Sentences with phrase «objects in space»

Choose sleek tones of white and ash for a structured Scandi feel, then mix and match different sizes to house all your favourite objects in space - saving style.

That's what pulls the house together — my taste, whether there are one or two objects in a space or a cupboard full.

It's available to purchase in Lowe's hardware stores as a phone that gives users the ability to measure objects in space and even place objects in augmented reality so you can «see» the product in the home or office before you buy it.

Based on the new Apple patent, the company is developing an app that will enable the Apple Pencil to be used in virtually drawing three - dimensional objects in space.

It would be interesting to see what kind of opportunities for astronomical discoveries are awaiting for us, what happens when we point the microscope towards objects in space.

He (or she, as you wish) goes sailing down your hill, jouncing over moguls you've made because at the end of the week you're vibrating a bit too much, and — if he's unlucky — he'll flip over and part company with his ride, each of them tumbling slowly down for ever and ever like objects in space.

In addition to the always moving shots of objects in space, there are a lot of interesting shots of the crew inside, being normal without gravity.

The temperatures of objects in space, e.g. the earth, moon, space station, mars, Venus, etc. are determined by the radiation flowing past them.

Operational models work with real objects in space and time, according to the known laws of physics and chemistry and highly predictable changes in the operating environment.

The temperatures of objects in space, e.g. the Earth, Moon, space station, Mars, Venus, etc. are determined by the radiation flowing past them.

Or if you had two objects in space, one generating heat - so it was say 1000 C. And the other object was not generating heat but was instead various distance from the heated object.

The objects in that space then have to be compared in terms of scale, to determine distance from the viewer.

This vast show takes into account dance and contemporary art since the 1960s, and it's based on the premise that you, the visitor, are the dancer, and that the objects in the space manipulate your movement somehow.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

Magenheimer enacts how material performs as language; she arranges elements and manipulates objects in space syntactically and semantically, inviting her sculptures and installations to be read like expanded sentences.

August 2015 Thomas Brummett, Louise Bourgeois, Jeff Colson, Leiko Ikemura, Mimmo Jodice, Yiorgos Kordakis, Catherine Lee, Maria Nepomuceno, Norbert Prangenberg, Qiu Shihua, Georgia Russell, Peter Schmersal, Joel Shapiro, Pierre Soulages & Luise Unger «The horizon line of the landscape is just the exemplary manifestation of a more general structure, which defines the perception of objects in space as well as the intimate consciousness of time and the relationship with the other.»

Utilizing the dialectic of order and flux as well as notions of invisibility, transience, and temporality, Le Va attempts to classify and catalogue ways of thinking by distributing objects in space as complex markers or traces of process.

Utilizing the dialectic of order and flux as well as notions of invisibility and transience, Le Va attempts to classify and catalogue ways of thinking by distributing objects in space as complex markers or traces of process.

Her investigations are particularly relevant within museums, where architecture frames and guides how visitors see and interact with both space and, importantly, the people and objects in that space.

Tania Kovats, One Billion Objects in Space (detail), installation view, Cambridge, 2014, Photo: Joe Plommer, © Tania Kovats

To this end, the emphasis in these works is on the beautiful, playful, transitory arrangement of the objects in space, where chairs and brooms, cheesegraters and wine bottles are choreographed into moments of delicate suspension.

Her approach to filmmaking is decidedly sculptural: she presents objects in space, fascinated by how light and time inform perception, harnessing silence to study how a particular location, individual or event is located within space and time, reworked through the telling, and mis - telling, of history.

At the same time, we see through each artist's work, that viewing objects in space is still a significant way to understand art and culture that can not be replaced by the Internet experience.

As the flight across the ceiling of an empty gallery via the line of pitons and hand - holds could be described as both a drawing and sculpture, so here when preparing the «drawings» for his films he arranges the images and objects in space.

Initially focused on drawing and sculpting the figure, she worked through these media to an understanding of the physicality of objects in space, which has remained with her throughout her career and brought her directly to abstraction.

His series Studio Physics thus addresses «the physical phenomena of still and moving objects in space over time» through multidimensional still life compositions, the product of an involved process for which the artist first creates and photographs a still life arrangement — of oranges scattered over a table, for instance.

Objects in Space: Léger, Miró, Calder.

Methodologically, he arranges objects in space as a painter does approaching canvas with brush.

This seminar is to be held at the Co-Prosperity Sphere in the context of a show curated by Caroline Picard and Devin King, Field Static, which reflects upon objects in space, and the way they relate to each other.

Everything Is Collective play with the limits of human perception in their Brief History series (2014), crossing back and forth between photographed and computer - modelled imagery with their immaculate monochromatic still life images that experiment with the weight and placing of objects in space.

This app uses an on - screen pointer to accurately select objects in space, then a hand gesture to indicate a selection, movement or adjustment.

Lindquist writes: «We see Guston developing his visual vocabulary and palette... [and] distilling lessons in overlapping form and space... What is most fascinating about this body of work is how worlds of antiquity and the contemporary meld through Guston's touch and organization of objects in space.

Drawing repeatedly allows me to fully understand objects in space, while defining and redefining my own racial landscape.

There are formal limitations — we move in relationship to the sound, to the objects in the space, to one another — but these movements never resolve themselves into rules or principles as they might in a game or an exercise.

Mark Tansey's Hedge from 2011 (Lot 12) is estimated at $ 3,500,000 — $ 4,500,000, Fernand Léger's Objets Dans L'Espace (Objects In Space) from 1931 (Lot 36) and Agnes Martin's Untitled # 7 from 1984 (Lot 44) are both estimated at $ 2,500,000 — $ 3,500,000, while Alexander Calder's Janey Waney (Intermediate Maquette) from 1969 (Lot 31), Cy Twombly's Untitled from 1960 (Lot 32) and Frank Stella's Double Scramble from 1978 (Lot 37) are estimated at $ 2,000,000 — $ 2,500,000 each.

It's an architectural sensibility, it's really understanding how objects in space function», she says.

A fierce friend of Heiss, she notes that the two have often been overheard arguing, but, in her words, «In reality we are reliving a continuing dialogue about the best way to place objects in space.»

The current works bring together abstract figures, suggested landscapes, and visceral reflections on objects in space.

Burlap sacks were introduced, in homage to Alberto Burri, though they were stripped of the painting frame and exhibited as objects in space.

A retrospective of the Uruguayan - born artist will be on view here until March 11, 2018, as The Sculpture of Gonzalo Fonseca, which showcases around 80 objects in the space.

Multiple narratives and readings, as well as the approximate cartography of objects in space, are repeated thematically in the works in the basement, but the form is radically different.

Students will learn to translate direct visual observation into a painted surface that expresses the illusion of objects in space.

In its own way, Minimalism, too, was about objects in space.

The elusive, transitory images in the abstractions, when framed, can be seen as objects in space, displaying both buoyancy and weight.

Another Land: After Noguchi is a photographic response to the works of Isamu Noguchi (1904 — 88), using light as a sculptural tool to cast Noguchi's work as distant objects in space.

In addition, he invests great detail and highly specific color in the shadows that his still life subjects cast, intensifying the presence of the objects in space.

Flat Earth Games» Objects in Space is a space trading game where you must silently plot against space pirates and corrupt governments.

The «three - body problem» is a reference to how the math gets really hard when you are trying to project orbits of three objects in space.

The trio decided to call themselves Syzygy, a word describing when three or more objects in space align.

Two of Jubal Early's cards in Objects in Space, for example, won't strike but will instead force players to take a new flaw card every turn.