Sentences with phrase «objects created over»

With more than fifty painted objects created over 700 years, it is a radical new look at what happens when artists cast aside the colour spectrum and focus on the visual power of black, white, and everything in between.

Not exact matches

Such a crust could have formed as energetic particles known as cosmic rays bombarded the object over its lifetime, creating an ice - free surface rich in organic compounds.

These pulses of electricity create a flickering magnetic field that passes over most objects, except the powered coil's mate (which can be made small enough to fit into consumer electronics).

The ability to create objects that change shape in a controlled sequence over time is enabled by printing multiple materials with different dynamic mechanical properties in prescribed patterns throughout the 3 - D object.

Curriki, an oldie but goodie, boasts over 200,000 free and open resources (from Advanced Placement classes to digital learning objects) created by and for K - 12 instructors.

Second Life participants create avatars, or customizable digital selves, to navigate a virtual landscape with an over-the-shoulder screen view of their persona as it walks, runs, or flies through or over mountains, forests, buildings, and all manner of objects created by users employing Second Life's internal 3 - D modeling tools.

Create a main menu presentation with objects that will open the sub-presentations and activities, e.g. buttons, shapes, hot spots over text, etc..

Juju refers specifically to objects used in conjunction with spells or curses, and like any practice or belief it can be manipulated to create power over people.

In an effort to make objects more chatty, boffins at the University of Washington have developed a way to create 3D - printed plastic baubles that can communicate over Wi - Fi with other devices, without batteries or electronics.

If you plan to set up a course, start with one or two objects that won't fall over or roll around if your dog sniffs it, then slowly add more objects with plenty of delicious food to create a positive association.

Depending on the object, creating a «donut» with clean bandaging material and placing it over the object, then taping it down securely to stabilize the object is helpful.

A puppy that is teething needs a lot of chewies specifically created for teething puppies; keep these chewies all over the house so that the puppy will not need to seek out other objects to chew on.

Visitors can find out about the history of Edinburgh from the earliest times to the present day, discover more about the city, its people, crafts and trades and the beautiful objects they created, learn how the people of Edinburgh have lived over the years.

- created at MIT by the CSAIL team - the team trained a neural network to fight by handing it the coordinates of game objects - they also gave the AI incentives to play in ways that should secure a win - the AI is good enough to usually prevail over players ranked in the top 100 worldwide

Eventually, a system involving holding down the sprint button was created, a smart button that allows you to get over objects without effort by charging toward them.

Since Risky does not have any special abilities to jump over tall walls, she instead has to activate an object which creates platforms that disappear after a short amount of time.

While the 100 shrines in the game are built for short applications of lateral thought and controls mastery, with Link's various powers such as Stasis (the ability to halt time's flow on certain objects; check out the halting of the stone ball in the above picture), where the game slips more back into The Legend of Zelda's traditional longer - form dungeons is with the game's plot - critical Divine Beasts, huge titan - like machines that while once created to beat Ganon, have now been taken over by him and are causing chaos in Hyrule's various regions.

Containing well over 100 puzzles from a variety of categories and set within several differently themed environments, Create allows players to let their imaginations run wild as they use virtually any object available to solve the unlikely challenges set before them.

The HOS are also creative, having to pair together items to create the object: for instance, «herbs» were made by moving a bunch of leaves over to the mortar and pistle in a corner.

You can draw freehand or trace over templates to create larger structures and objects — there's hundreds available online to help get you started.

To create it, she mapped the performance of the S&P 500 Pure Growth Index over a six - year period between 2009 and 2015 and transposed it into six sculptural objects covered with photographs of forests.

Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

Over the past two decades, Sze has challenged the static nature of sculpture, creating constellations of objects, activities, and cataclysmic moments that convey the essence of a new world overwhelmed by fragments of information.

In his most recent work A Symphony of Chimes LaPlante created over 130 wind chimes from lobster pots, bicycle pedals, license plates, cosmetic items and other found objects.

David Shapiro, whose show Money Is No Object was on view at the Sue Scott Gallery this spring, has created a group of vellum scrolls on which he has placed the bills and receipts and ticket stubs he's collected over the course of a year.

Phillip Maberry and Scott Walker For over twenty - five years we have created one - of - a kind ceramic sculpture, reliefs and objects for gallery and museum installations as well having fulfilled numerous residential and commercial commissions.

Over time, however, I have realised that for me personally, black and white photography creates a kind of distance to my objects that I felt uncomfortable with.

As a child, creates an elaborately decorated environment in his room, drawing images on the walls, painting red fleurs - de-lis all over the woodwork and furniture, and building a structure of crates filled with jars and boxes of found objects to divide the room that he shares with his only sibling, Janet, born in 1936.

Catherine Murphy is an established American realist painter who has been creating depictions of objects, people and spaces for over 40 years.

Renown for her oversized objects, found pieces, and her examination of the ecology of the studio, Ross - Ho expanded her practice to include a series of paintings based on works on paper created over the past year.

Best known for her colossal sculptural projects, for over four decades Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, plaster, fabric and paint to create striking sculptures and expansive installations that confront the relationship between objects and the space that surrounds them.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

The objects in the exhibition were created over a period of more than 4,000 years.

Modernist artistic movements sought to create optical art that did not refer to objects in the real world, and this desire carried over into photography.

Over the past year, the artist has been creating a new body of work for Thinking of Things, which indeed shows a profound pause for traditional sculpture practices and a new direction for often overlooked objects.

Over time, I have increasingly focused on creating varied textured surfaces, branching out from using fabrics to experiment with found objects that would impart interesting texture.

When it becomes applied epistemology, it creates subtle psychological relationships between people and objects that evolve over time as experience.

Over the past fifty years, Foulkes has combined his cruel and expressionist vision with his audacious experimentation with pictorial means, integrating unconventional materials such as hair, cotton and wood, and creating assemblages with recuperated objects.

Opening: «Marcel Wanders: Portraits» at Friedman Benda A celebrated Dutch designer, art director and co-founder of the distinguished design label Moooi, Marcel Wanders has been creating objects and identities for Alessi, Bisazza, KLM, Swarovski, Puma and other major brands for over 20 years.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

After making his mark in the 2008 Whitney Biennial with an assortment of shatterproof glass cubes made to the standards of FedEx shipping boxes — a gesture that pointed toward the illusion of autonomy in minimalist sculpture, and to the systems of corporate transport and capital that tend to cover over and regulate the processes that deliver objects to your doorstep — Beshty has continued to find ways to acknowledge and create representations of the repression of materiality in contemporary aesthetic production.

She created expressive color renderings of these objects where play with complementary and contrasting colors is given dominance over subject.

Through each work, many of which were created over the course of multiple years, or returned to after a duration of time, Aldrich provides a rich visual representation of the evolution of objects — how, as we age and change, our conception of the things close to us is altered as well.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collage, 2015.

My artwork over the past few years has combined materials such as acrylic paint, pastes, sand, tissue paper, and found objects, to create a unique synthesis of texture, form, and colour.»

His series Studio Physics thus addresses «the physical phenomena of still and moving objects in space over time» through multidimensional still life compositions, the product of an involved process for which the artist first creates and photographs a still life arrangement — of oranges scattered over a table, for instance.

More recently, Boelens has made a series of large - scale photograms, using various objects or textiles that are folded repeatedly over the duration of the exposure and create radiant fields of color.

African Masks After Walker Evans continues the artist's questioning of traditional ideas of originality and authorship, developed over four decades, and her interest in the deconstruction of images and objects from the past in order to create new relationships with contemporary audiences today.

Commissioned by Dia, Opus + One will comprise objects and images created over the past two decades and will be on view at Dia: Beacon, Riggio Galleries, in New York's Hudson Valley for one year.

The over 4,000 - object exhibition, the largest in the institution's history, offered up a fascinating and evocative series of collections — ranging from the whimsical (photographs of people with their teddy bears) to the devastating (a collection of still lifes created in a concentration camp).