abraham Cruzvillegas, Jean - Luc Moulène, Haegue Yang and Heimo Zobernig — inspired by the search of the original purpose of the existing objects, assemblages and installations — reveal a distorted nature of the employed materials.

Three new works constructed from Slinky ® toys by American artist Tara Donovan, known for her ability to amplify the innate physical characteristics of everyday objects by transforming them into large - scale works of art, will be presented in the fourth Platform — the Parrish Art Museum's exhibition series in which artists are invited to create new work in response to the space, context, and environment of the Museum — on view from July 4 through October 18, 2015.

They require so little from contemporary art, or so it seems to me, that they are prepared to help over the admittedly modest stile to victory one artist who produces lame conceptual objects, another whose installation is like a solemn sixth - form project, a third whose composition for six opera singers has startling characteristics purely as a piece of music, and a collective of 15 architects, all highly gifted but themselves bemused by the shortlisting, given the existence of (just for instance) the Stirling prize.

Donovan is known for her ability to amplify the innate physical characteristics of everyday objects by transforming them into large - scale works of art.

Shishkin executes her complex compositions by using her characteristic economy of line, coupled with her use of bright blocks of colour and elaborate patterning: her bold palette and use of polka dots, colourful grids and other organic patterns blur the boundaries between individual bodies, the air, and the surrounding objects in her drawings.

According to the gallery: «Cyril Le Van composes plastic art work by using photography to reproduce in actual size and three dimensions objects of daily life, symbols of belonging to a group, a social or cultural identity, or characteristics of our age.

The principal object of certain of the prohibited grounds [referring to s. 15 of the Charter] is the elimination of discrimination by the attribution of untrue characteristics based on stereotypical attitudes relating to immutable conditions such as race or sex.

Imprinting, a behavior characteristic of some birds and a very few mammals, involves rapid learning of recognition by a young bird or animal exposed to a conspecific or an object or organism that behaves suitably.