Sentences with phrase «objects in the exhibition with»

Not exact matches

The District EC Officer, Regina Tackey told CitiNews that, after the objections were raised during the just ended Voters Register Exhibition exercise; several efforts to get the objected persons to prove their residential status in the area, in accordance with processes prescribed in the CI 91 were unsuccessful.

Filmed in some kind of archaeological museum, with huge modern windows, safety railings in staircases and exhibition rooms with unclear medieval objects.

After breaking ticket records at the Museum of Contemporary Art in Chicago, the touring exhibition «David Bowie Is» hits NYC in March, with more than 400 objects from the celestial pop icon's life, including costumes, lyric sheets and performance clips.

A pair of exhibitions at Kavi Gupta gallery places the artist's paintings and sculptures in dialogue with arrangements of objects from his personal collections.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

In line with this idea, the exhibition seeks to create encounters with artworks and non-art objects that de-center and expand the scale of human perception.

Returning to the years immediately following his move to New York City in 1958, the exhibition illustrates the ways Dine incorporated household objects ---- often loaded with autobiographical import ---- into his paintings and sculptures as extensions of and metaphors for the human body.

In conjunction with her exhibition at Light Work, Mary Mattingly will be presenting Human and Object, a selection of video works at Urban Video Project (UVP) at the Everson Museum of Art.

This ten - year effort can be seen coming together in Asymmetrical Objects, a month - long exhibition curated by Zakaria Mehta along with Himanshu Kadam.

In keeping with his thorough investigation into image and reflection, the exhibition will include some of these objects, together with four paintings from the series Self Portrait with Skull Hat.

The exhibition presents paired mediums, doubled objects, paired compositions, Paris in both light and dark, and a large work with two canvases joined at a corner.

The exhibition «Wind» is accompanied by an exhibition of new wall objects under the same title at Neugerriemschneider, Berlin and coincides with the reconstruction of the historic Installation «3 Vollellipsoide Skulpturen» of the artist from 1978 at the Museum für Moderne Kunst MMK in Frankfurt a.M.

He often works with found objects and materials drawn from stereotypical references to African American culture such as chicken wings, dreadlock clippings and Night Train liquor bottles and the outdoors have served as his exhibition space where he has sold snow balls in the street and installed real porcelain urinals on trees.

As the title of the exhibition suggests, lapses in Thinking By the person I Am, one is confronted with not only typographical fragmentation, but also disconcertion for placing the work together with the train in some kind of logical context; by using the story of her body and objects that she interacts with, Pryde literally derails the misconceived notion that we are what we own.

2006 — Curated and designed an exhibition of artworks, objects and ephemera from the Kinsey Museum in West Hollywood, CA in conjunction with the release of the film Kinsey starring Liam Neeson and Laura Linney.

The artists in the exhibition play with notions of construction and improvisation to question our interpretation of the world through systems of language, knowledge, objects, and information.

Meanwhile, Xaviera Simmons in the back of the exhibition photographs living sculptures: individuals with tiny souvenirs and occult symbols dangling on them, the many disparate objects that populate memory and lived experience.

Among his solo exhibitions are: I Like The Flowers, Kunstverein Frankfurt, Frankfurt (2017); Objects in mirror might be closer than they appear (with Julian Charrière), Villa Bernasconi, Grand - Lancy (2016); Tiere sind dumm und Planzen noch viel dümmer, Kunstverein Göttingen, Göttingen (2015) and History of Apparatus, Kunstverein Arnsberg, Arnsberg (2014).

Her work, influenced by German artist Katharina Grosse, had a feminist bent in this exhibition in which she tortured objects associated with domesticity.

In the exhibition A Political Idiom, Radical Praxes fills the entire space not so much with a soberly installed objects as with a very specific intensity.

With this exhibition and publication, celebrated American photographer Joel Meyerowitz pays tribute to the Bolognese painter Giorgio Morandi and realizes his dream of photographing the objects Morandi painted in his splendid still lifes.

Like the members of the arte povera movement obliquely referenced in the title of his exhibition, Dark Povera Part 1, Harrison strives to break down conventions around what distinguishes art objects from the seemingly ephemeral, but with a 21st - century twist.

Following the residency, some of the objects that she is creating will go on to another life at François Ghebaly in Los Angeles, where Lin's fourth solo exhibition with the gallery opens on September 12.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

By 2007 the collection had grown to 888 objects, making the room no longer enterable.12 Since that year, the objects have been shipped and reinstalled for exhibitions at Gagosian New York and at Tate Britain, which now owns the work in partnership with the National Galleries of Scotland.

Its opening exhibition, «Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016,» is on par with the best museum exhibitions in ambition and quality, comprising many rare, big and fragile objects on loan from some of the major museums of the world.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

The title of the exhibition fits well: from his earliest object on display, Hunting Dogs Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death, there is a definite drive in the artist's work to contain a boundless and unpredictable human body, including the collective body — with all its joyful and painful emotions — within a certain aesthetic frame.

Three artistic points of view are presented in this group exhibition; using everyday objects, the artists inscribe their vision with ultimate intensity, making the least visible realities visible in very sensitive ways.

The exhibition opens with three such objects greatly enlarged: a lantern in pink and black; an egg, half in yellow and half in orange; and an enormous human skull in white.

Current exhibition: «Jason Moran: STAGED» Through July 30 «STAGED,» the first solo exhibition by the musician - composer - artist Jason Moran, presents objects and works on paper, including two large - scale sculptures with audio from Moran's «STAGED» series that were exhibited in the 56th Venice Biennale.

Oscar Murillo is now considered an established artist — and David Zwirner is currently presenting Murillo's first exhibition at the gallery in London — titled «Binary Function», which refers to the pairings that permeate the artist's multifaceted practice; with multiples that play against one another to create a dialogue that the exceeds individual objects, with another chance to step on the artist's work!

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.

Additional first - time exhibitors at Art Basel in Miami Beach who will feature artists from Latin America in Survey include Galeria Jaqueline Martins, with an exhibition devoted to Letícia Parente (b. 1930, d. 1991), a pioneer of Brazilian video art, and Ricardo Camargo Galeria, who will transform its booth into the studio of Brazilian painter Wesley Duke Lee (b. 1931, d. 2010), encompassing paintings, collages and a sculpture created out of assembled objects.

The cabinets in this exhibition suggest altars or shrines bringing modern - day ritual objects together with the artist's autobiographical memorabilia.

Instead, the careful selection of artists and works included in the exhibition encourage the visitor to reconsider the unique properties of the medium - primarily its ephemerality, and the ease with which it can be transformed into a variety of different objects - and, in doing so, Paper sheds a new light on this medium as both a raw material and a vehicle for artistic expression.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

In addition, the sonic documentation of exhibitions, combined with the remix format, catalyses exhibitions to become objects that are curatable.

The Park Life Gallery exhibition, «(Invisible) Relic,» curated by Andrew McClintock, examines works by two generations of California Conceptual Artists working with performative actions and re-appropriated objects in a variety of mediums including video, photographic, audio, sculpture and performance.

In his review of the gallery exhibition, art critic Jerry Saltz stated in New York Magazine, «This is his best show in more than 15 years of great shows, and it resounds with a complexity and cosmic instability not seen in solitary objects since Giorgio Morandi's miraculous vibrating arrangements.&raquIn his review of the gallery exhibition, art critic Jerry Saltz stated in New York Magazine, «This is his best show in more than 15 years of great shows, and it resounds with a complexity and cosmic instability not seen in solitary objects since Giorgio Morandi's miraculous vibrating arrangements.&raquin New York Magazine, «This is his best show in more than 15 years of great shows, and it resounds with a complexity and cosmic instability not seen in solitary objects since Giorgio Morandi's miraculous vibrating arrangements.&raquin more than 15 years of great shows, and it resounds with a complexity and cosmic instability not seen in solitary objects since Giorgio Morandi's miraculous vibrating arrangements.&raquin solitary objects since Giorgio Morandi's miraculous vibrating arrangements.»

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

To witness this, through an understanding of man - made objects, and as in this exhibition with a religious undertone, helps raise the idea of sameness, rather than difference.

Complementing the main exhibition is a display of design objects by Shiro Kuramata who collaborated with Takamatsu in the 1960s and 1970s.

During a discussion hosted by the institute which saw the artist discuss the exhibition with Marco Delogu, Director of the ICI, Gregor Muir, Executive Director of the ICA — Institute of Contemporary Arts, London and the curator Eugenio Re Rebaudengo, founder of ARTUNER, Cerutti emphasised his wish to objectify the body whilst giving a new sense of identity to the objects depicted in his paintings.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Through collaboration with various leading museums, galleries and exhibitions in Asia and globally and the UBS Art Collection encompassing over 30,000 objects of the highest quality, we encourage our clients and the public to actively participate in the art.

The exhibition presents works that variously investigate our intimate relationships with objects; works that act as vehicles for affective engagement or transactions of desire, including objects that carry the traces of things we can't see but have to trust, intuit, or perceive in ways that are not related to vision or hearing; and works that are engaged with actions of interpersonal care, trust, intimacy, or love.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Artists Sarah Crowner, Sam Moyer, Julia Rommel, and Erin Shirreff, will be in conversation with art and culture journalist Jacoba Urist about The FLAG Art Foundation's 10th anniversary exhibition Painting / Object: Sarah Crowner, N. Dash, Sam Moyer, Julia Rommel, Erin Shirreff, on view February 23 — May 19, 2018, on its 10th floor.

The golden «Gong» and the tables first seen as part of the «truth study center» installation, both included in this exhibition, are thus by no means his first engagements with the three - dimensional, though certainly the first works shown as uncompromisingly sculptural objects.