Sentences with phrase «objects created between»

In her new position, she is responsible for the strategic vision for the museum's collection, a repository of more than 2,200 objects created between the 19th and 21st centuries.

Not exact matches

Between that video, which showcases optical illusions created by real objects, and Google's award winning commercial Google Chrome Speed Test, that compares the browser to a potato gun, 1stAveMachine credits practical design — that is, building real projects instead of using digital trickery.

The marriage between hardware and software can then be used by app developers to create all kinds of interesting apps, including those that place 3 - D objects in the real world.

Soelle has suggested that the traditional distinction between God and the world is captured in a set of «godly» / «worldly» dualisms — Creator / Created, Lord / Servant, Maker / Made, Artist / Artifact, Will or form / Stuff or matter, Cause / Effect, Subject / Object.

An open chain of interpretants is thus created by this primary relation between sign and object.

This view was given a great deal of support through the use of the lens, which provides in principle (as shown in Fig. 2) a point - to - point correspondence between object, O, and Image, I. By creating such a correspondence, the

The actual entity may choose between alternative characteristics, alternative eternal objects — that is, alternative options for self - identity — but it does not create them.13 This means that the new actual entity always chooses its self - identity within a given context.

Indeed, it was precisely his effort to incorporate the cosmic vision of Whitehead (especially the idea of experiencing all of reality as a single complex datum) into his own interpretation of religious experience that created such tension in his efforts to effect a union between religious experience and scientific method; for the task of science is to «prune down the objects [of experience] to the limits of its own powers of definition and minute examination,» while «religion must deal with the total concrete fact...» (RESM 53).

Other options... If you don't know how to create a perfect white, try using a pale grey background — this won't cast any colour on the white, and because it creates contrast between the object and background it's easier to cut out afterwards.

Commending the leadership of the police force for appreciating the yearning of members of the public by ordering the dismantling of police road blocks which have consistently constituted a dark side of policing and object of discord between the police and the citizenry, Buhari said the initiative of the IGP to introduce the «Safer Highway Motorized Patrol Scheme» and deploy 555 patrol vehicles along all major highways to fill the void created has reassured the citizens of their safety and security».

A September report by the National Research Council found that the debris field is so dense that collisions between objects in orbit will create additional debris faster than space junk falls out of orbit.

When observing a distant galaxy, for example, massive objects between Earth and the galaxy act like a giant lens and bend the galaxy's light, creating multiple images of the single galaxy.

In contrast to earlier observations the team did not observe dust that will later form into planets, but dust created in collisions between small planets of a few kilometres in size — objects called planetesimals that are similar to the asteroids and comets of the Solar System.

These dual vantage points create tiny differences between the two eyes» images that are proportional to the relative depths of objects in the field of view.

Fraden's work sought to answer key questions, such as why is there such a void between the animate and inanimate that we never confuse the two, and if engineers could create materials with similar attributes to living organisms, but constructed from inanimate objects, can we do so using only chemicals and eschew use of motors and electronics?

They took advantage of entanglement, a quantum property that creates a spooky connection between separate objects which acts even at a distance.

Having an inbuilt facility to distinguish between Us and Them was a valuable resource, related to that essential ability to create artificial groupings from what, to a robot, would be entirely distinct objects.

The prevailing theory of our Moon's origin is that it was created by a giant impact between a large planet - like object and the proto - Earth.

The Swapper features a unique art style that uses real - world clay - models and found objects to create an explorable space station realised in unique detail; gameplay sees players swap between different bodies to achieve otherwise impossible tasks.

In this lesson, students use data related to distances between objects in the solar system to create their own scale model to represent these distances and better understand relationships of objects...

In this lesson, students use data related to distances between objects in the solar system to create their own scale model to represent these distances and better understand relationships of objects in the solar system and answer the driving question: How do you study a system that won't fit in the classroom?

Animations are stored with the object they are applied to and so can be saved as InDesign snippets, saved in in InDesign libraries and dragged between pages and documents to quickly share and reuse your create animations settings.

Attached animations, audio links, audio play, pause and stop information and hyperlinks are stored with the object they are applied to and so can be saved as InDesign snippets, saved in in InDesign libraries and dragged between pages and documents to quickly share and reuse your created settings.

For the moment, it seems like Dell is winning in this particular arena, but the rest of the tablet looks pretty decent as well — boasting a screen resolution of 2560 × 1600, RealSense digital photography technology (that is able to create a depth map of an image, giving a rudimentary understanding of object positions located across 3D space instead of only a 2D plane), and an Intel Z3500 quad - core CPU (running between 1.33 GHz to 2.33 GHz depending on the model).

These little beauty's come in 2 parts and you attach both ends to any objects and this creates an energy line between the 2 grenades and you can then attach objects to this line, such as cars.

Sometimes the relationship between the seasons and an object is obvious: gushers run low in fall, high in spring and freeze in winter, so if you need to reach someplace up high you'll switch to spring and then winter to create a vertical pillar of ice.

Interactive objects allow you to get out of tight spots, create that much needed distance between an aggressive opponent, or stop your opponent from gaining the momentum you had only a few seconds prior.

The game was created as the effect of the cooperation between two companies that specialize in development of the so - called Hidden Object Puzzle Adventure games: a publisher known as Artifex Mundi, and Sunward Games — a Hungarian developer popular mainly for the The Secret Order series.

To create it, she mapped the performance of the S&P 500 Pure Growth Index over a six - year period between 2009 and 2015 and transposed it into six sculptural objects covered with photographs of forests.

Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

In the still - life, Table and Skull, 2012, the objects take form creating a poetic dialogue between object and paint.

Tino Sehgal creates works that are constructed situations which question the traditional subject - object relationship of visual art, and in which the interaction between the visitor and the work takes a central position.

The exhibition is the culmination of a multiyear collaboration between Smith and Los Angeles — based conceptual artist Glenn Kaino and will feature sculptural installations and other works by Kaino, objects from the Tommie Smith archives and an animation of Smith's winning race created from contributed drawings.

Interstitial seeks to answer this question through the examination of new and recently - created free - standing sculptures by contemporary Los Angeles - based object makers whose work exists in the interstices, the spaces between the historical genres of the decorative arts, still life, and abstraction.

Slotawa adds new dimensions to familiar objects, creating a relationship between the artist and the institution of the museum.

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

Ward's art examines the complex relationships — from treasured to unwanted — inherent in everyday objects, creating a link between societal hierarchies, personal connections, and the ambiguities of language, authority, control, and freedom.

One of the first pieces viewers» encounter in the exhibition, the sculptural installation Lit, demonstrates Ward's acumen for using everyday objects to create a tangible link between economic and societal reality, and spirituality.

Margie Livingston's work participates directly in this narrative, creating hybrid objects that shift back and forth between sculpture and painting as well as abstraction and representation.

The artist blurs the line between the seemingly disparate spheres of learned and vernacular culture, art, and craft to create poignant sculptures that are both utilitarian and deconstructed, sculptural objects.

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum of Contemporary Art of Georgia (February 25 — April 29, 2017).

South Korean artist Seungjo Jeong creates pared - back canvases that explore the relationship between viewer and artist through the almost abstract evocation of objects.

Young intentionally creates an association between these objects and religious architectural elements.

In addition to works that fuse printmaking and video, they will be showing a three dimensional work related to the screen - based work, and will be creating a new installation in the porch windows at Lynden that continues their exploration of surfaces, layers, membranes, matrices and the physical relationship between viewer and object.

Often focusing on trees and other natural phenomena, Steinkamp creates artworks that blur the line between observation and object.

Despite the controversy, Arneson continued to use ordinary objects as a way of creating tension between the mundane and the traumatic.

His staged scenes of everyday objects are at the border between photography and performance art — with a touch of Dada — subverting common sense to create «ephemeral occurrences.»

In accordance with guidelines issued by the American Association of Museum Directors (AAMD) and the American Alliance of Museums (AAM), provenance research at VMFA is focused on paintings, sculpture, works on paper and other objects that were created before 1946 and that might have changed hands in Europe between 1933 and 1945.

These paintings and sculptures are psychologically charged vestiges of personal narratives and painting tricks that create a visceral empathy where the tension between object, narrative, and illusion come together in a cohesive, yet mysterious experience for Streetʼs audience.

The gallery becomes a landscape in which various objects, particularly figurative objects, are isolated in small groupings to create a heightened sense of interaction between them.