Sentences with phrase «objects in her world work»

Your toddler is getting good at figuring out how objects in her world work — like television remotes or light switches.

Not exact matches

The software, which has been in the works for years, allows developers to place virtual objects in the world when you look at it through your iPhone's camera.

That's because Piper and many in the fundamentalist neo-Reformed movement are working off of a perversion of the doctrine of total depravity that not only teaches that human beings are depraved — that is, that our humanity is marred by sin — but that this depravity renders the world's men, women, and children into valueless objects of god's wrath, worthy of nothing more than eternal torture, pain, violence, and abuse.

[7] Many theological students, especially women, African Americans, and Hispanics, regularly and vigorously object that their «theological education» is in important respects inappropriate to the faith communities to which they belong and to the social and cultural worlds in which they expect to live and work in the future.

Its object is not simply to understand the world but to respond to the power of God which is recreating it... Christian theology is prophetic only in so far as it dares, in full reflection, to declare how, at a particular place and time, God is at work, and thus to show the Church where and when to participate in his work.6

Briefly, Whitehead initially (in works published circa 1919 - 1924) objected to Einstein's formulation of the theory of relativity on the grounds that for Einstein the geometry of the world was variable, its metric being a function of gravitational and electromagnetic field variables.

In a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERIn a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERE.

But surely - another may object - the Church today insists that the world needs to be evangelised by the witness of ordinary Christians in their professional work; and that is what I want to do.

The former operates as a cosmologist and metaphysician, whereas the latter functions as a phenomenologist, or (at least in his earlier works) a describer of states of human consciousness with reference to objects appearing in the world.

For in the later work, where a full - scale «metaphysical synthesis» is attempted, Bradley's reconciling concept of feeling is now resorted to as an expression of the «togetherness of entities in the world, i.e., with Bradley, Whitehead does not see experience primarily as a matter of the cognition of objects.

It was the President's fervent hope that the deep love Queen Elizabeth shown for the Commonwealth «will continue to light the way for all of us and our successors, as we endeavour to establish firmly in a world, where many traditional assumptions are under serious threat, the values of fairness, decency, freedom and openness, which have been the object of her work.

The work builds on JILA's world - leading expertise in measuring positions of microscopic objects.

Christian Knigge, Professor in Physics and Astronomy at the University of Southampton, worked with colleagues from around the world to study one of the most important, but least understood processes in astronomy — accretion, where the mass of an object grows by gravitationally collecting material from nearby.

Because neighbouring cells work together, objects close to each other in the real world are represented close to each other in the brain.

Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox.

You wouldn't think that with all the collections of the Smithsonian to play with — and they stole famous works of art and historical objects from other museums around the world and pretended they're on exhibit in Washington DC, too — the filmmakers would have to strain themselves this hard to come up with something they deemed clever, but there we are.

The game is played from the first - person perspective, and players can interact with the world via crafting, destroying, looting and manipulating the environment and its objects, all attached to working physics system which keeps things in check, such as unstable buildings.

The power of everyday objects, in this case clothing, says Ricketts, can help people to look at deep issues of fairness, and also work to connect people across the world.

In an ideal world, money would be no object and you would have all the time you need to work with a developmental editor and make your book the best it can be.

Because of border collies I have had friends in the darkest hours companions who became outdoor shadows and learned the meaning of unconditional love Because of border collies I have been taught how to approach the day how to see places and objects with refreshingly new eyes and to appreciate the possibilities of the mundane Because of border collies I have been denied access to pubs had to apologise to picnickers for missing sandwiches and to Sunday walkers for water - sprayed clothes Because of border collies I have possessed hard - working vacuum cleaners had black hair hiding in carpets and clothes and mini-collie clumps under sofas and beds Because of border collies I have had the pain of ending life watch ageing take over willing but incapable bodies and cried so long and so hard in emptiness Because of border collies I have had a life that is full and beautiful that has made me a person who knows how to love and to be loved in an uncomplicated world Ronnie Goodyer, Indigo Dreams Publishing Ltd www.indigodreams.co.uk

- goal of the game was to allow players to do lots of things - the dev team took one element at a time, and then worked to «multiply» them in order to broaden the scope of each action - multiple developers discussed how climbing would be fun to add into the game - one dev thought it would be fun to climb moving things, which eventually lead to climbing windmills and enemies to fight - the Octo Ballon is an item that came to be following the experimentation of a programmer - the dev wasn't sure the idea was okay to do, but tried it anyway and the rest of the team seemed to enjoy it - by combining various actions, objects, the game's world itself, you get tons of gameplay variety and ideas - keeping these options in mind may lead you to beating a boss or solving a puzzle in a unique way

This works like the destruction seen in other open world games, such as Just Cause, where there are particular objects you can blow up.

The game is played from the first - person perspective, and players can interact with the world via crafting, destroying, looting and manipulating the environment and its objects, all attached to working physics system which keeps things in check, such as unstable buildings.

There's something extra special about seeing a game that you've worked on as a physical object, knowing that it will be in people's homes around the world.

Having worked closely with Ubisoft throughout Watch Dogs 2's development, we've had the opportunity to integrate HBAO + for richer, more realistic Ambient Occlusion contact shadowing; PCSS and HFTS for vastly improved character, object and world shadowing; TXAA for improved anti-aliasing and the addition of temporal anti-aliasing; SLI for increased performance on Multi-GPU systems; Surround for immersive triple - screen gaming; and NVIDIA Ansel, an in - game tool that enables you to capture unique screenshots in Super Resolution, Stereo, 360 ° Virtual Reality, and 360 ° Stereo formats.

The artist has stated, «Transformation, evidence of work, accidents, the time contained in the humanity of the objects — all that stuff is crucial to get at what I'm trying to get at, which is ways of connecting to the world, ways of knowing ourselves through the things we encounter.»

His work has been exhibited all over the world, most recently in Object, National Portrait Gallery, London (2016 - 2017); Event Horizon, Hong Kong (2015 - 2016); Land, various Landmark Trust properties in the UK (2015 - 2016); Human, Forte Di Belvedere, Florence, Italy (2015); Another Time, Mardalsfossen, Norway (2015); Sculpture 21st: Antony Gormley, Lehmbruck Museum, Duisburg, Germany (2014 - 2015); Expansion Field, Zentrum Paul Klee, Bern, Switzerland (2014); Firmament And Other Forms, Middelheim Museum, Antwerp, Belgium (2013).

When he crafts a frame as part of the work, it neither seals the art object in its own world nor projects art into the space of the gallery.

Using everyday objects and principles of colour and light therapy, her work may remind us of the home of someone we know, but it is actually about people's inner spaces and uncertainties in a changing world.

As Robert Smithson stated «A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world».

Cho's work has been reviewed and featured in numerous publications, among them Textile Fibre Forum (Australia); Fiberarts; Surface Design Journal; American Craft; Monthly CRART (South Korea); Fiber Art Today (Schiffer Publishing, Ltd.); Masters: Art Quilts (Lark Book); Quilt National 2003: The Best of Contemporary Quilts (Lark Books); Contemporary Quilt: Quilt National 1997 (Lark Books); No: Nouvel Object (Design House, South Korea); Art & Craft (South Korea); Fiberarts Design Book IV, VI & VII (Lark Books); and Art Textiles of the World: USA (Telos Art Publishing, England), among others.

Culture Type - For Your Summer Agenda, 49 U.S. Exhibitions Featuring Works by Black Artists The International Review of African American Art Plus - A Look Inside: Eliza's Cabinet of Curiosities Art City Asks: Fo Wilson Wisconsin Gazette - A cabinet of curiosities in a cabin Art City: Using objects to explore, reimagine a slave's world Arts Without Borders: A «peculiar curiosity» lurks in the Lynden Scupture Garden's back woods

He began to produce works which emphasized the picture - as - object, rather than the picture as a representation of something, be it something in the physical world, or something in the artist's emotional world.

The works in this show, many of which were made expressly for this exhibition, are meant to be read as symbolic objects, conveying through association and interaction a sense of a troubled but not hopeless world.

Sure to be one of the most in - demand exhibitions of the season, the Royal Academy's window onto Matisse's working environment allows visitors to see how his collection of objects from around the world shaped his art.

Embracing the linear, abstract and geometric, and the human desire to locate order and beauty in a world that often provides neither, Dahlgren's solo exhibition — his second here — features works (many site - specific or performative) that express how an artist can cultivate awe - inspiring impressions stemming from deliberation and recurring tasks, and from the alteration of domestic objects and common items such as weighing scales, coloured pencils and darts.

In these works, everyday objects take on uncanny properties, as in Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstagIn these works, everyday objects take on uncanny properties, as in Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstagin Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstagin plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstagin Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstagin which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstage.

«You have the sense in Guston's work that once the self is imperilled, even everyday things become sinister and conspire against you,» says Anfam, «These familiar objects represent the hostile world taking revenge.

Johanson's move from making objects to working with the natural world — at first in drawings and later in actual commissions — has parallels (as well as differences) with the emergence of Earthworks by artists in her circle of friends, such as Robert Smithson and Nancy Holt.

While there is always the expectation of an artist to put objects out in to the world and to give them a life of their own, Ronay's practice of occupying the works himself reflects a thrilling perverse relationship to notions of «exhibition.»

Ai Weiwei's work, in contrast, takes us back to the man - made world, with new installations of conjoined bicycle parts and casts of objects from a gas mask to coat hangers.

Tacita Dean's interest in landscape phenomena has taken her around the world and inspired the creation of a deeply varied body of work and several intimate collections of natural found objects.

The series is frequently positioned as among the earliest group of works in which Rauschenberg sought to let the world into his art, and it is put forth as an example of his ongoing involvement with indexical marking, the direct transfer or tracing of an object or body (or in this case, light and shadow) onto the surface of a work.21 Yet these assessments miss much of the subtlety of Cage's thinking about receptivity.

Particularly interested in overlooked or overused objects and spaces — from bollards, mini-golf courses and roadside shrines to communal washrooms, military watchtowers and other indiscernible utilitarian forms — she replicates them in works highlighting the uncertain nature of the neat geometry of the world around us.

Upritchard is drawn to a variety of arts, crafts, and design from around the world produced over the past several centuries, and an array of objects and techniques have informed her work: the fifteenth - century German sculptor Erasmus Grasser's wooden figures; the Bayeux Tapestry, made in the eleventh century, with its scenes of the Norman conquest of England; the use of canopic jars in Egyptian mummification; the bronze figures of the Chola dynasty in India; and the blank expressions of the masks used in Japanese Noh theater.

Fecteau likes to play with conventions within the art world, such as the desire to name things in order to know or understand them; how art objects age, and how works in the homes of collectors often sport a cobweb or two.

The Morse Museum is known today as the home of the world's most comprehensive collection of works by American designer and artist Louis Comfort Tiffany (1848 — 1933), including the chapel interior he designed for the 1893 World's Columbian Exposition in Chicago and art and architectural objects from Tiffany's celebrated Long Island home, Laurelton world's most comprehensive collection of works by American designer and artist Louis Comfort Tiffany (1848 — 1933), including the chapel interior he designed for the 1893 World's Columbian Exposition in Chicago and art and architectural objects from Tiffany's celebrated Long Island home, Laurelton World's Columbian Exposition in Chicago and art and architectural objects from Tiffany's celebrated Long Island home, Laurelton Hall.

Commenting on his unorthodox artistic practice, Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»

«Kelly's visual vocabulary is drawn from observation of the world around him — shapes and colors found in plants, architecture, shadows on a wall or a lake — and has been shaped by his interest in the spaces between places and objects and between his work and its viewers.

Dr. Jeffrey Grove, the DMA's Hoffman Family Senior Curator of Contemporary Art, discusses the work of artist Mark Manders, who creates mysterious and uncanny sculptural tableaux, inviting the viewer to «enter the world of objects and matter and find poetry in it... and to know how poorly we normally see our daily life.»