Ruff manipulates
these objects in a range of ways — cropping, enlarging and retouching, among others.
Not exact matches
These
objects range in size from specks
of debris dust, all the
way up to moon - sized
objects like Pluto — which used to be classified as a planet, but has now been reclassified as a dwarf planet.
A mirror is an
object that reflects light
in such a
way that, for incident light
in some
range of wavelengths, the reflected light preserves many or most If you believe that, it's understandable that she would be the more loving and compassionate
of the two.
While traversing the world you'll be collecting a total
of nine unique tools
ranging from the typical blaster to fight off shadow enemies, a claw to collect
objects, remote - controlled rockets,
ranging all the
way to the classic UFO tractor beam
in order to survive, collect relics, and progress.
Through a precise examination
of this distinct form
of artistic practice
in works by artists
ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the
ways in which modern and contemporary artists have used language,
objects, and images to forge social contracts with their publics.
Using a
range of materials, from found and handmade
objects to plants and naturally occurring reactions, the works are brought together and move
in the direction
of a perhaps fictional, or not - yet - tapped, «third nature,» providing a «new take on the
ways that natural materials can be considered and reconstructed for an audience.»
In what is perhaps her best - known early work, Rhythm 0 (1974), the artist sat passively in front of a table with an assortment of 72 objects — ranging from a rose and a feather to a scalpel and a loaded gun — that the audience was invited to use on her in any way they wishe
In what is perhaps her best - known early work, Rhythm 0 (1974), the artist sat passively
in front of a table with an assortment of 72 objects — ranging from a rose and a feather to a scalpel and a loaded gun — that the audience was invited to use on her in any way they wishe
in front
of a table with an assortment
of 72
objects —
ranging from a rose and a feather to a scalpel and a loaded gun — that the audience was invited to use on her
in any way they wishe
in any
way they wished.
Part
of the intrigue
of Donovan's practice lies
in the
way she is able to present a mass
of unaltered, simple
objects that do not disguise what they are while simultaneously suggesting a
range of richly poetic associations.
Presented as one exhibition across several venues, including locations beyond the Castle grounds, The Persistence
of Objects creates a new
way of experiencing Lismore through some compelling artworks, sited
in the gallery and locations
ranging from the imposing surroundings
of St. Carthage Cathedral to small, disused shop units.
Presented as one exhibition across several venues, including locations beyond the Castle grounds, «The Persistence
of Objects» creates a new
way of experiencing Lismore through some compelling artworks, sited
in the gallery and locations
ranging from the imposing surroundings
of St. Carthage Cathedral to a small, disused shop unit.
Through a
range of works on paper, models and sculptures rendered
in a diverse
range of materials, the exhibition plots how Clark worked her
way along a fascinating trajectory, from the rationalistic art
of geometric painting to a practice focussed on the abstract interactive
object, pointing finally towards a conception
of art as immersive, subjective experience that animated the latter half
of her career.